Bronx Tale Comparison

A Bronx Tale depicts the everyday occurrences that used to happen in my neighborhood, in exception with the racism that occurred throughout the movie. The shootouts between gangs, and the drug dealers in the corner stores and also the respected/well known individual of the neighborhood all this used to happen in my neighborhood. The movie takes place during the 1960’s, a time where the civil rights movement was still occuring. Its setting takes place in Bronx, New York in a Fordham neighborhood which is populated by people of Italian Decent. Sonny the gangster of a mob is feared throughout the streets but also respected and looked up to. Calogero the son of a bus driver, who lived next to the bar that sonny always hanged out in, always used to copy all the moves and gestures that sonny did. One day Calogero witnessed sonny shooting a man in front of his house. When questioned by detectives and told to point out the shooter, he didn’t point out sonny. After that Calogero from a young age became sort of sonny’s right hand. Although many events happen throughout the movie, sociological forces and ideas are present in the movie. Forces that are shown include the groups that exist in this neighborhood, the micro- macro dynamics of the society that Calogero is living in, sociological imagination, and most importantly a problem between races. The sociological forces are needed in order to drive and

The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American

Francis Ford Coppola directed the gangster crime drama film, The Godfather (1972), inspired by the novel of the same name, written by Author Mario Puzo. The film plays out in the beginning how Don Corleone declined to join the narcotics business with notorious drug lord Sollozzo. With this in mind, one of the greatest gangster films created by a man who decided to lead, and not follows. Moreover, explaining the formalist approach for this film which covers an array of elements that include plot structure, camera techniques, editing, mise en scene, and sound. The following film critique will analyze “The Godfather,” beginning by utilizing the formalist approach theory, camera technique and sound gradually introducing additional theories

Gangs of New York (2002), a bold and violent movie directed by Martin Scorsese takes us back to a New York without skyscrapers and modern-day lavishes that shows the rise of violent gang power and political corruption. Starring Leonardo DiCaprio and Daniel Day-Lewis, the film features a personal struggle placed within the context of gang warfare between Nativists and immigrants, which is set in the larger context of the Draft Riots and the Civil War. It is a reconstructed historical narrative that uses interlocking events filled with gang violence and political corruption to show how the modern New York was born.

It’s the sixties. Racism is running hot through the streets of New York. One neighborhood in particular, where one group of boys makes the choice that will change their lives and everyone’s around them forever. These boys are young, full of talent and smart. These boys choose to take all of what they had and throw it away. What happens to these boys next is something that you would not want to wish on anybody. Here these young talented boys cram into a car and ride to the African-American neighborhood. The boys toss burning bottle of alcohol through a glass window into a store. With burning bottles shattering left and right there is one that doesn’t break. This one bottle was tossed back into these boys car and there is

One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during the years 1945-1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn’t a blood-related family, but a crime family. The novel’s theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone family

“What goes around comes around, that’s what people say. So all the pain you caused me will come back to you someday” (Unknown.) The theme of “what goes around comes around” is exemplified in both the Grimm version and the Disney version of Cinderella, however the Grimm version definitely exemplifies the theme more effectively than the Disney version does.

The story of Cinderella is well-known by most people, however, there are several versions of this beloved tale. There is the one told by the Grimm Brothers, depicting a world where moral choices can affect your life in extreme ways, but it is Walt Disney’s 1950 cartoon version of Cinderella that most children think of when the story is mentioned. This version leaves behind both the question of morality and the bloody punishments, allowing children to enjoy an eye-catching, G-rated film. Both of these versions use their respective mediums to emphasize what the creator deems to be most important: a lesson about piety and goodness in the Grimm tale and the entertainment factor in the Disney cartoon. These are each shown in different ways, according to the medium used.

