Brutus: A Tragic Hero

Brutus was in fact a betrayer, and while he did feel sympathy for Caesar after he died, he killed him along with the other conspirators and even started a war of sorts in Rome, causing many to fall in battle- himself included. While Brutus was persuaded by fake letters, no man should be as gullible as him to completely switch sides on only the basis of three anonymous letters that were stuck to his window. Brutus was a villain who felt that he was the hero, more concerned about the safety of the government he loved rather than the friend that he loved.

In tragedy plays, there is always a tragic hero who has a tragic flaw in his personality may it be excessive pride, poor judgement, or both which eventually leads to the hero’s downfall where the hero can perform no action to prevent it. In Julius Caesar by William Shakespeare, Marcus Brutus is the tragic hero of the play due to his tragic flaw which is his naïve and over-trusting personality, which he eventually realizes too late and performs an action to prevent his loss of dignity.

Similarly, by not destroying Mark Antony along with Caesar, let alone allowing him to speak in Caesar’s funeral, Brutus engineers his future’s demise. “‘. . . Antony is but a limb of Caesar. Let’s be sacrificers, but not butchers . . . let’s kill him boldly, but not wrathfully . . . and for Mark Antony, think not of him; for he can do no more than Caesar’s arm when Caesar’s head is off’”(916). This is an even greater fallacy than the first. Antony’s rage and passion is enough force alone to drive him and the Roman army to kill every last conspirator, gossiper, and senator who was set against his great Caesar. The fiery drive behind Antony was an imminent threat to Brutus and the conspirators, yet because of Brutus’s flawed logic, Antony lived and they died. Another illustration of this is when Brutus makes the decision to allow the silver tongued Antony to speak in Caesar’s funeral. After a weak, unconvincing speech given by Brutus to the public, Antony takes center stage, capturing the hearts, minds, and attention of the people, essentially turning them on their former leader. “‘Oh most bloody sight!’ ‘We will be revenged.’ ‘Revenge! About! Seek! Burn! Fire! Kill! Slay! Let not a traitor live!’”(954). Brutus’s most prominent, fatal flaw is his lack of sound judgment.

As noble and great as Brutus might be, all tragic heroes have some tragic flaws and make some errors of judgment, which leads them to their downfall. In this case Brutus's great flaw is that he is too honorable, and he's too naïve when he is dealing with people. An example of an error of judgment is when Brutus underestimates Antony, and thinks him incapable of being dangerous after Caesar's death, "For Antony is but a limb of Caesar...he can do no more than Caesar's arm When Caesar's head is off."  This turns out not to be the case. One example of Brutus's excessive honor being damaging to him, is when he decides that only Caesar should die and no one else even if they seem to threaten his cause, as Cassius warns repeatedly that Antony does.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

In Julius Caesar, written by William Shakespeare, Julius Caesar defeats Pompey, the previous ruler of the Romans, and takes control of Rome. Many people object to it, including the conspirators who assassinate him. Marc Antony, an ally of Caesar, speaks at his funeral and turns the citizens of Rome against the conspirators which ultimately leads to the death of the majority of the assassins, including their unspoken leader, Brutus. A truly insightful glance is offered into the character Brutus in Act II, scene i, lines 120-146. At this point in the tragedy, conspirators led by Brutus are plotting the death of the tyrant of Rome, Julius Caesar, and moving on to the final stages of their planning stage, preparing

In “The Tragedy of Julius Caesar”, Brutus was a villain. He was a man who loved Caesar and was a friend of Caesar’s throughout the play leading to his death. Throughout the play, Brutus fell for the manipulative ways of Cassius and the other conspirators. Brutus made several mistakes along with being a bad person in the play. He had several faults which involved him killing one of his closest friends one of the first acts of the play. There were some ways that Brutus is a good person, but those ways are hard to find over the bad choices he made over the course of the play.

