Brokeback Mountain and the Western Genre Essay

In novels, characters are used to help the author show the way they are constructed. It is evident in the novel Blueback, by Tim Winton (1997), the construction of characters are what Winton uses to communicate the ideas that Abel is passionate about the sea, Abel fights for what he believes in and that Abel is loyal to his friends and family. These ideas are easily found, through narrative point of view and dialogue. It is clear that the author must deliver, character construction to any reader.

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources

In his journey across the landscape of Mexico, John’s character in the novel begins to transform. He is beginning to move away from that boyish and naive kind of behavior and more towards the middle stage of between being a boy and a man; adolescence. McCarthy spends a great deal in describing John’s adolescent’s stage in this novel. Much of the time that McCarthy describes in this stage is when they are out on the prairie with the horses connecting with nature. This connection allows John to have and a clearer understanding that there is a divine line between men and horses and that you can’t apply the same characteristics that you would apply to a horse to a man.

The sexual politics of the man-woman relationship, or more specifically the sexual exploitation of women by men, is a clear concern in Margaret Atwood's "Backdrop Addresses Cowboy." Although the oppressor-as-male theme is by no means an original source of poetic inspiration, Atwood's distinction is that she views the destructive man-woman relationship as a metaphor for, symptom and symbol of, bigger things. From the vantage-point of feminine consciousness, Margaret Atwood empahsizes the "backdrop" as being not only the woman, but also the land and the spiritual life of the universe; the "cowboy" is both a man bent on personal gain (possibly an American based

The short story Brokeback Mountain (1997) written by Annie Proulx received a lot of attention when it was first published in the New Yorker. The story is about the relationship between Jack Twist and Ennis Del Mar, two cowboys who develop a forbidden love for each other and have to live separate lives. They first meet when they both get hired to herd sheep on Brokeback Mountain in Wyoming. The movie adaptations by the director Ang Lee, came out 2005. And it received

Ford’s Stagecoach is an epic and revolutionary approach that displays the desert terrain and western inhabitant’s struggles. Stagecoach follows the lives of seven strangers in their attempt to arrive to Lordsburg, New Mexico. Each of these characters reflects the various types of people found in the western world. The film is laced with many American ideals of the time such as xenophobia, chivalry, the conventional standards of women, and much more. Stagecoach defies the conventional western film because it is no longer just men in a desert terrain with rifles.

The world of film has changed dramatically over the last fifty years, both in technology and perceptions on how the industry should work and how it is viewed by the public. The ending of the production code in Hollywood started the cultural change in the industry. With this restrictive institution gone, many directors chose to take advantage of this in many different ways. My favorite of these is Mel Brooks; he chose to break and push boundaries both socially and comedically. Brooks’ style often includes crude humor inlaid with deeper jokes and meaning, many fourth wall breaking moments such as the “We’re in now now” scene of Spaceballs, to stand out in the world of comedy. His masterpiece, Blazing Saddles, is one such film that did just that. Through its new found sense of humor in the post production code era and its twists on common genre tropes of the time, Blazing Saddles was able to find its place into the New Hollywood Cinema.

The story formula for Stagecoach structures around characters in the Tonto and introducing the characters, traveling to Lordsburg, stopping at Dry Fork way station for food and unforgettable dinner table scene, traveling towards Apache Wells in the snow, Mrs. Mallory’s baby born in Apache Wells, finally getting to Lordsburg but got attacked by the Indians, and ended with Ringo Kid in a shooting conflict. Stagecoach did a great job in the characters types. There are the protagonists, prostitute, gambler, schoolmarm. These are the specific character types in Western movies. The setting of the movie is on point. It’s in the American West and takes place in the 1880s. The location of Monument Valley is a favorite location for John Ford. The presentation of Stagecoach has many great exterior shots that collocate the characters with the environment they occupy. The stars in Stagecoach does fit in a Western movie. Like John Wayne, he stars in many Western movies. What makes Stagecoach a western is the traditional western theme. Like the fight between whites and Native Americans. There is a good use of the American West’s open plains and mountains.

The Wild West is one of the most famous time periods in American history. Spanning from post Civil War to the early 1900’s, the West was plagued by outlaws, deadly diseases, and harsh weather. The grim reality of the Old West is often overlooked, due to Hollywood’s portrayal of it. Many movies about the West are generally over dramatic; sending the message that shootouts happened everyday at high noon and other over the top conceptions. The reality of the “Wild West”, America in the 1800’s and early 1900’s, is not how Hollywood romanticizes it.

This is the first time jacks true feelings come out and he turns into psycho jack which is connected with the theme. This Scene we get with jack shows the importance of this topic and how it has a deeper meaning.

The film Dallas Buyers Club is a biographical drama whose plot is based around the HIV/AIDS epidemic of the 1980s. Early in the history of the illness, cases of a rare lung infection were found in five previously healthy young men. In addition to that, the young men all suffered from various other infections which indicated that their immune systems were not functioning properly. The new illness was so aggressive that before a report by the CDC could be published, two of the five men had succumbed to the illness. Besides the similar rare cases of lung infection amongst the five, there was one other shared characteristic; they were all gay men. By years’ end, there were 270 reported cases in gay men with the same disease; of that 270 however, 121 of those individuals had passed (Timeline of HIV/AIDS,2011). It was now clear that there was a new threat to gay men besides social ostracizing; HIV/AIDS had made its presence known.

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

The Western film genre is typically set in a secluded village in the middle of the desert, normally in the American West. The setting includes wooden buildings, tumble weed, cacti, trains, horses and carriages. The storyline for western films is usually the same, namely, a hero travels to a remote village, usually on a horse, and brings peace to the warring villagers.

Set in South Boston, Good Will Hunting is about Will Hunting (Matt Damon), a young man who immerses himself in books, drinking and friends to escape his anger and frustration stemming largely from his past experiences with abusive foster families. Will and his best friend, Chuckie Sullivan (Ben Affleck), hang out together with their small group of friends in impoverished areas of Boston, drinking and occasionally fighting down in Southie. Will works menial jobs, hiding his incredible genius (such as a talent for memorizing facts and an intuitive ability to solve complex math equations).