Butch Cassidy Makes The Sundance Kid

Little britches is a old American west outlaw who was born in 1879 and the date for when she died is unknown. Little Britches real name was Jennie stevenson her parents name were Danny and Lucy Stevenson they were farmers. Her one sister that we know about is name was Victoria Stevenson. She was involved with horse theft, and she sold whiskey with Cattle Annie, she also killed people and escaped jail.

The most serious Native American stereotypes are clearly visible in films of the early twentieth century in Hollywood westerns. The big screen stories about western cowboys defeating Native tribes proved to be extremely popular and lucrative. Hollywood then started producing western tales in incredible quantities . In most Westerns, white cowboys represent courageous, brave, and quick witted men while the Indians are the dimming past. Cowboys are logical. “Indians” are irrational. Together, cowboys and Indians are the ego and the heart of the Anglo-Saxon identity. Native American characters in twentieth century films have ranged from stereotypes including the bloodthirsty, raging beast to the noble savage. Still other Indian characters, whether they are heroes, bad guys, or neutral, were the characters with little to no character development or range in their personalities. These stereotypes have their origins in popular American literature dating as far back as the sixteenth and seventeenth centuries. Jacquelyn Kilpatrick, author of Celluloid Indians, notes that popular stories “centered on Native American savagery served as outlets for violence and pent up aggression in an early American society that prided manners and respectability.” (Kilpatrick 2) In these stories, the Native American population was seen as bad, though individual members could be represented as good. These stereotypes continued for years. One author, James Fenimore Cooper, began publishing a series of stories titled The Leatherstocking Tales in 1841. Kilpatrick emphasizes that Cooper

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

For more than fifty years, Clint Eastwood has been actively defining and redefining cinema as an art form. His experiences as an actor on television and in film have greatly influenced his directing style. Across his films, Eastwood incorporates several issues and techniques that help the audience to identify said films with Eastwood's directorial style. Eastwood's aim in his films is to tell stories of the human experience. Francois Truffaut and Andrew Sarris have aimed to define the qualities that make a director an auteur whose works stand out above the rest. The qualities defined by Truffaut and Sarris can be seen in Eastwood films including Unforgiven (1992), Million Dollar Baby (2004), and Changeling (2008) and help to establish Eastwood as an auteur.

The film “The Alamo” revealed the history of Texas and battle of Alamo about Texas revolution, early back in the mid-1830s. The film was released in 2004, which reflected how the Texans fought bravely against Mexicans government to preserve their independence from the Mexico. Sam Houston, Jim Bowie, William Barrel Travis, Davy Crockett, Antonio Lopez de Santa Anna were the main characters of the movie. Sam Houston was the governor of the Texas and used to live with Indians. Jim Bowie was the colonel with a huge knife and was opportunities. William B Travis was lieutenant colonel who divorced his wife and Jim used to call him “Buck” in the movie. Davy Crockett was renowned as a bear fighter and sharpshooter. He used to play violin and everybody

Once the stagecoach arrives in Lordsburg, Lucy Mallory is carried out on a stretcher. At first, the camera shot is wide-angled and the street is crowded with soldiers and civilians. Then there is a close-up shot of Mallory on the stretcher as she speaks to Dallas. The shot reveals Mallory’s facial expression of remorse. Mallory looks apologetic and offers any help to Dallas. This is one of the final scenes in the film and illustrates how Mallory’s view of Dallas completely changed by the resolution of the film. Throughout the film, Mallory felt uncomfortable being around Dallas. Once Dallas helped take care of Mallory’s baby, Mallory realized that her judgment of Dallas was completely wrong.

The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources

Davy, David Crockett was known as an American folk hero when he was referred in the Texas revolution. He was born on August 17, 1786 in Limestone, but grew up in East Tennessee. He was born to a pioneer family. Davy also got enlisted in the Tennessee militia. He gained a reputation because he hunted and also did a lot of storytelling.

