Broken Want In Tennessee Williams A Streetcar Named Desire

He is a very dominating: he overpowers his timid wife, Stella, constantly, to keep her from leaving him. He is very proud of his American heritage, several times referencing to his being in the United States Army and is enraged when Blanche calls him "common," or a "Polack." He seems incapable of refinement, and does everything whole-heartedly: he claims to love Stella thoroughly and hates Blanche vehemently. Stanley is honest to the point of brutality, and he does not care about offending others. Further, He even brags to Mitch about raping Blanche. He despises Blanche because they are opposites. His hatred of Blanche is so great that he rapes her, causing her final mental breakdown.

His mother known to be someone who constantly needed attention, was greedy, and tended to get into disagreements with

In ‘A Streetcar Named Desire’, Stanley Kowalski is portrayed as a very stereotypical and animalistic man; he feels the need for dominance and is very condescending towards not only the women in the first three scenes, but those who he considers friends too. He is a common working man and his intentions with women are always sexual and demeaning.

    Tennessee Williams is one the major writers of the mid-twentieth century. His work includes the plays, The Glass Menagerie and A Streetcar Named Desire. One theme of The Glass Menagerie is that hopeful aspirations are followed by inevitable disappointments. This theme is common throughout all of Williams' work and throughout his own life as well. It is shown through the use of symbols and characters.

Stanley shows a hatred for this woman’s remote coolness (Lessing 858). An attitude not yet displayed by Tom and long since forgotten by Harry, his anger reveals how he has dealt with the indifference of women before. Protected for the moment, by this lofty location, Stanley

Tennessee Williams is regarded as a pioneering playwright of American theatre. Through his plays, Williams addresses important issues that no other writers of his time were willing to discuss, including addiction, substance abuse, and mental illness. Recurring themes in William’s works include the dysfunctional family, obsessive and absent mothers and fathers, and emotionally damaged women. These characters were inspired by his experiences with his own family. These characters appear repeatedly in his works with their own recurring themes. Through The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams presents the similar thematic elements of illusion, escape, and fragility between the two plays, proving that although similar, the themes within these plays are not simply recycled, as the differences in their respective texts highlight the differences of the human condition.

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

how much of a man he was. After he hit his father, he felt a sense of pride as if he won a prize of some sort. The act was more selfish than selfless being that he was not thanked for it. After the incident, he looks at his sisters for validation for his actions but he has never seen the difference between them or separate the roles of them from their mother. His misogynistic views are passed down from his father and this is due to his immaturity and lack of exposure to the independent world.

The nature of motivations is driven by an individual’s need to pursue self interest, which directs their course of action. One’s interest is dependent on their influences as well as ambition to achieve goals. In Tennessee Williams’ modern play, A Streetcar Named Desire, Stanley’s actions are directed by his need to maintain power in his relationship with Stella even when these actions are immoral or wrong. The setting of the play takes place in late 1940s of New Orleans; where relationships are predominantly patriarchal. Stanley initially lived life in a stable relationship, taking the dominant role as a man. However, when Blanche is introduced into their lives, Stella is reminded of her upper class roots, interfering the life Stanley originally had. When Stanley’s predominant role is being challenged, Stanley’s need to reattain his personal equilibrium develops, impacting his course of action and treatment towards others. Due to this, Stanley struggles with fear and uncertainty, resulting in increased violence and a short-tempered nature. Therefore, when individuals have strong motives to reach their ambitions, their actions follows, even when these actions may be morally flawed.

betrayal, and violence. His father abandoned him seeking to find a life less confrontational to a

Stanley’s actions are intense and mostly uncalled for, Stanley is heavily motivated by the past and

Normand Berlin, author of "Complementarity in A Streetcar Named Desire" also agrees that Stanley is much in love for Stella. He states that "Stanley, himself a garish sun, claims Stella, the star". As much as Stanley loves and cares for Stella, he has a tendency to act the other way, not so loving. The aggressiveness of Stanley is probably his most evident character trait expressed through out the play. One might not think that a simple game of poker with the boys could turn so violent when a couple women walk in the room.

Stanley is a quick tempered man. (“ Don’t ever talk to that way to me!“Pig-Polack-disgusting-vulgar-greasy”-them kind of words have been on your tongue and your sister’s too much around here! What do you two think you are? A pair of queens?” ( Williams 73).)

is true in the extreme for Stanley, he does what he wishes and disregards the consequences. It is not a motto he actually employs towards the remaining characters; thinking only of himself, he does not care if anyone else is "comfortable" or not. Through dialogue such as this, Williams asserts to the reader/audience the fact that Stanley inherently fails to take into account the repercussions his own requirements and desires have on others. He is in total control and the only person endowed with power; therefore the only person he takes into consideration - and the only person his wife is allowed to take

Tennessee Williams was an American writer known for short stories and poems in the mid 1950’s. His more famous writing was A Streetcar Named Desire. His writings influenced many other writers such as August Strindberg and Hart Crane. His writings A Streetcar Named Desire and The Glass Menagerie was adopted to films and A Streetcar Named Desire earned him his first Pulitzer prize. In A Streetcar Named Desire there is many elements that build the plot and story line. The story is about a girl who is drove crazy by his sister’s husband and eventually sent to the mental hospital. The main plot is towards the end of the story when Blanche Dubois is blackmailed by her sister’s husband and raped by him. Everything takes its toll on her until she begins drinking heavily and is thought to have gone crazy and placed in a mental hospital. In this story, many things play affect in the contrast of the writing such as Blanche arriving at her sister’s house, seeing her sister’s husbands attitude, the poker game, Blanche getting raped. These events make Blanche an easy victim. In Tennessee Williams, a street car named desire, the start of kindness turns to tragedy and pain.