Essay Buddhist Japanese Art

Our lives are closely connected with an art. People easily regard an artwork as something that is far from our lives, but it is always around us. Now, I would like to introduce one of Buddhist artworks of Korea. The title is Pensive Bodhisattva. The artist is unknown. However, it was made in mid-7th century during the Three Kingdom Period. The dimension of this artwork is 8 7/8-inch and the medium is gilt bronze. It is located in Gallery 233 among other Korean artworks at the Metropolitan Museum of Art now.

Confucianism’s major impacts on the bushido code have come from its ethical teachings, primarily those from the Five Relations. Historians suggest that Confucianism was introduced into Japan via merchants who travelled across the East China Sea from neighbouring Korea and China as early as the 4th century AD. If this view is accepted it would make Confucianism one of the earliest foreign religions introduced into Japan thus playing an imperative role in shaping Japanese ideology.

Buddha in the Land of Kami reviews Japan on a historical account. It revisits the story of the Kami and elaborates on the country’s uniqueness. Significant to Japanese culture, this film recognizes Chinese culture as the primary influence on Japan formation. The film given categorizes as a historical documentary that appears to be in the setting of Japan from the seventh and twelfth centuries. Although World History; Culture, States and Societies, explore a different time frame (500 B.C.E- Seventh century), there are still many similarities as compared to the documentary; such as the importance of the Kami, and the role Chinese culture play on the development of Japan.

Buddha statue that “remains on earth as a means of helping other believers lead a better life so that

The Orange County Buddhist Church located in Anaheim at 909 South Dale Avenue is one of the few temples that practices and teaches Jodo Shinshu Buddhism in America. Although Shinran Shonin first established these traditions about 800 years ago in Japan, it did not reach the United States until the late 19th century by Japanese immigrants. Since then, Shin Buddhism has grown and developed Americanized features that contribute to its message of acknowledging the interdependence of all aspects in the universe as a way to reach a state of self-realization and happiness. With the help of Buddhist believers, the establishment of Shin Buddhist temples continues to grow and more people are welcomed to absorb the unique beliefs about oneness and transcending duhkha.

In this paper it will discuss the influence of the Buddha and how Buddhism came to America and the impact it had upon its arrival. How the American culture westernized Buddhism in their own way and how it looks today. It will also cover the difference of ethnic Buddhism and convert Buddhism in America. More specifically the objective of this paper is to explain descriptively and analytically and go over the historical time line of

There are many aspects of this world such as culture, technology, or art that have been influenced by other things. The way that things influence each other has allowed for new possibilities and ideals to be formed. Religion is no exception; there have been many instances where religions have influenced each other and blossomed due to new ideas being presented. A good example of this the relationship between the two religions: Buddhism and Shinto. Buddhism was brought into Japan during the early 6th century from Korea, and was later institutionalized as the state religion in the late 6th century by Prince Shōtoku. The Prince was a great patron of Buddhism and by having made it the state religion, it would help Buddhism spread. However, Japan was not without its own religion—Shinto—which had been there for many years prior to the arrival of Buddhism. With Buddhism gaining traction in Japan with the help of Prince Shōtoku, what then does it mean for the Shinto religion? However, Shinto was not long forgotten, which leads to the question: how did the two religions, Buddhism and Shinto, interact with each other when Buddhism arrived in Japan? In this essay, I will discuss how both Buddhism and Shinto were closely tied to each other in Japan, and how they would influence each other in different ways that allowed them to grow into new directions.

Buddhism is a religion that focuses more on the individual and the actions of that individual, which was prevalent to me when I made my way into Portland and set foot in a Buddhist temple. The man I met within the walls of this temple was far from my stereotypical thoughts of Buddhist monks. The man I met looked like your plain old, average Joe, American man. Before I delve into the depths of my visit to this inspiring place, I need to sum up the Buddhist religion and why I chose to study this particular group of people.

