Buchi Emecheta's The Joys of Motherhood and Wole Soyinka's Death and the King's Horseman

a kind of mirroring, portraying colonial impact, that non-native people want to accept and is a

The evangelists are very accepting, as they take in the osu, outcasts from the clan. They offer salvation along with freedom, which Nwoye has been searching for for a long time. However, because of Nwoye’s action, Okonkwo disowns him. Later, when Obierika goes to visit Okonkwo, he finds that “Okonkwo [does] not wish to speak about Nwoye.” Moreover, Okonkwo tells his other children that “if any one of [them] prefers to be a woman, let him follow Nwoye” (Achebe, 172). Okonkwo then asks himself how he could have “begotten a woman for a son” (Achebe, 153). According to Okonkwo, Nwoye has become weak because he has joined another religion. Since Okonkwo believes he is the most masculine man in Umuofia, it is unbearable that his child turned out to be such a failure. This unbearable change in his family creates a ripple effect of events that become worse and worse for Okonkwo.

In Junot Diaz’s short story “Wildwood,” many may argue that Lola’s mother Belicia deserved admiration for her subconscious overprotection and love for Lola that she portrays in an uncaring, despicable manner and especially because of her strong, independent fight against breast cancer. However, I think that Lola’s mother was unadmirable due to her lack of support, her weak role as a mother, and primarily because of her constant verbal and physical abuse that she bestowed upon her children.

As humans, we tend to rely on others to guide us in choosing “right” decisions. In “Hills Like White Elephants,” Ernest Hemingway tells a story of an American man with a girl, named Jig, having a conversation about whether or not Jig should undergo this “operation,” which we could assume is abortion. Jig looks to the man to tell her what she should do and what would happen afterwards, basically looking for a “right” decision. The girl is torn between listening to the man, who pushes her to have an abortion, or separating from the man, to instead, keep the baby. Hemingway uses setting and symbolism to interpret the girl’s struggle with abortion.

Throughout history, we see various forms of colonialism that have happened in the world. Multiple groups of people were affected by this act of colonizing. An example of the groups that were affected would include the Cherokees and the Mayans. Both of these groups of people experienced colonialism in similar ways, either by adaptation or resistance nevertheless they still had their differences.

With an overwhelming amount of power, humanity becomes lost in the desire to control. In the novel Night by Elie Wiesel and the connection “A Spring Morning” by Ida Fink, both authors demonstrate a common theme of dehumanization by using literary devices such as: specific diction, symbolism and tone.

The memoir Night by Elie Wiesel and the allegorical novella Animal Farm by George Orwell have both rightfully earned the many reactions and views the readers have towards the descriptions and recollections written within these classics. Least to say, both are deep and invoke strong sentimental reactions towards what you learn from them. Though many differences show themselves in the books, such as how Animal Farm is more about the events leading up to and during the Russian Revolution while Night is leaning more towards the horrendous events that happened during the Second World War, many similarities also make an appearance. For example, the Jews in Sighet were, for the most part, hopeful and were in denial of what was happening around them throughout the range of events. Also, at the end of each story, there were identification issues, for lack of better term, with the characters.

The poem “The Mother” written by Gwendolyn Brooks in 1945, is a poem that focuses on the immeasurable losses a woman experiences after having an abortion. The poems free verse style has a mournful tone that captures the vast emotions a mother goes through trying to cope with the choices she has made. The author writes each stanza of the poem using a different style, and point of view, with subtle metaphors to express the speaker’s deep struggle as she copes with her abortions. The poem begins with, “Abortions will not let you forget” (Brooks 1), the first line of the poem uses personification to capture your attention. The title of the poem has the reader’s mindset centered around motherhood, but the author’s expertise with the opening line, immediately shifts your view to the actual theme of the poem. In this first line the speaker is telling you directly, you will never forget having an abortion. Brooks utilizes the speaker of the poem, to convey that this mother is pleading for forgiveness from the children she chose not to have.

A comparative literary study of the effect of mental illness on the central characters is the semi-autobiographical novels The Bell Jar by Sylvia Plath and Girl, Interrupted by Susanna Kaysen. Comparing two women trying to deal with mental illness and are trying to cope with the mental pressures they put on themselves and by other people. Although the differences between these two novels are The Bell Jar shows Esther’s life before she descends into mental illness whereas Susanna’s story is about her time in a mental institution and experiencing other patients who are in similar situations.