The movie I’m going to focus on is Baby Boy. Baby Boy is a movie by John Singleton set in California and focusing on a young black man named Jody and the struggles he faces in everyday life. I chose this movie because I can kind of relate to the story being that I’m from California and I’ve seen a lot of the situations presented in the movie. Jody is in his early twenties and has two kids by two different women, Yvette and Peanut. He still lives with his mother and acts like he is still a kid, hence the name of the movie Baby Boy. Yvette considers Jody to be her man but he’s still messing around with his other baby mama Peanut, along with numerous other women. Jody and Yvette are constantly arguing about his infidelity and his

The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters are feeling at a specific moment. Through the use of freeze frames, we learn of significant moments that shape Henry into the man that he is. By means of first-person narration we are able to know exactly what is going through a particular character’s mind. Finally, wonderful editing made great use of point of view and multiple jump cuts, which added to the sensation that we are undergoing the same experiences as the characters on screen. I will go into further detail and specify scenes that convey these elements as the essay progresses. Altogether, Martin Scorsese’s Goodfellas effectively depicts paramount scenes and allows the audience to empathize with the characters by virtue of stylistic editing and cinematography.

The critically acclaimed film, Goodfellas, is a gangster crime drama that features a great deal of talent. Household names such as Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Golden Globes and Academy Awards nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters are feeling at a specific moment. Through the use of freeze frames, we learn of significant moments that shape Henry into the man that he is. By means of first-person narration, we are able to know exactly what is going through a particular character’s mind. Finally, strong editing made efficient use of multiple jump cuts, which add to the sensation that we are undergoing the same experiences as the characters on screen. Altogether, Martin Scorsese’s Goodfellas effectively depicts paramount scenes and allows the audience to empathize with the characters by virtue of stylistic editing and cinematography.

When talking about a true American crime story, one can start and end the discussion with one of the most powerful and influential true stories ever told: GoodFellas. Based on the incredible true story, the film follows the rise and fall of Lucchese crime family associates Henry Hill and his friends throughout the 50s, 60s, 70s, and 1980s. Originally written as the non-fiction novel “Wise Guys” by Nicholas Pileggi, the story takes you deep into the world of arguably the most notorious crime posse America has ever known: the Italian Mafia. It is viewed by scores of critics and moviegoers alike as one of the greatest crime/drama movies ever filmed – so needless to say, with such a

In the movie A Bronx Tale, young Calogero witnessed a shooting outside his house. The cops show up at his house later that day to question him. The police officer had Calogero go to where the police had a line of men who were suspects of the shooting. Calogero got to Sonny, who was pretty much the head gangster of the neighborhood. Calogero knew it was Sunny but chose to tell the police it wasn’t any of them. The lie that Calogero told to the police is morally wrong because according to Pollock, in the ethics book “Morals and morality refer to what is judged as good conduct. (Pollock, 8, 2012). I would say that the lie he told

Martin Charles Scorsese was born November 17, 1942. Suffering from asthma, he spent most of his time watching movies and by the time he was eight, he was already drawing his own storyboards that were directed/produced by himself. Although he considered going into priesthood, making movies was Scorsese’s true calling and he went on to make some of Hollywood’s most memorable films. Incorporating themes from his Italian American roots into his visceral, cinematic storytelling that has influenced generations of filmmakers. He is an American director, producer, screenwriter, actor, and film historian, whose career spans more than 53 years. Scorsese 's body of work addresses such themes as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, machismo, modern crime, and gang conflict. Many of his films are also notable for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinema history. For three decades Scorsese has been at the forefront of American cinema. Its most avid champion and often its most electrifying practioner. The most cinematic of directors, he has also been among the most formally restless and exploratory, evolving an obsessive-compulsive mise-en-scene based on dynamic, agile camerawork and radical editing rhythms.

The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir to his empire, while war is breathing down the neck of other crime families. Michael Corleone (Al Pacino) then steps in to organize the family back to shape. Directed by Francis Ford Coppola and based from the novel of the same name written by Mario Puzo. It received critical acclaim by critics and was cited as an influence by real life mobsters due to its rather realistic portrayal of gangster life and Cosa Nostra.