Brosnan's Role In 4 Bond Films

James Bond Stockdale did not choose to become a prisoner of war, but he accepted it. He understood the reality of his situation and chose to make the most of it. He did not succumb to threats and maintained his morality. The decisions made when tempted or in a state of chaos emblematizes integrity. Integrity alone did not get Stockdale through Vietnam, his education in history and the classics comforted him. Through knowledge of Vietnam’s history, he discovered that the Vietnamese were once held prisoners. Unfortunately, history tends to repeat itself; using this logic, Stockdale sympathized with the guards and understood their anger and the mistreatment of the P.O.W.s. The knowledge of literature gave solace and answered why he of all people became a prisoner. Life is not fair, how one deals with these obsticles determines their fate. In my own personal account, Stockdale’s theories accurately describe life. His methods of dealing and overcoming hardship resembles a code of ethics that I too follow and believe. What defines integrity cannot be expressed in words, only

I would like to state the importance of an actor performance and mise-en-scene of the male hero to portray the representation of masculinity in this film. Connells (1995) addresses that Bruce Wayne’s character is the definition of the hegemonic representation of masculinity which embraces and exploits the over exaggerated standards of masculinity of them being serious, unnaturally strong, wealthy and cool. His facial expressions also help contribute to this

= Since the revival of Australian cinema in early 1970s, Australian films have focused on certain themes of social perceptions and representations of masculinity. We see dominant,

We encounter Bond as a fledgling British agent, yet to gain MI6 double-0 Status, with its ‘licence to kill’. The film strikes me as being more violent than previous Bond films, showing him cleaning up after the action - indeed, some of his injuries as portrayed were genuine, according to The Ticket, November 2006. He is less ‘superhuman’, too, than in the other films; for example, he’s not as adept at ‘free-running’ as his adversary. The new less-than-perfect Bond (he upsets M by

the opening sequence, in The world is not enough he got his hands on a

He is an ordinary man prone to nervousness, anxiety, paranoia, and fear like most of us. He is not naturally gifted with uncommon valor. He overcomes his weaknesses and acts courageously despite a natural lack of courage. His actions, seemingly trivial at first glance, are acts of courage when viewed in the context of his universe. His choices represent a rebellion against an evil force that surrounds him physically and psychologically. He does not suppress his awareness; he embraces it. He chooses the path of freedom, of action and thought in a world where such a choice guarantees unimaginable physical and emotional anguish. At the conclusion of 1984, the man who betrays his lover Julia and is filled with overwhelming love for “Big Brother” is no longer Winston Smith. He is simply a mindless physical reminder of the man he once was, created by torture and behavior modification that no human is capable of withstanding. His physical and psychological inabilities to resist extreme pain and anguish do not make him a failure. They simply make him

But all he wants is to be happy and he wants this so bad, that he manipulates the people in his life and end up pushing them away. His relationship with his first wife is a prime example, at first Kane and his first wife couldn’t have seen more happy, the typical American marriage. He even tells his wife he’ll call the inquiry to tell them he can’t come in until the afternoon just to spend more time with her. But as time goes on he becomes obsessed with the newspaper business, and spends most of his time at the inquiry. To me the power and wealth he gained temporarily filled the hole in his heart and that’s why he became obsessed with it because it brought him happiness. But when this wasn’t enough for him anymore, he manipulated people, almost forcing them to love and adore him. This causes him to push away all his friends, and workers at the inquiry. His

One point may be just through story details. At the end of the short story, The Cog, by Charles E. Fritch, the audience figures out that James is the President of the World Republic. This detail could seem a bit hypocritical, since James is practically the ruler of everything, yet he wishes he was an astronaut. Also, James seems to be rethinking his life in a old man manner. The author uses the author crafts to make him seem a little wiser, and uses them is a dark but faint way. However, the author of the short story, The Cog, Charles E. Fritch constantly tells the readers that James feels betrayed by life, and regret on how he lived his life.

Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.

