Bulk Food Figurative Language

“The Misunderstood Shark” was written by Gregory Skomal, a biologist at the Massachusetts Division of Marine Fisheries and shark fanatic. His article was published by The Wall Street Journal on August 7, 2015. The engaging title, itself grabs the reader’s attention, making the reader feel sympathetic towards the shark. Upon hearing the word, “shark”, an individual may cringe. The author makes a solid claim that our attitudes about sharks are changing, but not towards direction it needs to be. He supports his argument with strong appeals to logos, pathos, and ethos throughout the article.

In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

“ The story of the whale is so remarkable, that were there not so many witnesses, I would not venture to tell it, lest I be accused of exaggeration.”

In Consider The Lobster, David Foster Wallace raises an ethical question: “Is it right to boil a sentient creature alive just for our gustatory pleasure?” However, this essay is not to provide a definite answer to this question but lets the readers come up with their own answers. Wallace uses rhetorical strategies such as comparison, imagery, and questions to make the audiences think deep about the moral lens of consuming lobsters.

Blackfish is a shocking film that reveals a lot of information regarding Sea Worlds famous known “Killer Whales”. These enormous whales are highly trained by trainers of Sea World who perform for thousands daily. The film uses the tragic tale of Tillikum to support their many claims and an investigation of the Sea World

The movie Blackfish is a documentary of the story of Tilikum, a captive killer whale that has taken several lives, exploits the issues amongst the sea-park industry, and illustrates how little is known about these intelligent mammals. The experiences and treatment of the Orcas in Blackfish share commonalities with that of Blacks in America. The film touches on commonalities that can be generalized in comparison with slavery: family, captivity, sound and language, natural and captured behavior, separation. Through genes, captivity and the psychological and physical abuse of the whales in the movie Blackfish, one can determine and acknowledge that there is a correlation between the situation of African Americans today and the enslavement

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

After all this is a family, theme park and favored vacation destination for many. Some people do not want to see the darker side that this book represents, yet Grom’s twist of the logos inspires individuals to consider the proposal offered. Grom aims to acquire those people by introducing the friendly whale, casually swimming on the cover. The photographer attempts to draw in the reader, with the subtitle, “SHAMU and The DARK SIDE of KILLER WHALES IN CAPTIVITY.” The font is in all caps as if it is screaming to the reader to look at the logos, or the logic of whales in captivity. “Shamu” is SeaWorld’s iconic trademark, and a recognized character accepted in the homes of families all over the world. Any person that frequents the park learns that Shamu is a stage name and not the name of any of the whales. The light blue font coming out of the dark blue background symbolizes the truth coming out of the darkness. From a logos side of Grom’s argument, one is stimulated to evaluate the claims of whales in captivity.

what we currently eat, but the entire reasoning behind why. He delves into how advertising,

In Nantucket, the whaler’s island, every man had to be a whaler. Even if it wasn’t his dream job, just because it was the only way to survive in the island without being dropped out of the community. Philbrick introduces us to this starting point by quoting the words of Thomas Nickerson, the one who had been taught to “idolize the form of a ship” (Philbrick, 1).

He presents the promotion of The Food Pyramid as the Golden Mean of nutrition within the 20th century, and not just in the Westernized Parts of the World, but worldwide, in places where for centuries a local food, ensured the nutritional balance and the survival.That has created a desired foods. Additionally, promotion of frozen foods and canned foods, was another type of strategy ensuring that people want certain things. A strong example Patel provides, that shows the level of absurdity the changing of the taste-bud conspiracy can lead to, is about a certain kind of sh, that's been fished near the coast of one of the countries in South America, processed and canned in Norway, and send back to that country to fill in grocery stores. This shipping of food from various parts of the world to people that “naturally” want it, and are entitled to have it, brings us to the next issue Patel looks

Many people have grown up around school lunches without knowing much about them. With these people trusting the schools to serve healthy lunches to students, not many people care to worry about what they are eating. Growing up ignorant about food is easy to do, but why settle for convenience if it harms the body? In Melanie Warner’s novel, Pandora’s Lunchbox: How Processed Food took over the American Meal, she goes over the history and science of many well-known food companies and the products these corporations sell to individuals. Warner explains how food science became popular to study and how progressive America’s food technology has come. Pandora’s Lunchbox is a remarkable read through its personal stories and demonstrations. Despite her fruitless comments about the science of food, Warner’s approach shows that her writing style and personal testimonies connect with the reader.

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

Save the Whales, Screw the Shrimp is an essay written by Joy Williams, about the overwhelming complacency that todays culture shows towards nature.Williams argues in a very satirical way, that todays culture has all but completely lost touch with what nature really is, and that unless we as a nation change our morals regarding the role that nature plays in human existence, we may very well be witnessing the dawn of our own destruction.