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Camus Dialectical Journal

Better Essays

Michael Slaza
AP Literature
The Stranger
Take Home Test 130 points
Part I: Passage Analysis (30 points)
For five of the passages below, write a 5-8 sentence interpretation (not a summary) of the significance in relation to Camus’s philosophical framework (moralism, the Absurd, existentialism, religion, hope, social judgment, fate).

SELECT ONLY FIVE PASSAGES TO ANALYZE
1. “It was then that I realized that you could either shoot or not shoot” (56).
This quote refers to the fate and absurd aspects of Camus’s philosophical framework. First, Camus addresses fate because it doesn’t matter if the Arab dies by being shot or if he dies of old age, heart failure, etc. Everyone has the same fate, ultimately, and that is death. Also, in context, when …show more content…

Punishment “is tragic only at the rare moments when it becomes conscious” is what Camus claims (Myth of Sisyphus). The solution to Meursault’s and Sisyphus’s fatal fates is converting negative emotion, into joy through perception. Some argue that in the beginning, Meursault was hardened and cant be an existential hero because he is mindless, but his perception is clearly outlined and changed. “It was like knocking four quick times on the door of unhappiness,” (59) is what Meursault thought when he shot the Arab another four times. Although some may argue he was committing a hardened act, unhappiness is still an emotion. It isn’t necessarily sadness, which is what society wants to see, but it could be interpreted as being content. Meursault cannot find the happiness in life; he is just okay with it and unconsciously proceeds through his life in a routine of physical happenings. Then, he remembers, “Manman used to say that you could always find something to be happy about,” (113). This alters his perception on the spot, and no longer becomes sad based upon speculating on his memories and how he will lose them. This mirrors Sisyphus and how he finds the “silent joy” by altering his perception of what is currently happening with pushing the rock up the hill. So, Meursault forgets about the past and looks for good from his cell. Outside of those cell bars he can see the green grass, the sky, the stars, and is happy. Now, his happiness is not declared yet, he doesn’t know that he is happy, but he just went into the idea of living a life in death instead of death in life. This realization happens with his impression on the chaplain, which is that “he wasn’t even sure he was alive because he was living like a dead man,” (120). This means that one

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