Much like the society of Denmark, corruption crept its way into Big Brother’s society in 1984. Big Brother has absolute control over every aspect of its citizens from physical to emotional. The fear that it brings upon its people emphasizes the control and constant reminder that “Big Brother is always watching you” (Orwell, 4). Winston barely survives these emotional roller coasters that the totalitarian government has put them in and straddles along in a government job, trying to piece together how he feels and what he should do with his life. The society influence can be seen in hate week, hate rallies, and the two-minute hate. Winston finds himself conforming to the crowds chants and people having no control over their own minds as they would drop there own beliefs just as an assigned speaker changes sides. To the extreme, the government is turning kids into these mindless spies, robbing them of their innocence. Madness, again, drives citizens in these rallies that “[were] not that one was

Travolta too is in good form. Brenner is an unusual combination of sharp mind, deprecating humour and overbearing brutality and is allowed a cutely underplayed sexual frisson with fellow investigator Sara Sunhill. And there’s an enigmatic James Woods stealing scenes as an oddball military shrink who spars deliciously with Brenner.But what should be powerful and stirring is just plain ridiculous. The script lurches between logic-defying plot developments and shameless, giggle-inducing big speeches which are obviously designed to build some all-American heart. By the time the bulb flashes above Brenner’s head and the perpetrator is sussed the story has wound itself up to such a twisty turny extent, tying in all the suspects on some level and establishing such a bafflingly, deep-seated motive, a clue was that this girl was hardly the apple of daddy’s eye, it’s hard to actually give a monkey’s who done it. Any ironic inflections toward the American military or intelligent feminist comment is lost in the

One of the more interesting parts of the movie is James’s reaction to the real word. It shows that James cannot cope in a civilian lifestyle. This is very evident when he goes back home to the States. In the supermarket he seems lost, a feeling he never really seemed to have in Iraq. He hesitates when he picks out a cereal; James never hesitated back in Iraq. His inability to cope with civilian society is also very evident when he is in his house. He tries to tell his ex-wife all about the stories he has from Iraq but she does not listen. It appears that being in a bomb squad is the only thing that he talks and cares about. The defining moment that explains James’s inability to be a civilian is when he talks his son. He says that there is only one thing in the world he loves. The next scene shows him going back to Iraq and putting the bomb suit back on. This scene in particular highlights his addiction to war. He was unable to have a happy life at home so he needed to go to the one place that made him happy. It can be compared to a drug addict going back into a relapse after a break. Although one can argue that James’s addiction to war is an effect of the war which would make the movie anti-war, the last

As Winston is captured by the government, he is told that there are three stages of his “reintegration”; learning, understanding, and acceptance. Winston refuses to betray his lover Julia until the last stage as he yells to his tormentors, “Do it to Julia! Do it to Julia! Not me! I don’t care what you do to her. Tear her face off, strip her to the bones. Not me! Julia. Not me!” (300). , Orwell) Spewing such harsh and petrifying phrases about his past lover, showcases that Winston under the torment and oppression of the Party has capitulated and accepted Big Brother while breaking the final bonds of his romantic relationship with Julia. Instilling oppression on romantic love ensures that the citizens of Oceania love Big Brother and the government with their full capacity; confirming that the individual will never favour their loved one over the government. Once a courageous individual rebelling against the government, using his relationship with Julia as a weapon, now merrily a shadow of his former past, broken down by the oppression instilled by the government. By betraying his lover, Julia, Winston demonstratesions that the government has won. Contradictory to his initial feeling towards Big Brother, Winston’s love is now dedicated towards the government. In the aftermath of his “reintegration”, “[Winston] loved Big Brother,” (311) , Orwell) leaving no additional room in his damaged heart for Julia. However, Winston is not the only character who suffers with the decision of betraying their loved

title of the film, as it looks like James Bond is going to embark on

This failure saw the inception of a fresh and clearer lens to analyze the events of the time and that was Constructivism. They came up with a rather insighting view on the ending of the Cold War. Walt suggested that President Gorbechev