You wouldn't think it, but it’s true: fairy tales and butter are likes peas in a pod. While this may seem like a stretch, consider the fact that both of them act as a type of garnish, with both putting in efforts to make the bland seem less so. They’re also both incredibly subjective. How much butter to spread on a piece of toast is an individual matter, a decision that varies from person to person, case to case. For some, a huge slab of the stuff is needed in order to mask the utter dreariness of the scorched bread; for others, a mere dab is sufficient. There are those that put no butter at all, but they’re probably just self-absorbed braggarts, or lactose intolerant. The important thing to note, though, is that just as butter attempts to bring some flavor to a particular food, fairy tales can help fill the holes ordinary, or perhaps …show more content…
Thus, in order to fill the void, the girl created a world of her own, a world that helped her forget much and feel more. Bruno Bettelheim also touches on this subject in his piece Fear of Fantasy, where he talks about fantasy stories for children and what the importance of the former are to the latter. As Bettelheim says, “This is where the fairy tale [helps the child the] most: it begins exactly where the child is emotionally, shows him where he has to go, and how to do it”(Bettelheim 4). In other words, Bettelheim is arguing that every child has their own life, their own problems, and thus their own personal fairy tale. This line of thinking goes hand in hand with the revelation made at the end of Arthur Machen's book when after Machen writes about this incredibly imaginative young girl who essentially created a world of her own, it only made sense that the girl had a troubled childhood with little exposure to her much-needed
The tradition of telling fairy tales to children effects not only the listener but also the reader. Maria Tatar, in her book Off with Their Heads!, analyzes how fairy tales instill and reaffirm cultural values and expectations in their audience . Tatar proposes that fairy tales fall into three different tale-types: cautionary tales, exemplary stories, and reward- and- punishment tales. These three types portray different character traits as desirable and undesirable. Due to the tale’s varying literary methods it can change the effectiveness of the tale’s pedagogical value. In Tatar’s opinion, all of these tales are similar in the way they attempt to use punishment, reward, and fear to encourage or discourage certain behaviors. In the cautionary fairy tale “The Virgin Mary’s Child”, the use of punishment and fear to discourage certain behaviors is enhanced by the Christian motifs and values employed by the tale. These literary devices encourage the audience to reflect on and internalize the lessons that are presented in the fairy tale.
Maria Tatar’s “An Introduction to Fairy Tales” discusses the impact on how the stories help guide the children from their younger age. The first five paragraphs of the article mentioned about how the children can overflow with imagination, and can vividly see their reality of desire and also, fear. The fairytales can also corrupt the naïve minds of the child in a way of making them realize the reality of the world is unjustified, and people can be harsh. Moreover, Tatar gives an explanation on how people grow up with the same fairy tales with different versions; which gives an entirely different personal idea. Fairy tales also develop the child’s intellectual mind by reading various kinds of genre.
Fairy Tales are not just stories that parents tell to their children, but stories with hidden valuable messages which are mostly left on a side. In the article “An Introduction to Fairy Tales,” Maria Tatar clearly explains how people need fairy tales in their lives. Tatar also states how fairy tales have the ability to take the listener, especially children’s, into a journey in which they can play with their imagination so that they can discover their deepest fears and wishes. Personally I agree with the author, because of the fact that in an individual’s lives as they get older, they will try to define themselves, sometimes comparing their own life with a character from their favorite story or Fairy Tale.
Bettelheim’s theory is centralized on his argument of the importance of fairy tales on a child’s development. This argument was proposed through The Uses of Enchantment, he suggested that fairy tales provided images to the children and with these images they could structure a better direction to one’s life. Bruno Bettelheim felt that the use of fairy tales for child’s development represented good versus evil clearly, these stories helped children deal with problem of an inner self, the description of the heroes/heroines going out into
Yu writes that a young 5-year-old girl “weeps in a city without care./Without anyone to save her from her sins [...], exposed to beatings, not knowing that such behavior is normal” (Yu Lines 7-8). Due to the child’s very young age, readers can assume that her loss of innocence must have been influenced by external pressures from the media and society. As this child weeps in the middle of an ignorant city of people, she feels conflicted because of her inability to define reality; she is aware of the presence of dangers in the world, but is unable to let go of her childhood memories involving fun and happiness. The young child now understands “the concept of no magic, and that the fairytale is dead [...] [Similarly,] this princess knows nothing of childhood./But rather the bitter sorrows of the darkened morrow” (Yu Lines 16-18).
Little girl recalled how fairy tales showed her that if her attitude changes and stays positive that her chances of succeeding is higher. This teaches the little girl that she does not need anything else, but the conviction belief that she can accomplish this task. According to the Bettelheim, children use modern stories to escape reality and go into a fantasy world that gives them temporary relief. Since the story was not a fairytale, it left the girl off with no hope for getting better in the future. Not only do fairy tales help children develop, but it also gives them hope. Bettelheim demonstrates through another scenario how fairytale gave a little girl hope in sense of her difficult situation. The little girl used “Rapunzel” as a way to relate her situation with the main character. While reading she figures out that her “prince” in real life will eventually save her like it happened in the story, giving her hope to keep going according to Bettelheim. That story of hope was sustained until that little girl grew up and got married eventually not needing it anymore, but she was using it more as a safety blanket. She would only use the fairytale in time of need.
