Burial Rites By Hannah Kent

At some point in our lives, we all come to realize that death is a part of life. Cultural diversity provides a wide variety of lifestyles and traditions for each of the unique groups of people in our world. Within these different cultures, the rituals associated with death and burial can also be uniquely diverse. Many consider ritualistic traditions that differ from their own to be somewhat strange and often perceive them as unnatural. A prime example would be the burial rituals of the Native American people.

In the essay “The Embalming of Mr. Jones,” (1963), Jessica Mitford is describing a procedure of embalming of a corpse. She writes that people pay a ton of money each year, but “not one in ten thousand has any idea of what actually takes place,” and it is extremely hard to find books and any information about this subject. She assumes that it must be a reason for such secrecy, and may be if people knew more about this procedure, they would not want this service after their death.

Set in the harsh patriarchal society of 1829 Iceland, Hannah Kent’s Burial Rites uses historical fiction to reimagine the life and death of Agnes Magnusdottir; a woman sentenced to death for her involvement in the murder of two men. The role of women in this oppressive society is thoroughly explored, establishing a social commentary which juxtaposes the double standards, sexual abuse and primitive gender roles of 19th century Iceland to the independence, equality and lifestyle choices for women in the 21st century.

On September 11th 2001, 70 years old Rita Laser lost her brother. Along with Kelly, Colleen, David, Eva, and Amber who as well lost someone special to them in the attack. Many of the victims families hid in silence after the attack, full of sadness, the government was trying to get revenge for the victims that were lost in the attack. However Rita Laser had a different outlook, she and others did not want revenge by killing other, her, Kelly, Colleen, David, Eva, and Amber were all trying to install peace into the world not start a war. In Sue Halpern’s “A Peaceful Mourning” describes that in the aftermath of the attack they have all devoted their lives into advocating peace throughout the world, in their lost one’s name.

When we have strong love for others, we take risks, we go against our beliefs, we put ourselves in danger, and we let our loved ones go. Without love, there would be none of that. In this book, The Dead and the Gone, written by Susan Beth Pfeffer, a comet smashes the moon closer to earth and it creates all sorts of problems. Alex, a teenage boy with two sisters, starts a long journey of survival and risks. This story is so realistic, at times was hard to read. You start to ask yourself these tough questions, like what you would do in a specific situation. Through out the whole story, love is definitely a recurring theme. It shows you how well love can hold a family is distress together.

The two cultures that I decided to compare and contrast is the Mexican culture and ancient Egyptians. Mexicans have embraced death as a part of life. The Mayan and Aztecs practiced human sacrifices which gave and example of acceptance of death. In Mexico when a loved one passed on to a better life the viewing traditional takes place at the family’s home. A catholic priest comes to the family’s home and leads a mass in honor of the recently departed. The coffin in placed on a table along with candles on the side. After the funeral the family members get together and pray for nine days to guide the deceased into haven and ask forgiveness for their sins.On the other hand Egyptians were buried in pyramids directly in the ground. Often bodies were

The text Burial Rites written by Hannah Kent focuses on the true story of the last woman to be executed in Iceland, her punishment for playing part in the murder of two men. She is sent to wait out her days on the farm of a district officer, Jón Jónsson with his two daughters and wife. Naturally, the family are horrified to have a convicted murderer in their midst. Borne from this, the family refuse to talk to her. A young man, Toti is appointed as her spiritual guardian in the last days of her life, throughout the text, he attempts to redeem her soul by asking her to recount her life.

