Building Description Of The Guarantee ( Prudential ) Building

Burnham and his partner John Root were Chicago’s leading architects. Daniel Burnham had experience in designing buildings that had never been attempted. Despite the soil conditions, Burnham and Root built the very first skyscraper, The Montauk. Burnham had extraordinary managerial and organizational skills. Burnham and Root together were able to build their firm to be one of the best in Chicago. They continued to do many challenging projects such as the Rookery and the Monadnock. Daniel Burnham handled many difficult times before he made a positive name for himself. Burnham was also very good to all his employees, “He installed a gym. During lunch hour employees played handball. Burnham gave fencing lessons. Root played impromptu recitals on a rented piano,” (Larson 2003, 27). In 1885, a fire had destroyed the Grannis Block that was Burnham and Root’s flagship structure. In 1888, “a hotel they had designed in Kansas City collapsed during construction, injuring several men and killing one” (Larson 2003, 29). With all the verbal attacks on Burnham’s career over both of the incidences, he remained very calm, but he was still very heartbroken.

One of the innovations was the construction of skyscrapers. Before steel was used, a skyscraper was only considered four to five stories tall and was made out of stone. Very little light was able to get into the building because the structure would become unsafe if too many windows were put in. This made the building very dark, cold and damp. In 1885, with the innovation of steel, the first skyscraper, The Home Insurance Building, was built in Chicago, Illinois. This building paved the way for architects around the country to build taller and stronger skyscrapers into today’s times.

These impossible lengths of the building gives the reader insight on how powerful Burnham is with architecture. Burnham’s mind “pioneered the erection of tall structures” (13). that gives the visual image that Burnham made the first tall buildings of his generation, a huge accomplishment for an architect. Larson uses Burnham as the “leading architect”

The building is four stories high made of brick, tile, and concrete. The east façade also has Classical features such as a frieze, dentils, cornice, raking cornice, entablature and an architrave. The front of the façade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2).

The Eshelman Building was built in 1872 in Clarence New York. It is currently located in its same position as 150 years ago where what is currently called the four corners. The builders of this piece of history are John and Jacob Eshelman and after that point their nephew, Andrew Eshelman took over. The building is 3 stories and each one had its own purpose. The first floor was the store and they sold clothing to hardware. The second floor was a 3,000 square floor apartment, or bed and breakfast where some political figures stayed during elections. There was an interior fire in the 1900s but luckily the beautiful exterior stayed intact for all of us to see today. The third floor was used as a stage for theater and entertainment and was

The Guardian Building was founded by The Union Trust Company. Smith Hinchman and Grylls architectural firm and designer Wirt C. Rowland were crucial to the grand design of the historic site (“History-Guardian Building”). One strong characteristic of the lobby is a grand motto made of inlaid tile. This motto is pictured in figure 1. It upholds the ideals of the building, of the founders. It is not just a motto of the past. It envisions a grand future for the current city of Detroit. The tiles read, “Founded on the principles of faith and understanding this building is erected for the purpose of maintaining and continuing the ideals of financial service which prompted the organization of this institution.” This building was not some boring old bank building. It was built to be spectacular- a cathedral of finance. It was a grand part of commerce in

Stability and balance is also achieved through the incorporation of the vertical and horizontal planes. In the southwest facade of the building the vertical slits are balanced with the horizontal planes created by the cubes, cornice and the ornamental horizontal band that runs halfway through the walls. These vertical and horizontal planes further dictate a rhythmic continuity throughout the building. Building's scale is rather modest in comparison to its site and the surrounding landscape and the smooth texture of the facade helps its integration to the environment. (Figure 4)

A lot has happened in architecture since Louis Kahn death in 1974, some of it are really good, some are dreadful and we have different preferences about which is which. However, Kahn’s work look better than ever on its own terms. Better in its solidity and gravity. He was an architect of beautiful contradictions and one of the few to create architectural elements out of scale with the human figure. His buildings are very elegantly designed but are constructed of basic, often crude materials. Consisting of

Pilgrim Assurance is a case that involves a sealed bid auction. Therefore, the auctioneers will need to sell the building to the highest bidder involved at a minimum bid of $15 million. David Bailey is given the decision to decide on how much to bid for an office building. Furthermore, he needs to make the decision whether to lease it as office space or to convert this office space into condominiums. In this case, I will analyze the goals and objectives of Bailey as well as the other participants. The sealed bid auction indicates that they are willing to take a chance on the market and try to receive high bids. There is no problem with the government participant besides using permits to do renovations. There is

The Hose Tower is more than just an old building. Buildings can have meanings. Important buildings are symbols. Buildings can reflect values. The renovated

The Fuller “Flatiron” building was designed by Chicago’s prominent architecture firm Daniel H. Burnham and Company ¬– lead by Daniel H. Burnham. Located in the 22nd and 23rd street of Broadway, Fifth Avenue, New York, the building was originally built to serve as offices for a major Chicago contracting firm, the George A. Fuller Company, hence its initial name. As the building finished construction in 1902, the detailed beaux-arts style skyscraper is immortalised through its unique relationship to its urban context then and now, and memorable photography by Edward Steichen and Alfred Stieglitz – making the Fuller “Flatiron” building a famous landmark in the intersecting streets of New York City to this very day.

Mies van der Rohe is one of the most prominent figures in modernist architectural history, the man who popularised some of the most influential phrases of the era, e.g. “less is more”, and strove to push his ideas and philosophies, not just on what he thought a building should be, but of what he thought architecture itself was. He changed the cityscape of America, showing the world a style that was simple and elegant, with such a controlled palette of expressions that shone through in its geometric beauty.

Today technology allows us to construct structures that we would never have been able to make in the past. Some of the creations are impressive based on what they accomplish but others are masterpieces in themselves. Man’s capability to build such tall buildings, as the skyscrapers we are familiar with covering our cities today, is a major expression of the advancements we have made as a culture. The power necessary to build such tall structures inspired competition between architects to see who could build the tallest one. One skyscraper that has inspired many and served as a model, for high rise buildings that were created after, is the Chrysler Building. The Chrysler Building serves as an identifying mark to anyone that

For whe“When the Eiffel Tower was built in 1889 in Paris it, in a way, taunted American architects to build something taller. By the early twentieth century a skyscraper race was on” (Rosenberg 1). Smith and Raskob teamed up and were racing against Walter Chrysler (founder of the Chrysler Corporation) to build the tallest building. Being the envy of the city was not the only purpose of building such a fantastic building, but there was also a practical reason. Tenants were willing to pay higher rents in tall buildings. So, the owner of the tallest building collected the highest rents and became even wealthier (Mann 12).

Herman Hertzberger created the inside of this building to be one social space. He created low ceiling for concentration around the work space but also created open spaces to seat between breaks or to take a breather. The building has four different entry ways that connect in the heart of the building making it the meeting place, it is also the space most open. Hertzberger made a format to arrange rooms to be social or antisocial. He creates these spaces so that people are looking at each other or away from each other. These spaces are made for up to four people creating social spaces between coworkers. The spaces are made to choose between open meeting places and hidden secluded spaces.Hertzberger created the open spaces to make it feel like you are outside, in these open spaces the building has natural light coming from above and has greenery throughout. There are also rooftop spaces created to take breaks and catch some fresh air. The rooftop spaces are larger so more people can gather in these spaces rather than chatting through the hallways. The main focus Hertzberger had was to make it feel cozy and homelike as much as possible.