By portraying women that find themselves in extraordinary situations at various points of their

Each woman’s life story shows us how women are treated/viewed in that culture and just how little freedom they have. The women enter into the other women's stories as they are all connected. As their life stories progress, the reader’s perspective changes as they have more understanding about how women are treated in this area of the world. The first woman is Suha

Movie shows the betrayal or unfavorable depiction of the sisterhood, an important concept in feminist ideology, emphasizing that women are bound in a communal oneness. The movie

This establishment of beauty standards, however, adapted to be able to consider colonized women as desirable in a sexual way, but at the same time, they were not related to the ideals of a ‘good woman’, a capable woman with an intellectual value that can be adequate to domestic environments, reinforcing social differences.

She also talks about the Native feminist ethics, which brings understanding of the cultural perspectives of leadership under the spotlight. In this respect, I think understanding of Native women’s traditional gender functions, roles and responsibilities is crucial in perceiving Indigenous feminism. This is because I think in many tribal societies such as the Pashtun tribal societies in the northwestern FATA (Federally Administered Tribal Areas) perceive gender roles and responsibilities as complementary. The FATA areas and the colonial government system were creation of the British colonizers. This example is very much relevant to the case of Native societies that were/are colonized in North America because the British colonial rulers applied the similar methods to control and regulate Pashtun tribes in the FATA areas. In comparison to the CFR Courts to implement the Code of Indian Offences in Canada, the colonizers introduced and enforced the FCR (Frontier Crimes Regulations) in the FATA areas on the Pakistani side of the border between Afghanistan and Pakistan. In this colonial structure, the Political Agent system implemented the FCR in which, for example, because of one tribal individual the entire tribe was punished. Unfortunately, the FCR is still very much alive and is being used the way many colonial laws are currently implemented in Canada and

Women yearn for their voices to speak loud enough for the entire world to hear. Women crave for their voices to travel the nations in a society where they are expected to turn the volume all the way down. The world expects females to stay quiet and ignore the pain brought onto them from sexual crime. They do not dare stand up for what they believe in or discuss their experiences that bring them pain. Poets such as Ana Castillo and Lawrence Ferlinghetti describe parts of life that society often ignores. E. E. Cummings supports the ideas of Castillo and Ferlinghetti by appropriating a more disturbing mindset. These poets demonstrate the way in which women obtained a supposable to behave and react to situations that have caused them harm or have the potential to.

These powerful ideologies the women are contemplating over time the course of the journey places heroines in a position where they must make a choice Does she accept her potential, or return to being forced in to live in the socio-political norms that constrains women views and ideologies? The moments of realization of who the heroine truly is, is when exposed to a difficult scenario of tyranny and oppression. This is when the Gothic heroine and Young Adult heroine choose their self-worth over their tyrannical, patriarchal forces that had been holding them back.

In a patriarchal society such as colonial Latin America, women were considered second class citizens. No matter their class or ethnicity, all women experienced the social and cultural limitations that are subjected to them by this patriarchal society. Women had limited access to education, women are used to satisfy men’s personal desires and legal systems neglected women’s court rights while heavily advocating men’s. However, not all women are subjected to the same limitations because of the difference in one’s economic status and ethnic identity. Nonetheless, women still found a way to carve out a space for themselves in attempt to overcome these regulations set by a patriarchal society.

Popular culture is often a reflection of society; both literature and the media have the capacity to cement ideas in the minds of readers and viewers. In many cases, the notions and stories glorified by the media refrain from sharing a true depiction of society and are narrow-minded in their focus. Recently, the feminist movement has denounced popular culture for its ignorance, fighting for a more realistic portrait to be painted by those with the power to reach millions. Specifically, both Roxane Gay’s Bad Feminist and Chimamanda Ngozi Adichie’s “The Danger of a Single Story” share how the classic gender stereotypes seen in popular culture are unable to capture the full spectrum of stories that define society, and are limiting in their portrayals of women. Moreover, both authors share personal stories, reference prominent world figures, and cite relevant statistics in their works. Therefore, in both Bad Feminist and “The Danger of a Single Story”, Roxane Gay and Chimamanda Ngozi Adichie appeal to readers pathos, logos, and ethos in order to construct the argument that the single story of women in popular culture is stereotypical and restrictive.