In the book The Feminine Mystique, Betty Friedan brings attention to what she calls the feminine mystique, or “the problem that has no name”. Through the use of anecdotal narratives, her own personal experiences as a journalist, editor, mother, and the interviews of many women from different backgrounds in order to unveil the truth about the women of the 1950’s. The problem which sparked the second wave of feminism in the United States is one that focuses on the inequality between men and women and the undervaluing of women in both the social and private spheres. The women of the time gave up pursuing their passions, such as getting an education or careers in science or business in order to fit the image of the stereotypical stay-at-home mom whose main goal in life is to raise her children while providing a safe and comforting home for her husband. The Feminine Mystique, as she called it, was the idea of widespread unhappiness of women, despite the preconceived notion that women were happiest when they have a family. Throughout her work, she dives into many of the problems associated with the feminine mystique and builds a powerful concept of what would eventually be labeled feminism.

In Chronicle of a Death Foretold, Gabriel Marquez employs the motif of flowers within the novel to illustrate the role of women within a Latin American society; the cultural and symbolic implications of this associate flowers with purity, victimization, gender barriers, and deceit. In doing so, Marquez creates a microcosm of Latin America, exposing the core of Columbian culture and society with all its aspects such as ethnicity, and social norms and conventions that led to a series of insecurities and poverty in the community, and its affect on the role of women. The cultural context of this novel must first be considered before examining the symbolic importance of flowers.

Shielded from the atrocities of slavery during her childhood, Jacobs depicts family life among slaves as one that remains intact in a “comfortable home” (29) through the example of her own family. Each member held limited rights along with the ability to work and the privilege to use their earnings as they pleased. It is not until the death of her mistress where she finally begins to feel the effects of slavery in the sudden separation of her family who are “all distributed among her [mistress’s] relatives” (Jacobs 33). The separation of family is one of the most integral subjects of her narrative since “motherhood [plays a great role] in her life” (Wolfe 518). Jacobs appeals to the emotions of her female audiences by contrasting a slave mother’s agonies in her separation from her children with the “happy free women” (40) whose children remain with her since “no hand” (40) has the right to take them away. The separation of families in Douglass’s narrative does call for some pity but the event is not as tragic in comparison to

“There is no protection. To be female in this place is to be an open wound that cannot heal. Even if scars form, the festering is ever below” (Morrison 163). Toni Morrison, in her novel A Mercy, suggests that women in 17th century American society were constantly subjugated as inferiors no matter their class or privilege. Although Rebekka and Widow Ealing were both privileged, white women, they still faced the societal pressures that harmed the mother-child relationships among the slaves – Lina, Florens, and Sorrow. Each chapter of A Mercy is told from a different character’s perspective, allowing readers to understand the similarities among the female characters’ standpoints during this time period. By depicting the tribulations of motherhood that extend beyond society’s narrow stereotype, Morrison exposes how societal pressures of the late 17th century America influenced the complexities of motherhood.

In the novella Chronicle of a Death Foretold, the author Gabriel Garcia Marquez, uses the element point of view supported by certain motifs to portray society and how its gender roles affect the narration. The author’s choice in doing so is important simply because the novella is based on a real life story which occurred in Sucre, Colombia, in 1951, where he had lived. The incident happened while Gabriel Garcia Marquez was in college studying journalism, just like the narrator of the novel. Marquez happened to know some of the people involved, which gave the novella more significance. In the mid twentieth century, Colombian culture had various aspects due to its diversity and how society had evolved while still containing traditional

Furthermore, the Igbo society parallels agrarian societies of a lesser developed world before colonialism unlike British’s religion that has developed into a society of education through urbanization. The novel shows how the Igbo peoples are uneducated on the common understanding of humanity. For example, in Things fall Apart Umuofians believes that the killing of children, specifically twins is ethically right, believing that twins are a work of the devil. When the white man comes they learn the basis of fifth commandment which teaches that God is the decider of who lives and who dies. For this reason, a pregnant woman named Nneka had watched her twin children get killed multiple times. Her family had made her feel as if she has failed to fulfill her womanly duty so she converted to Christianity and found an accepting family. As Achebe states, “Nneka had had four previous pregnancies and childbirths. But each time she had borne twins, and they had been immediately thrown away. Her husband and his family were already becoming highly critical of such a woman and were not unduly perturbed when they found she had fled to join the Christians.” (Chinua Achebe 1958) This example really show how their religion could be deemed as uneducated because their society killed innocent children due to the fact that they were twins whereas in a Christian society they were