A tragic hero in Shakespearean literature is understood as a noble and heroic character who makes a series of bad decisions based on his bad judgment that leads to his downfall and eventually death. In William Shakespeare’s play Julius Caesar, the tragic hero is Marcus Brutus, a powerful Roman senator who joins a conspiracy to assassinate the Roman ruler, Julius Caesar. Marcus Brutus is a tragic hero because of his noble reputation, his moral personality, the cathartic experience that the audience feels from his life and his tragic flaw: idealism.

In Julius Caesar Brutus displays the traits of a tragic hero through out this play. His tragic flaw is his being too naive. He makes an error in judgment, and when this error occurred it causes his own downfall. But Brutus causes his own downfall when after killing Caesar all of Rome turns against the conspirators. And all these events cause his death. However, the factors that have made him a tragic hero are discussed below:

For several centuries, tragedy is one of the many popular genres of literature. In every tragedy, there is a tragic hero who makes an error that leads to their own downfall. William Shakespeare is known to have written many tragedies, which includes Julius Caesar. Due to the many downfalls of numerous characters during the play, it consequently led to arguments about who the tragic hero is. Some critics argued that Julius Caesar, who the play is named after, is the tragic hero while others reason that Marcus Brutus is the tragic hero. However, through the analysis of two essays “Julius Caesar- A Tragic Hero” and Toby Le’s “The Tragic Hero of Julius Caesar”, it became evident that Marcus Brutus is the tragic hero of the play because he demonstrates several characteristics: a tragic dilemma, tragic flaw, downfall, and an epiphany. Considering the main points explained in both of these essays, I am also persuaded that Brutus’s character best fits the standards of a tragic hero.

ii.158-161). Marcus Brutus is striving to maintain what Junius Brutus fought so hard for. Also, to be a tragic hero, you must suffer a catastrophe. In that matter, Brutus’s downfall was trusting and having good faith in the other conspirators. Brutus had only wanted to kill Caesar for the good of Rome and its people.

A tragic hero is a great or righteous character in a dramatic tragedy who is certain for downfall or defeat (dictonary.com). Briefly a tragic hero is a righteous character with one or many flaws. Caesar is a great example of a tragic hero. Caesar was seen as dictator and had a great love for Rome, but his greatest flaw was his arrogance which eventually got him killed. Caesars flaws also resulted in his defeat by Pompey. Caesars desire for power was also another flaw which was discussed by Cassius, “Why, man, he doth bestride the narrow world/

Brutus commits three costly mistakes during the play. The first mistake that he makes is that he participates in the assassination of Julius Caesar. “People, and senators, be not affrighted.

In The Tragedy of Julius Caesar, two potential protagonists are presented to the audience. Both Brutus and Caesar have been mentioned as possible protagonists, but there can only be one protagonist. But who is the real protagonist? Although there is proof to back up Caesar, Brutus has more proof and solid proof. Therefore, Brutus should be named protagonist of the story.

Brutus, a conflicted senator obsessed with his civic duty, convinces the people of Rome that his motives in killing Caesar were just and noble by rhetoric. Brutus is the only conspirator to have impersonal motives in killing Caesar. In fact, his motives are trying to find the best solution for Rome, and in the end, he must make the hard choice of killing his best friend for his homeland. As early as Brutus’ conversation with Cassius in Act I, Brutus exhibits this deep love and respect for Rome and how this love is conflicting with his love for his friend, Caesar: “[P]oor Brutus, with himself at war, / Forgets the shows of love to other men” (I.ii.51-52). Brutus brings up this internal conflict again when he tells the crowds that although he did love Caesar, he loved Rome and its people more. After Brutus’ murder of Caesar, he realizes that the issue of the public opinion of Rome is of the utmost importance. Because of this love for Rome, Brutus uses rhetoric to persuade these plebeians to approve of him and his cause. When Cassius warns Brutus about “how much the people will be moved / By that which [Marc Antony] will utter[!]” (III.i.252-253), Brutus tells Cassius that letting Marc Antony speak “shall advantage us more than do us wrong” (III.i.261). In these cases, Brutus demonstrates his awareness of