A parent will never know what goes on in the mind of their child, all a parent can do is shield the child from the negatives of life and hope negativity never enters their mind. Author Bruno Bettelheim wrote The Uses of Enchantment, published in 1976, the book contains an essay called “Fairy Tales and the Existential Predicament,” in which Bettelheim presents a psychological perspective of the impact that traditional fairy tales have on children. Bettelheim begins his essay with personal knowledge, rhetorical appeals (pathos and, logos) and textual evidence. In his essay, Bettelheim sets the stage by reaching out to to his audience, he writes “overcoming narcissistic disappointments, oedipal dilemmas, sibling rivalries; becoming able to relinquish
Throughout the first few paragraphs of Maria Tatars introduction to fairytales, she explains how these influential stories help shape individuals from a young age. As Tatar points out in her introduction, fairytales take children on an adventure where they can explore their imagination, and uncover their own fears and desires. Fairytales also corrupt the innocent minds of adolescents as they demonstrate, that the world can be unfair, and people can be cruel. This imaginary world [similar to life] can be a roller coaster ride of emotions; which can substitute as either an escape from reality, or a model for everyday struggles. Tatar explains that even though people grow up reading the same classic stories, like for example Cinderella, each one
Fantasy allows children to stimulate their imagination, develop abilities, clarify emotions, and understand the difficulties in life, while at the same time suggesting solutions to problems. However, it is impossible for “realistic” stories to do the same. These lifelike stories are often uninteresting, complicated, meaningless, and do not provide their readers with psychological contentment. As a result, authors like Bruno Bettelheim deeply express the importance of fairy tales for children and kids alike. Therefore, in my estimation, a child might be comforted and experience growth and awareness through the viewing of fantasy stories like The Wizard of Oz due to the
There are numerous genre’s in literature, but their level of importance and influence on an individual will differ. Exposure to books and stories is especially important for children because it is their opportunity to acclimate themselves to written language, and in turn create their own visuals for the toneless words. Maria Tatar writes, “Why Fairy Tales Matter: The Performative and the Transformative” to demonstrate how fairy tale’s written language can spark a child’s imagination as well as empower them. Through personal insight from distinguished writers— Richard Wright— Tatar builds her argument for the benefits of fairy tales— particularly the violent stories. The writer organizes her essay in a concrete fashion by using each paragraph to build on a proposed idea or to present a belief, but does not use contemporary writers personal anecdotes or heed to her own advice of avoiding childish fairy tales.
There is nothing more precious and heartwarming than the innocence of a child. The majority of parents in society want to shield children from the bad in life which is appreciated. Within human nature exists desires of inappropriate behavior; envy, deceit, selfishness, revenge, violence, assault and murder. The most well-known fairy tales depict virtue and the evil in life. Even more important, the form and structure of fairy tales suggest images to the child by which he can structure his daydreams and with them give a better direction to his life. (Bettelheim).
The fairy tale helps the child to understand a balance between the good and the evil; it gives him a hope for a good future.” Fairy tales assure the
In Tatar’s article, An Introduction to Fairy Tales, she draws us in by describing childhood books as “sacred objects.” She takes a quote from Arthur Schlesinger, Jr. describing how the stories give lessons about what a child subconsciously knows - “that human nature is not innately good, that conflict is real, that life is harsh before it is happy - and thereby reassure them about their own fears and their own sense of self,” (Tatar 306). She describes how many adults long for the simplicity of enjoying those stories in their childhoods, only to realize that they outgrew them, and instead have been introduced to reality. The original stories were more for adults rather than for children. Nowadays, stories have been adapted to be more suitable for children. Fairy tales may allow a kid to wonder due to their charm, but they also can
Many parents read fairy tales to their children. Young people are able to use their imaginations while listening to these fantastical stories. Filled with dragons, witches, damsels in distress, and heroes, these tales stay in the mind children for years to come. However, these young listeners are getting much more than a happy ending. Fairy tales such as "The Goose Girl", "The Three Little Pigs", "Cinderella", and "Snow White" one can find theories of psychology. Erik Erikson's theories of social development as well as Sigmund Freud's theory of the map of the mind and his controversial Oedipal complex can be found in many fairy tales. Within every fairy tale there lies a hidden lesson in
As we grow up, we hear fairy tales and we read them into our lives. Every word and every image is imprinted into our minds. The fairy tales we read are never abandoned. They grow with us and our dreams become molds of the many morals and happily ever afters fairy tales display. We tell children fairy tales when they go to sleep and they read them in school and we even have them watch Disney adaptions that reinforce them further. Generally, they were everywhere while we grew up and they continue to be present while children are growing up now. But what influence do these stories have? We casually expose our children to these tales, but in some cases they can have particularly, harmful personal effects on them, although there is nothing completely or visibly “bad” about them or about the characters in them. Before we divulge our youth to these stories, we should assess their substance and see what sort of effect they may be having on them. They have received so much scrutiny and have been studied by many. Recognizing fairy tales effects on the minds of children is vital in their development. This paper will focus on the underlying messages that the average person wouldn’t recognize in these everyday stories. There’s a modern distort with fairy tales because while they still are widely popular with the youth, they influence children’s self images, outlooks on reality and expectations for their futures, especially for young women.