Britney Spears’ Promotes Potentially Abusive Relationships in Her Song, Baby, One More Time

There is a fine distinction in the fabric of DNA that separates men and women- one has the opportunity to give life and one does not. Although beneath skin and flesh is the foundation of a body, the bones. What every human being also shares with each other is the ability to cast emotions. However throughout history, men have been brought up to be seen as if they have little to no feelings at all and women are to be too emotional. Everyone has the potential to feel pain at some point in their lives. Objectification is the central concept dear to feminist thinkers. Many think that objectification is something that remains in history, but it continues to be a problem in modern society. F. Scott Fitzgerald applies this to the characters in his book: The Great Gatsby. The underlying theme of the podcast: Relationship Radio dealt with the objectification of human beings. Aidan Buckner, Olivia Lujan, and Penelope Tucker’s three podcasts: You Can Buy Me Love, Daisy, Money and Usage, and Puppy Love tie the notion of objectification through the relationships: Jay Gatsby and Daisy Buchanan, Tom and Daisy Buchanan, George and Myrtle Wilson, and Tom and Myrtle Wilson through the book The Great Gatsby.

In her article “The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women,” Imani Perry argues that the objectification of women in the music industry is normalized in our society. Her purpose is to persuade us that most feminists who fight against the objectification and exploitation of women are ultimately colonized by the sexual fantasies of men. As a law professor at Rutgers Law School, Perry structures her text in a very effective manner. Using a general-to-specific organization scheme, she begins by outlining the recurring image of sexualized women in music videos, then presenting various cases of prominent feminist figures in the music industry.

“Tis the times' plague, when madmen lead the blind” (4.1.46-47). In the tragedy King Lear, blindness is a key theme that is repeatedly mentioned and represented in many different forms. Throughout the novel, blindness is most often developed in the forms of mental and physical blindness. For King Lear and Gloucester specifically, blindness leads them to decisions that they will later regret in the play, and Gloucester’s actual blindness is a mirror image of Lear’s spiritual blindness. King Lear’s main plot and Gloucester’s sub-plot are almost identical, and by both of them being blinded for a majority of the novel, they both come to realize the truth in what is actually occurring in their families.

Reading through any one of the hundreds of ‘chapters’ that Fern has written, it’s easy to see that if English was her first language, sarcasm was her second. She wrote bravely and unashamedly, mocking her society’s unjust view on women. In her column, “Children’s Rights,” she boldly proclaims, “Men’s rights! Women’s rights! I

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

Vic Lang, one of the central characters, is arguably most affected by the constraints society places on gender — succumbing to romanticised ideologies.

You can conclude that she is blinded for ambition, “It is her blind ambition that, ironically, blinds her to the truth about herself, that she is advocating a marriage of deception, that she believes is not only virtuous but also a necessity to achieving ones ambition, the crown (Ancona).”

For this assignment, I chose a quote out of the book “Clotel, or the President’s Daughter”. The author, William Wells Brown frequently integrated outside quotes and works into his novel for a variety of reasons. The quote that I chose to do my paper on, is not originally from the novel, but a Washington Irving quote Brown decided to include in the novel because it was consistent with his writing and helped bring together a theme that his novel rotated around. The quote can be found at the very end of the novel and it reads as follows: “A celebrated writer has justly said of a woman, “A woman’s whole life is a history of the affections. The heart is her world; it is there her ambition strives for empire; it is there her avarice seeks for hidden treasures. She sends forth her sympathies on adventure; she embarks her whole soul in the traffic of affection, and, if shipwrecked, her case is hopeless, for it is a bankruptcy of the heart.”” (103) One of the main purposes of this quote is to explain the decisions and thought processes of the female characters throughout the novel.

In the eyes of the world, Britney presents herself with a divided personality. In private she appears shy and insecure, while in public she seems surprisingly fearless. When not performing, Britney worries about how she looks when she goes to the store or shopping. She spends hours on her appearance in order to satisfy others rather than herself (Perrotta 238). She is referred to as the “savviest” entertainer of her generation, portraying both lust and innocence. While on stage, she grinds, moans, and even removes clothing. But offstage she swears she’s a virgin. The two images do not coincide (Klosterman 63).

This vagueness prompts his audience to inquire if his tone was adjusted due to their prior history together: Whether Sager reported a pacified version of the scandal, suggesting that Sager still regards her in an elevated manner; or whether the scandal was described in a more critical tone, alluding to a more devastating or negative outcome. Sager’s objectivity becomes blurred and overridden by subjectivity, due to the influential context that formed from the existence of a romantic

Tom is taking on the motherly role and exclaims, “Oh, God, can I bear to lose him?” (197). For the feminine to fully transfer, the final examples must show. First, Hughes shows Arthur in true feminine

Many pop songs today include empowering messages which call attention to inner beauty and self-acceptance. Melanie Martinez’s 2015 song “Mrs. Potato Head” suggests that her listener’s desire to become physically perfect comes from constant media influences. The song’s narrative features a character named Cry Baby, a young girl who begins a lonely journey into self-acceptance. The song uses a classic children’s toy as a visual metaphor for plastic surgery, and how a person may mistake a superficial change for deeper meaningful change. Being a pop song with child-like influences, “Mrs. Potato Head” is intended for the teenagers who were familiar with this toy, and who may be struggling with the mature message behind the song. The singer uses

And the husband’s vulnerability is shown is shown in his hostility to the blind man, whom he rightly suspects of having a psychologically more intimate relationship with his wife than he, with all his emotional blindnesses, is able to have.

desires. This display of shyness does not seem so masculine at all based on previous weeks’ readings, but as time has passed it is beginning to be thought of as masculine in the

Blindness Analysis Blindness is a motif that is seen throughout the play, whether it be literal or figurative blindness. The play revolves around the idea of blindness and almost all the characters at one point suffer from a point of being blind and oblivious to their surroundings. The first time we see blindness is with King Lear, in the very first scene of the play. King Lear is attempting to divide the kingdom between his three daughters.