Calypso Music

Like Mariachi, Ranchera is another traditional genre of music admired by the Mexican people but different in its own ways. Ranchera music is a well-known type of music from Mexico, with the name deriving from ranch lands on which the style was initially performed. Ranchera songs are categorized by intense sentiment and subjects of love dominate poetic lyrics. Sentimental ranchera singers, their voices charged with a contagious emotion, are often capable of moving to tears even their most hardened listeners. Waltz, polka and bolero inspired rhythms accompany the singer along with sudden cries of emotion that highlight the singer’s sorrowful mood. Ranchera is in fact a general label for different types of music. The genre has absorbed many specific

The genre bachata was developed in the Caribbean island of Dominican Republic. This genre was created based on boleros (slow-tempo Latin music), son cubanos, waltzes, Mexican music and merengue. Bachata is well known as love and depressing songs in which many people describe them self with this genre. At one point back in the earlier 1960s, bachata was considered vulgar and low-class. “Acceptance of the music has increased significantly in the last two decades, although some dominicans, both individuals living on the island and stateside, still do not accept the music because of the implication of its lower-class origins and associations with such themes as crime, poverty, drinking, and prostitution’’(Stavans 47). The genre Bachata has spread and grown so quickly for the past few years that is has become very famous in the United States, Europe, China, and South America. The genre bachata is well known to attract people with its lyrics, instruments, and dance since it identifies many people with real life events.

Vicente nació en Huentitán El Alto, Jalisco, México 17 de febrero 1940. Él creció en el rancho de su padre en Guadalajara, a los ocho años Vicente consiguió su inspiración de Pedro Infante cuando su madre lo llevó a ver una de sus películas favoritas. Pedro infante fue un famoso actor y cantante

In this essay I will be describing and going into detail about salsa, plena, bomba, and merengue music. What really is the style of music along with the importance it has in and for the island it belongs to. As well as the effect the music has dealing with tourism and some of the famous musicians in that style.

There have been exceptions, such as the Costa Rican landscape school of painting in the 1920s. In the late 1980s local artists and bands became famous for having their own original material, such as José Capmany, Café con Leche and Inconsciente Colectivo; some of them had fans from outside of Costa Rica, like Editus, a Grammy winning contemporary jazz ensemble. At that time a popular Latin genre developed, chiqui-chiqui as it was known, led by bands such as Los Hicsos and La Banda. Chiqui-chiqui was a commercial approach to music and soon disappeared.

Flamenco, a beguiling mix of guitar, song and dance forged by the ancient Andalucía Gypsies. Its theme of joy and sorrow appears to be an expression of the Gypsy way of life. Flamenco is very evoking to gypsies. It brings out the spirit that comes from inside, a mysterious power that everyone feels but no one can explain. Flamenco fuels a

Francisco “Pancho” Villa was born on June 5th ,1878 in San Juan del Rio, Durango, Mexico. Francisco “Pancho” Villa grew up at the Rancho de la Coyotada, in the state of Durango. Francisco “Pancho” Villa childhood house now houses the Casa de Pancho Villa historic museum. When Francisco “Pancho” Villa was a child Francisco “Pancho” Villa was the oldest of five children, as a child Francisco “Pancho” Villa got his education from a church run school, Francisco “Pancho” Villa wasn’t very talented in his basic language skills. When Francisco “Pancho” Villa’s father died Francisco “Pancho” Villa quit school to help his mom provide for his family. Francisco “Pancho” Villa became a bandit before he turned 16, but Francisco “Pancho” Villa also was employed as a sharecropper, butcher, bricklayer, foreman for a U.S. railway company and a muleskinner. He would later return to his hometown to hunt down Agustin Lopez Negrete who raped his sister, then stealing a horse and fleeing from the scene. Francisco “Pancho” Villa heard that Agustin Lopez

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

* The Spanish invaded in the mid 16th century and conquered the entire Inco empire in Peru, Ecuador and Northern Chile.

During the 1950’s Latin America had its last major influence on music, dance, and culture. This last major genre of music is known as the mambo, which originated in Cuba. In1948 a man named Perez Prado moved to Mexico hoping to make more money in the music industry. He did just this! While in Mexico Senior Prado made a band that focused mostly on mambo. They where known as El Rey del Mambo.

My career in the United States got off at a rough start but not until I joined the Tito Puente Orchestra and truly became the Queen of Salsa. People knew me for my dynamic voice but my performances and outfits are what really aroused the audience. I always had over-the-top attire usually with sequins, feathers, lace, and wild hair. After an incident at a restaurant, I began to say “Azucar!” or “Sugar!” during my performances, which became my famous phrase. By the 1970’s, I was performing regularly with the Fania All–Stars and in Miami. Many people in Miami had left Cuba as well but claimed they would only go back if Cuba became a democracy, which is why Miami could have been called my second home. During the 1970’s and the 1980’s, I had switched up my musical style with various artists. I collaborated with Caetano Veloso, Pattie LaBelle, Wyclef Jean, Emilio Estefan, Luciano Pavarotti, and David Byrne. I also began to appear in films including The Mambo Kings and The Perez Family. After 40 years of singing, I had won several Grammy Awards and Latin Grammys and produced over 70 albums including 23 that went gold. My life was singing and that was all I could ask for. With all the men in the salsa business, I overcame boundaries and obstacles to

The music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources have been Spain and West Africa, although many aspects of Puerto Rican music reflect origins elsewhere in Europe and the Caribbean and, in the last century, the USA. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially indigenous genres like bomba to recent hybrids like

The calypso music that comes from a Trinidad musician is exciting, not on the ground of the blood that he carries in his veins but rather the historical, cultural, and religious favors that are brought together to ensure its production.

Flamenco is a form of Spanish folk music which originated in Andalusia in the south of the country. This type of music as we know it today is a spectacle which is made up for four different elements Cante-Voice, Baile-Dance, Toque-Guitar, and the Jaleo, which roughly translated means “hell raising” and involves hand clapping, foot stomping, and encouraging shouts of the audience ("Flamenco - History."). However it was not always like this. Flamenco was first recorded in the late 18th century and consisted of what the Spanish refer to as Palo Secos, or dry styles.("Flamenco - History."). This was basicly singing or chanting accompanied only by a rhythm beaten out on the floor by a wooden staff or cane. However the genre underwent a dramatic development in the late 19th century and had become the spectacle that we know today. In the past flamenco music was not very widespread outside the region of its origin. However in