Dead?" AlterNet. In this article, Frankie Colmane looks into how dead bodies are treated in the United State even after Mitford's expose of the funeral industry was published. The article takes both a philosophical and scientific issue with the procedure of embalming sighting proven negative effects to human beings and the environment. Colmane shows that even though people are aware of the malfeasance and misappropriations of the funeral industry following pieces like Mitford's, very little has changed. Therefore problems that have been discussed in earlier works should not be forgotten. Rather they should be continually brought up until the issue is solved. During the 1800s, embalming became common practice because the dead family member would lie in state within the home for a period of days or weeks until it would be buried (Colmane 2010). The article shows the duplicity such as when "funeral directors were arguing forcefully against charges that their mediation between the living and the dead translated into social obstruction that barred the stricken from facing death with maturity, realism, and honest" (page 2). This article will be used to illustrate that things have not changed with funereal practices despite the publication of Mitford's essay.

Burial Rites, a novel written by Hannah Kent is heavily based on story telling and the effect it has. Through the course of the novel, readers observe the significance story telling has for both the individual and the community. For an individual story telling can make the speaker feel empowered whereas for the community story telling’s main significance is the entertainment it provides. Since Kent’s purpose of Burial Rites is to tell the life journey of Agnes Magnusdottir in an ambiguous light, story telling also becomes important for the reader.

Burial rituals are discussed in this page of notes. There is a blanket wrapped around the body and a “nice silk handkerchief” placed on the face, blankets are then put all around the body to make sure it stays warm. They did not use a coffin but dis put boards around the body in similar fashion, however, they did not use nails. It also appears that there was interest by one of Harrington’s informants to see a white funeral/burial because she “wanted to see how whites fired corpse.” This tells of their burial practices and that they have an interest in how other people are burring their dead.

‘The Grave’ by Katherine Anne Porter is a story that illustrates the initiation of a child from innocence to experience. The underlying theme behind the central idea of innocence to experience is the cycle of life and death and rebirth. This theme is illustrated in the young protagonist, Miranda, and her epiphany on the concept of the cycle of life and rebirth. The dominant tone in ‘The Grave’ is melancholic, and that tone is created through the language elements of symbolism, diction, and imagery. The story’s tone is also supported by the fiction element character.

In Killing the Black Body, Dorothy Roberts describes the history of African-American women and the dehumanizing attempts to control their reproductive lives. Beginning with slavery, to the early beginning of birth control policy, to the sterilization abuse of Black women during the 1960s and 1970s, continuing with the current campaign to inject Norplant and Depo-Provera along with welfare mothers, Roberts argues that the systematic, institutionalized denial of reproductive freedom has uniquely marked Black women’s history in America.

In W.H. Auden’s “Funeral Blues” (pg. 762), the poem takes place a short time after the speaker’s beloved has died and how the speaker feels that his life has been forever changed and that he will never recover. In Elizabeth Bishop’s “One Art” (pg. 767), the poem takes place a short time after the speaker’s beloved has passed away and how she feels that she can master the feeling of losing someone the she loves. However, she seems to be in denial over her true feelings. Between the two poem’s, Auden’s “Funeral Blues” seems to do a better job than  Bishop’s “One Art”, in using rhyme, alliteration, and structure to show the reader the feelings and emotional state of the speaker after their beloved has died.

Published in 1997, Marie Howe’s anthology of poems, What the Living Do was written as an elegy to her brother, John, who passed away due to AIDS. Howe’s anthology is written without metaphor to document the loss she felt after her brother’s death. Although What the Living Do is written as an anthology, this collection allows for individual poems to stand alone but also to work together to tell an overarching story. Using the poetic devices of alliteration, enjambment, repetition and couplets, Howe furthers her themes of gender and loss throughout her poems in her anthology.

Live your life to its fullest, if I had to mention one thing I learned from Mary Oliver 's beautiful poem, "When Death Comes", that would be it. Specifically not letting time pass you by, or letting things like anxiety or anger control your life. The comparisons to death also help with understanding the magnitude of our mortality, and the importance of not taking each and every day for granted. With many fitting and unique metaphors I found it easy to be engaged with the poem. This leads also to a lot of relevant and surprising imagery, employing a more detailed vantage point for the reader. In "When Death Comes", Mary Oliver uses persona, metaphor, and imagery to speak not only of death, but more specifically living life to its fullest before death.