Sayre the author says, “The Buddha is the most extensive collection of large-scale sculptures in the world and can be found an hour north of New York City in the lower Hudson Valley at Storm King Art Center (“A World of Art”). Zhang seems to like the traditional aspects of chinses culture, because he re-used an ash material form other artists, to create his own sculpture. The techniques he used to create the sculpture is casting, assemblage, and construction. Without using these three additive techniques of sculpting, the artwork wouldn’t have been fragile, and not overwhelming in size. The subject of the “three Legged-Buddha” is another conflict with the governmental rules and regulations, and it has drawn a lot of attention due to its strong message that it conveys. When I initially examined the art piece for the first time, it looked like a huge dismantled, three legged human figure. I thought it was a symbol for keeping your body in better shape over your mind. The most amazing part of the sculpture is how extremely large it is compared to the electrocution sculpture. After reading and interpreting the sculpture it struck me that it was made for ceremonial gathering, where incense placed and burned from inside of the sculpture, and pours out of the head. I think that the artist was trying to involve the visitors in his sculpture. Since Zhang Huan

This facilitated the increasing practice of Buddhism in Southeast Asia attributable to influences from foreign Buddhist merchants to the nations thus integrating itself into civilization and daily life (Adler and Pouwels 2008, 64).

practices. I must stress that this was not a formal or universal change in religion but a

The group of objects chosen for this paper comes from the collection of the Saint Louis Art Museum. The title of both pieces is called Seated Bodhisattva Avalokitesvara (Guanyin). Both these pieces which are statues were sculpted in china. The earliest statue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavish silk garments while a jeweled crown sits atop his head. The statue is carved from wood and painted with gesso, pigments, and gilding. The statue made during the Tang Dynasty depicts the Bodhisattva sitting in the easy pose as well. It also depicts the Bodhisattva in flowing robes while wearing a string of jewels.

Buddha Amitabha is a bronze statue that was found in Zhaozhou Hebei of China. It was made in Sui

During the Heian period (745-1185AD) Buddhism spread throughout Japan and thrived in the imperial court in Heiankyo (Kyoto). There were two sects of Buddhism that were most popular during this time, one was Tendai and the other was Shingon. Both of these sects of Buddhism came from China and were brought over to Japan by two different people. Saicho or Dengyo Daishi brought over Tendai sect (767-822) and Kukai or Kobo Daishi brought over Shingon sect (774-835) known as Esoteric Buddhism. Tendai sect beliefs were also of Esoteric Buddhism, but Saicho teachings were based on Chih-I form inspired by the Lotus Sutra, the practice of Chines Ch’an, the commandments of the Mahayant, and part of the esoteric teaching of the “True Word” (History of Buddhism). Due to both Saicho and Kukai being introduced to Esoteric Buddhism, some might have thought there was a rivalry between them, but that was not so due to Kukai was consider an expert due to his training he had with his mentor. Out of the two sects it would be Kukai that would still have a strong hold in the Japanese culture today. It is important to understand how Kukai came to understand his beliefs and what Esoteric Buddhism was for him and the influence Kukai would have on Esoteric Buddhism.

Watson and Yampolsky (1990) note that Buddhism was introduced to Japan via the Paekche kingdom of Korea, and eventually, Buddhism had such a prevalent status within Japanese society and government, that as the population looked to their government officials for guidance and support regarding religious mattes, Buddhism served as a promoter of social harmony and peace (1-3). According to Murano (2003), Nichiren was a devotee of the Tendai-school, and dedicated himself to the promotion and restoration of T’ien-t’ai Buddhism, heavily based on the Lotus Sutra, as well as to re-establish the worship of the Syakyamuni Buddha, which Honen’s Nenbutsu practice had largely disregarded (5-6). Born in Awa province as a fisherman’s son, Nichiren began his Buddhist study at age 11, and by age sixteen, was ordained as a Tendai monk on Mt. Hiei (Osuka, slide 8). By 1253, he established that the only true route to enlightenment was through the Lotus Sutra, was intensely critical of other Buddhist teachings, and maintained an air