The Namesake, written by Jhumpa Lahira, a famous Indian writer who won the Pulitzer Prize for her story collection Interpreter of Maladies, brilliantly illustrates the immigrant experience and the tangled ties between generations. In this novel, the main characters Ashima and her husband, Ashoke, were first generation immigrants in the United States from India. The whole story begins with Ashima's pregnancy and her nostalgia of her hometown, and a sense of melancholy revealed from the first chapter. While Ashima felt insecure and worried about her new life in the United States, her husband Ashoke, rather wanted to settle in and struggle for a new life. All of uncertainty and reluctance of this new-coming couple faded way when their son,

The present paper attempts to assess the consequences ensued due to the cultural hybridity of two generation of characters in Jhumpa Lahiri’s novel The Namesake. The first immigrants - Ashoke and Ashima transmit the Bengali culture to their US born children Gogol and Sonia who in turn, transmit the American cultural patterns to their parents. The psychological writhe of the Indian mother Ashima trying to adjust herself in the American culture and endeavoring to inculcate the moral values archetype of India into her children, is the primary focus of the novel. The paper centers on the reflection of Jhumpa Lahiri’s own inclination for Bengali culture and cultural hybridity through a variety of characters painted by her in the novel The Namesake.

‘Submission’ and ‘rebellion’ are two main topics in women’s sufferings in literature that highlights women’ entangled desire which causes her to perform her role in a male dominated society. "The Wide Wide World” by Susan Warner and “Incidents in the Life of a Slave Girl” by Harriet Jacobs reveals the power relations between men and women, captor and captive, master and slave, are unstable and subject to think. I examine here how these narratives deal with their circumstances from childhood to adulthood. Both of these narratives suffer to survive. They adjust in their exotic foreign place from childhood to adulthood. The main focus of this paper is how each of these texts negotiates issues of power and powerlessness, race, gender, region, and historical moment.

Since the beginning of the colonial process, Indigenous bodies have been seen as disposable. The dehumanization of the Indigenous body and the creation of the other, has allowed for the destruction of Indigenous Femininity. A system rooted in epistemic violence created by the colonial era. Continues to affect how Indigenous women are treated in modern societies. The demotion from “Indian Queen”, an exotic and powerful presence in colonial societies, to the “Dirty Squaw”, a figure depicted as lazy, and troublesome. Indigenous women have struggled to be seen as human people, rather than sexual object in the minds of the white settlers. A systematic dehumanization though through the process of epistemic violence. Which continues to affect how Indigenous women are treated today.

Anita Desai presents to reader her opinion about complexity of human relationships as a big contemporary problem and human condition. At the level of inner consciousness words are not mere meanings recorded in a dictionary but are symbolic which trigger feelings and meanings that an individual draws out of one’s subconscious storehouse. Her women characters make a reader look at them with awe with their relationship to their surroundings, their society, their men, their children, their families, their psychological make-ups and themselves. Though not admittedly a feminist, Anita Desai is well aware of the predicament of the Indian women and their relationship with men. Running inward her fiction grapples with the intangible realities of life. Man-woman relationship in the urban society is her concern and in novel after novel she delves deeper and deeper in this dilemma. D.H. Lawrence rightly points out that "The great relationship for humanity will

All around the world people struggle with a sense of self-individualization, which is the internal battle each person has to face in order to discover ones true identity. The quest to find oneself is a difficult and lengthy endevor that can take a lifetime to accomplish. Some if not most people never reach a point where they can truly face who they truly are. In the Novel The Namesake by Lahiri, identity is illustrated by intensely examining the importance of ones background, name and culture. The main characters in the story try to uncover the reasoning behind their lineage, which they belive will lead to discovering the answer destiny in life. Playing on this belief the Ganguli’s sustain the element of traditions with them and practices

Kapur has explored the agony of a woman under patriarchal pressure and state of social ostracism. In their search for individual identity, the women characters prove themselves as real women of flesh and blood who have their own emotions and sentiments and urge for new identity in the life. The novelist explores their yearning for intellectual space in the traditional society. Kapur’s novels reveal disintegration in woman’s life, her struggle for basic rights and quest for identity and survival. She portrays how women are suffering from economic and socio-cultural lacunas in the male governed society. They have been still deprived for their basic rights, their aspirations to their search of individuality and self-reliance.