Set in the American frontier in the latter half of the eighteenth century, the tale of True Grit reads like the diary of a precocious, headstrong, and mature fourteen year old girl. Mattie Ross, the main character, recruits the callous, no nonsense U.S. Marshal Rooster, Cogburn to aid her in tracking down Tom Chaney, her father’s killer. Cocky, Texas Ranger LaBoeuf, needs Cogburn to guide him through Indian Territory because he too seeks justice, as well as a monetary reward, for capturing the same outlaw. Mattie demonstrates her strength of will as well as her resourcefulness, as the troupe takes on the unexpected in their adventurous wilderness journey. The three main characters; Mattie Ross, Rooster Cogburn, and Texas Ranger LaBoeuf, all demonstrate true grit in some similar and some dissimilar ways in both the 1968 novel by Charles Portis and the 2010 film adaptation by the Coen brothers.

Jesse Woodson James was a very well known outlaw in the old west is famous for being a gang leader and bank and train robber. He and his brother Frank served in the confederate army before they started embarking in their criminal careers as train and bank robbers.

Stagecoach represents Native Americans as noble savages, a typical Hollywood Indian in western movies. A noble savage is a racist term used to describe a character as a wild person who symbolizes the goodness of humanity. They are an outsider who has not been civilized yet. This representation of Indians is completely stereotyped and is completely inaccurate but was created for the entertainment of white audiences who watch western films. The film Stagecoach is a complete western style film with scenes of cowboys versus Indians, in which the Indians are helpless, and cowboys seem to come out of the middle of the desert (Ford, 1939). These types of western films portray the American Indians through basic stereotypes such as riding horses with bows and arrows, they are always outnumbered, and they are portrayed in a dehumanizing style. These films act as if Indians are wild animals and not as actual people. The cowboys always are the heroes and the Indians always are incapable of surviving. Due to western movies, America now has the image of the Hollywood Indian that some people still believe Indians are in today's society. The representation of Indians in Stagecoach creates a visual that Indians are impotent and not humane. American Indians are always seen as the bad guys in western films which allows today's society to use the image of Indians as costumes for Halloween and allows people to see Indians as an object and not

Another duty that once belonged to the U.S. Marshals was to capture run-away slaves. Upon the passage of a law (The Fugitive slave law of 1850), the Marshals would hunt and capture run-aways and return them to their owners. If any marshal or deputy marshals was found to be negligent in performing his duties under this new law, they were imposed a severe financial penalty. In the “Old West “era the Marshals came in and with them they brought law and order. They captured, or killed outlaws such as Bill Doolin; the founder of the wild bunch, Doolin and his gang were bank robbers, Doolin was killed by a U.S. Deputy Marshal. Other outlaws captured by the marshals were Billy the Kid and Ned Christie. These outlaw’s faces were plastered all over asking

David, “Davy,” Crockett, also known as the, “King of the Wild Frontier,” was born August 17, 1786 in Greene County, Tennessee. He was one of nine children born to a family who followed the movement of western settlement. As a young boy, around eight years old, his father taught him to shoot a rifle and he eagerly accompanied his brothers on hunting trips. At the age of thirteen his father insisted that he enroll in school but only after a few days he got into an altercation with a bully and ran away for fear of punishment from his father. Davy spent three years wandering and perfecting his skills as a woodsman discovering life in the wilderness was difficult. While traveling through Virginia, Crockett decided to learn to read, write and cypher numbers for fear that his lack of education would limit his marriage possibilities. At the age of sixteen he decided to

I am doing a famous person and his name is harry Longabaugh also known as the Sundance kid. he got the name sundance kid because he stole a horse in sundance, Wyoming .harry longabaugh was born in 1876.He was born in Mont Clare,Pennsylvania. there is a little on the information but his mom is Annie and Josiah longabaugh.

Christopher Boone articulates The Curious Incident, however, this novel isn’t told by an average fifteen-year-old boy; Christopher has Asperger’s syndrome—this isn’t stated in the novel, but we can acquire this knowledge simply by reading Christopher’s words. People with Asperger’s tend to have difficulty with social interactions, and Christopher clearly displays this inability when trying to figure out the emotions on the paper that Siobhan draws for him (1), also when he states, “ I find people confusing” (17). Another aspect of Asperger’s syndrome is a fascination with letters and numbers, this aspect is clear in the labeling of the chapters with prime numbers, his tactic to calm him self down by doing math in his head and finally by his adamant need to take A-level math and eventually physics. Nevertheless, this uniqueness about Christopher creates an unexpected narrative twist on this murder mystery novel.