movies comes up is the studio’s popular princesses. Ever since Snow White made her debut in 1937, Disney has cornered the market on princesses. One primary topic that critics have discussed in Disney’s films is the way princesses are portrayed. The roles of the female characters are especially drawing the interest of academic critics. Jack Zipes, author of Breaking the Disney Spell, believes that the Disney princesses have regressed. On the other hand, Libe Zarranz, author of Diswomen Strike Back? The
Racism: discrimination which exemplifies stereotypical differences between the ethnic groups to which people belong. While Disney animated films are the ideal family movies, it is undisclosed to many that such racism is being portrayed. Disney’s movie Aladdin (1992), “was a high-profile release, the winner of two Academy Awards, and one of the most successful Disney films ever produced” (Giroux, 104); however, what is often disregarded is the obvious depiction of careless racism towards Arabs seen
many communal ideas imbedded in the plots that often go unrecognized. Fairy tales, more often than not, highlight a multitude of social aspects which might seem inappropriate for children. Constantly evolving, fairy tales, as indicated by Yolen and Zipes, illustrate the sexist views of the dominating class, the societal beliefs as they change throughout history as well as the community’s values especially during crisis. First of all, a rather sexist view of women has emerged from the evolution
Jack Zipes, in his essay "Breaking the Disney Spell", directly addresses the issue of what happens when a story is taken from its original oral form and written down. Zipes discusses in depth what Walt Disney has done to fairy tales and the consequences of Disney's actions. Zipes addresses many issues, including those of context, society, and alteration of plot. He accuses Walt Disney of attacking "the literary tradition of the fairy tale" (344). While many scholars disagree with Zipes' accusations
Zipes and Mollet Summary Tracey Mollet is a modern history researcher. She received her BA from Oxford and her MA from Leeds. Primarily she researched the Nazi regime in Germany, from 1933 to 1945. However while she was working on her MA she became more interested and captivated in the animation produced by the famous Disney Studios during World War II. This particular subject has not been researched or studied on: which made her even more interested and motivated. Her theses on her research
story today. In fact, the happy ending which exists in the Grimm edition of the story exists only because it was added by the storyteller, Jeanette Hassenpflug who borrowed it from another popular German tale, ‘the Wolf and the Kids’ (Darnton 11). Jack Zipes describes how ‘throughout the nineteenth century the Perrault version was generally garnished and transformed into a tale with more delicacy and ornateness, primarily for children of the upper class’ (45). In Perrault’s tale the young girl falls
Disney is loved by millions of people around the world, but when it is exposed beyond the smiles and the music, Disney is far from being magical. When Americans are asked to describe Disney into words, majority would often reply with energetic responses, such as magical, imaginative, creative, and inspirational. Although Disney’s accomplishments dominated the world of fairy tales and fantasies, many people argue that Disney targeted innocent children for all the wrong reasons. Walt Disney developed
Disney's Medievalesque Sleeping Beauty "It was not once upon a time, but in a certain time in history, before anyone knew what was happening, Walt Disney cast a spell on the fairy tale. He did not use a magic wand or demonic powers. On the contrary, Disney employed the most up-to-date technological means and used his own American "grit" and ingenuity to appropriate European fairy tales. His technical skills and ideological proclivities were so consummate that his signature obfuscated the names
The birth of fairy tales is many times unknown, but their reputations have always remained the same. These tales not only attract children with their wondrous lands and magical charm, but they captivate the child by involving relatable characters with recognizable problems. While these stories provide mind-churning imagination, the lesson they provide does not cease to exist when the book is closed. Bruno Bettelheim, the author of Uses of Enchantment, has constructed an evaluation that fairy tale’s
Literature Review Study of representation of women in Walt Disney Cartoon Characters. Title: Study of representation of women in Walt Disney Cartoon Characters. Introduction: As long as there have been civilizations, there have been stories, myths that are told to children. These stories are usually the basis of the cartoons characters except some which are from creator’s imagination. This story telling is a means of not only comforting and amusing a child, but of teaching the child the societal