Camera Angles In Edward Scissorhands

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

Tim Burton is one of the most unusual and unique directors of our time. He brings characters to life by putting them in a habitat they don’t belong. His movies “Alice in Wonderland”, “The Corpse Bride”, “Charlie and the chocolate factory”, and “Edward Scissorhands” all demonstrate how one of a kind his movies are. Using cinematic techniques, Tim Burton points out the misfit character and shows how different they are then everyone else. His use of camera angles, lighting, and sound give the viewers a different perspective on the movies, and help pick out the individual character.

The camera focuses on Edward’s face; it shows how pale and sad he is. The gothic horror feature used here is the physical appearance of the “monster”. Edward is a large, dark figure with objects (his scissor hands) that can cause harm. This is very stereotypical of the gothic monster as this has been used in Frankenstein (1931) and Nosferatu (1922), and is imprinted in viewers’ minds. But what makes us question how monstrous Edward truly is, is his facial expression and the way he talks. Unlike most gothic horror monsters, he does not have a scary personality. He is shy and is not the antagonist. As the story continues, all the bad deeds he does, are actually the result of someone else taking advantage of him. As viewers, we see this, and we are led to believe that it is not Edward who is the monster, but rather the community Peg has brought him into. By manipulating common features of gothic horror films, Edward Scissorhands is able to influence the audience into believing the “monster” of the film is Edward, but when the tradition is changed, it makes us think that not everything is black and white, and that to get the correct judgement, we must wait until all evidence is presented.

In ‘Edward Scissorhands’, Edward goes through new experiences that show his individuality and how he is different to all the community. In the film, characters such as Joyce and Jim firstly rejected Edward as he was different, they then adored him as he did unique art such as hairdressing, gardening, grooming dogs, cutting meat and ice sculpting. Once Edward discovered his talents, he became very popular amongst the community. They used him so that they would have an easier life, but then when he did something wrong he was then rejected again. Being the individual Edward was in the community, he experienced so many new things such as his growing relationship with Kim. His new experiences with Kim made him learn what true feelings for a girl really was. As great as being and individual is with all this said however, being an individual can also be dangerous in a way, as you would get judged by others around you for being yourself. Edward in the beginning of the film had that exact problem, everyone would be judging him for having scissors as hands and would think of him as a scary monster. The reason Edward went to the community in the first place was because of Peg. Peg

In addition, mise-en-scene is used to show the contradictions between the two understandings of life. The barbecue and dinner scene show the emotional overkill and unstable conduct of the residents in the town by using the lively and distinctive color (Burton, 1990). The distinction with Edward’s gothic punk style of fashion, hairdo and makeup is unusual and marks him as an outcast. It is not only his exterior that points out his detachment from people, but also his ideas which represent his own reality and separates him from the world that he does not belong to. When the people discover Edward’s talents they begin to request different tasks from him. Overall, it seems as if the society is only accepting of Edward for their own benefit. However, Burton makes it clear that there is no true acceptance for Edward when he is forced to leave Peg’s house. Kim, the girl Edward falls in love with, knows she cannot change society, so she leaves him in the castle and tells everyone he’s dead so he is protected.

Another example from the movie is when Edward is introduced into this brand new style of living where he is the new ‘toy’ and uses his creative side to make people’s lives more enjoyable and fulfilling by cutting neighbours hair and turning a hedge into art. Tim Burton makes us think to look beneath the surface and not too just leave out someone who doesn’t look normal, he makes us think about our everyday life how we can be ignorant, rude and reject people who don’t look like us and have a disability. In Edward Scissorhands Edward isn’t always seen as the good guy from the town’s perspective. In the opening seen when we are given a bird’s eye view of the cars moving in and out of the town, this gives us the thought that the town is bright, bubbly and organized to the split second that the cars come out of the drive way but really as the movie goes on they seem to take the tag of being the ‘bad town’. In the movie the town thinks he is the bad guy because of what people have been gossiping about. Edward becomes the ‘bad guy’ as he is being betrayed/forced into the role of the town devil when he is the town hero as he has bought something to the town that will

Tim Burton’s gothic drama film Edward Scissorhands explores what is immoral with our society. A present issue with humanity is people who are different are encouraged to conform. In addition, society plays by the rules and follow societal norms rather than listening to their hearts. Most importantly, humans are cruel and exploit those who are vulnerable for their own benefit. Through the use of film techniques, Burton proposes the faults in humanity and the brutal nature of humans.

Burton manipulates shots/framing, editing, and music/sound to enhance the perspective of the audience and give them a meaningful and relevant story.

How would you feel if you had scissors as hands? In the beginning of Edward Scissorhands, Edward wasn't finished so he was left with scissors as hands. During the movie Edward goes through a journey trying to fit in and be accepted by everyone. In the film Edward Scissorhands, director Tim Burton uses the stylistic elements of juxtaposition and symbolism to develop the theme, never judge someone by their appearance.

The film ‘Edward Scissorhands’ by Tim Burton is a story about a lonely boy with a unique disability: scissor hands, it follows Edward as he experiences life outside of his isolated home and through his hardships of dealing with prejudice and people treating him differently. It also follows him when he makes judgments of others wrongly and shows the consequences to both parties from those decisions made on them.

The film ‘Edward Scissorhands’ by Tim Burton, is a modern day fairy tale which follows the story of Edward, a young man that is taken out of isolation and introduced into a new way of life. Although the film is for entertainment, that is not its sole purpose. The film has deep and rich themes, which convey many important messages to the audience. Some themes of the film include; conformity, appearances versus reality and individuality.

Edward Scissorhands is one of the most curios and anticipating oviesive seen and it all starts off with A man named edward scissorhands is living in a dark mansion up on the mountain towering over the little town. Then an Avon representative drives up to the mansion and realizes the Edward is the only one living up in this mansion and decides to take him home to her house. Then then the peg the Avon representative took edward on a tour of the house and they get to her daughter kim's room and right when you see it you can tell edward like kim but Jim edwards boyfriend does not like Edward every much because he's different. If i was that person i would not bring edward home because who knows what he is capable with those scissorhands.

Tim Burton uses low angles, eye-level angles and high angles in order to contrast human and mans in a distinctive way as well as address the relationship between them. Additionally, he also uses closeup shots and medium shots to create mood and impression and at the same time, show that Edward and people of the neighborhood live in very different conditions. Both of these cinematic techniques leave the audience with meanings which justifies the theme of the movie. These methods of filming shape meaning as well as cause the movie to turn out as an interesting one. Some people might be somehow different than others by an extreme amount, but do understand that we still have sameness within each other, and they have no reason to be disliked

‘Edward Scissorhands’ is a film directed by Tim Burton. It is a modern-day fairy tale focused on Edward, a person with scissors instead of hands, who is brought to live with a family after spending years in seclusion. Although the film is made for entertainment, it is not the sole purpose of it. There are many messages and themes rooted throughout the film, which are directed towards the audience. These give the film a deeper meaning. Some of the messages include that looks can be deceiving, the significance of individuality, as well as isolation.

There are various elements that contribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film.