Brotherhood In Ernest Hemingway's The Red Convertible

The car was in good shape before Henry went off and joined the Marines but Lyman wanted it in perfect condition for when his brother arrived at home. The red convertible to Lyman is everything that he wants his relationship with his brother to be once he returns. Lyman wants everything to go back to the way things were like the summer before Henry left. When Henry finally does arrive at home, however, Lyman describes him as being "very different" and "jumpy and mean"(367). Henry no longer seems to have any interest in the car or in Lyman any longer. In desperation, to retrieve his old brother, Lyman goes out one night when Henry had gone out and "did a number" on the red convertible(367). This desperate act of Lyman is in order to try to bring the brothers together. Lyman feels that since they were connected through the red convertible in the past that it would bring them together now. When Henry sees the car messed up he becomes upset and instead of bringing the brothers together Henry becomes fanatically obsessed with fixing the red convertible. This event in the story shows how the war has changed their relationship from close knit to distant. However, once Henry gets the car fixed up he asks Lyman to go for a drive once again showing how the car and their relationship are hand in hand. The red convertible continues to bring the brothers together even in the worst of times.

The symbolism of the red convertible is the main metaphor for brotherhood theme in this story and focused on their connection to each other with the care; however, the color of red throughout provides a much more profound meaning. Edrich wants readers of all backgrounds to find some relationship with the color red. If any other color was used for the car, there might not be a deeper

Henry was a normal boy and did all of the normal things young boys do: making noise, being busy and active, nosing around in the refrigerator, and asking questions - all part and parcel of being a normal child. But he was brought up to believe he wasn't a "model boy." His parents were constantly interrupted by him - his mother while she was reading and grading papers, and his father so much so that he spent most of his time in his office on campus, joining them only at mealtimes. His father wished to remain "blissfully unaware."

The car is one of the most important elements that develops and supports the theme brotherhood. The car is a symbol that is meant to show Lyman and Henry’s close bond, and it holds the key to their definitive separation. The red convertible is also a symbol of success, and a connection to the white world for both Henry and Lyman “ I was

Looking at the plot of the story, one can see that the story deals with a psychological conflict. Before Henry had left for the Vietnam War he and Lyman had a close relationship and since coming back he changed significantly because of what he saw and experienced. Lyman explains, “Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over and he’d bitten through his lip. Blood was going down his chin” (Erdrich 129). This example shows how Henry is dealing with the post war stress and how he cannot get what he went through out of his head. As he sits and watches the replaying war videos, he is unable to get past that he can live again and go back to the way things were because psychologically he is still at war and fighting.

In The Red Convertible, LouiseErdrich uses the red convertible to symbolize the theme of change in two brothers relationship. The changes in the car parallel with the changes the brothers go through. As the car evolves, so does the relationship between Lyman and Henry. The two brothers have a close bond until Henry is sent off to war. Upon his arrival home, the changes in Henry and how he relates to his brother is apparent.

There was no actual evident mention of their American part of lifestyle until this point of their life, dealing with Henry after war. In the end, the reader can see that red convertible is a bigger representation of Henry and his individual changes after the Vietnam than anything else. It is his changes that affect his whole family and thus his strong relationship with his brother and thus why the car also counterparts their brotherly relationship. Further as the red convertible re-introduces itself throughout the story, it is the first and foremost object that shows the lifestyle of Henry and Lyman as Chippewa and American members of society.

Emotional connections between two people can be fortified with an object in which both people can care for and share with one another. In the story “The Red Convertible” by Louise Erdrich, Lyman and Henry have a special bond. This bond is emphasized in the red convertible because it symbolizes the connection that both brothers have with one another. After Henry goes off to war Lyman takes care of the car. Lyman cares for the car as if he were trying to preserve the bond that he and Henry had. Furthermore, Lyman knows to some extent that the bond between his brother and him is fragile because Henry has been gone away to war. The color of the car which is red has a double meaning which includes emotions such as the love that exists between the brothers, but also disaster like war. The war separated them both emotionally and physically, but despite this, at the end, they were able to relive the old days when their bond was at its strongest.

The returning of a dramatic event disables a soldier to adapt accordingly to everyday life. Ones conscious of reality is infringed upon Posttraumatic experiences of warfare, which unleashes an outbreak of inhumane actions directed towards existence and significant others. As the short story progresses after the event of the Vietnam War, the narrator says referring to Henry that:

Both Erdrich’s, “The Red Convertible”, and O'Brien's, “The Things They Carried” reflect the effects of psychological trauma left by war; specifically, the Vietnam War. In Erdrich’s piece, she uses the red convertible as a metaphor for Henry. The fact that the two brothers purchased the convertible together is a serves to symbolize their bond. Yet, when Henry returns from his tenure as a soldier, his mental health has deteriorated into an apparently depressive state. I believe that Lyman’s act of wrecking the car represents how the war has devastated Henry’s emotional state. In Henry’s attempt to restore the car, he is indirectly trying to mend himself. Indeed we see that in his effort to do so, he exhibits signs indicative of his previous

In Karen’s ‘The Red Convertible,’ the story is narrated by Lyman Lamartine who is the younger brother of Henry Junior who had just got back from Vietnam after the war was over. The whole story is narrated in a flashback unlike Tim’s ‘The Things They Carried’ where the story moves back and forth in time. For example when the author describes the things that the soldiers carried in the very beginning of the story, he mentions Ted Lavender carrying six or seven ounces of premium dope until he was shot. Karen emphasizes more on the relationship between brothers and compares the state of mind in which they were before and after the war. The younger brother Lyman hadn’t changed much where as the elder brother Henry was completely a different person after he got back from Vietnam.

Other stories, perceived as unrealistic, often are posited so because they contain elements we do not see in the real world; metaphoric fantasy, symbolism, abstractness. These concepts are all based on our own filters of perception – we discern what is historically accurate and what is legend, or myth, based on our position in culture and the lenses which we view ourselves. In “The Red Convertible”, we can see these concepts at play – Lyman, narrating the story of the relationship with his brother Henry, tells a story that flows very effortlessly. Things that happen around him seem to brush off of him, as if they are no big deal.

They didn?t have a plan. This gave them a destination and they went with it. Henry also showed his silly side when Susy showed them her long hair. He asked her to jump on his shoulders. Once she did it he declared, ?I always wondered what it was like to have long pretty hair? (366). This all ended when Henry got drafted. Lyman compared the old Henry to the new one. ?He?d always had a joke then, too, and now you couldn?t get him to laugh, or when he did it was more the sound of a man choking, a sound that stopped up the throats of other people around him? (367). Henry?s attitude had done a complete one-eighty. He was the exact opposite of his old self. According to Lyman, ?Henry was jumpy and mean.? (367)

The red convertible is a story about two brothers, Henry Junior and Lyman, with a strong bond. Together they have amazing adventures, one of them buying the red convertible. They decided to buy it because it was on sale and they happened to have money. The story narrated by Lyman, talks about memories of the two brothers before Henry went to War.

main relationship demonstrating human solidarity and brotherhood is the one between Ishmael and Queequeg, a white man and a tattooed dark skinned man of the South Seas. In the years before the Civil War, interracial friendship was a daring theme. Melville uses this pairing to bring out some comic relief and to contrast ideas of civilization, but he does give Queequeg dignity and treats the friendship seriously.
Queequeg calls it a “marriage” when they smoke the pipe together and vow to share both hardships and material goods. Ishmael says, “I felt melting in me. No more splintered heart and maddened hand were turned against the wolfish world. This soothing savage had redeemed it” . This