Cannibal Tours

The movie discusses the long term impacts of tourism on cultures, economies, and on the environment. It uses dramatic examples from several beach parties such as Thailand’s Koh Pha Ngan Island. With large amounts of litter lining the shore, the film suggests that the financial benefits of tourism will not work without a proper development plan. The story starts and ends in Bolivia focusing on the impact of the autobiographical book “Lost in the Jungle”. In 1981, Ghinsberg gets lost in the Bolivian jungles. He miraculously survives despite near death experiences. His tale of survival has lured many other adventure travelers to Bolivia, creating pressure to the country’s tourism industry. From the jungles of Bolivia, to the deserts of Timbuktu, Mali, we see breathtaking views of how tourism has affected society. The film follows the well-worn gringo trail travel route in Latin America and beyond, revealing a complex web of relationships between that cultures which collide yet require one another. Finally, the movie reveals certain sustainable alternatives to tourism.

Cannibalism: It Still Exists By: Linh Kieu Ngo and Love: The Right Chemistry By: Anastasia Toufelis are the two selections assigned to go with the concept essay. In the Cannibalism essay author Ngo explains a different side of cannibalism. The side of cannibalism that is practiced for dietary reasons, ceremonial purposes, and survival. Toufexis’ essay on love talks about the “physical” more chemical and biological aspect of love, relationships, and romance. It delves into the comical explanation for passion and why people fall in love.

Trask is able to use logos to prove how tourism has affected the Hawaiian culture. Trask refers to Hawaii as a “She” who “Rubs off” on the visitor with her magical presence. The beauty of Hawaii is used as an escape from “Rawness and violence” for most Americans though, Trask mentions that the land has a “Western sexual sickness” (Trask 1993). “Of course, all this hype is necessary to hide the truth about tourism, the awful exploitative truth that the industry is the major cause of environmental degradation, low wages, land dispossession, and the highest cost of living in the United States” (Trask 1993). Trask says that the areas of Hawaii which were “sacred” to the Hawaiian’s have now been turned into top of the line hotels. The beaches that were once full of fishermen and their nets are used for recreational activities like surfing getting a tan and jet skiing. On most of the beaches owned by resorts, the beaches are reserved for hotel residences only. In the essay, Trask gives the readers logos as to how tourism is changing the land. For example, thirty years ago the ratio of Hawaiians outnumbered the tourist 2:1. Today,

In “The Ugly Tourist” by Jamaica Kincaid, tourism is thought as a disgusting and an extremely harmful industry. In her perspective, it allows first world citizens to escape and marvel at the simplest and most ordinary things. Although there is some truth in what Jamaica Kincaid describes to the reader, I believe there is a prejudiced view towards the tourist themselves. Kincaid’s essay about the ugliness and affects of being a tourist contrasts everything I’ve experienced being a tourist in Italy and Greece.

The article "Of the Cannibals" from Michel Eyquem de Montaigne speaks about two major problems. The first one is the problem of men telling stories subjectively instead of objectively. This problem is dealt with only in very short and there is no real solution presented in the essay. The other problem is men calling others barbarous just because they are different. The essay also deals with the word "barbarism" and what can be meant by that.

Kincaid clearly attacks the tourists for not understanding the value of Antigua and its heritage; they are “ugly human being(s)” (115) because of their ignorance. The vacant gazers are ugly because when they have reached the zenith of banality in their own lives, they use the poverty of the natives of a tourist destination like Antigua to feel better about themselves; the natives’ lack of wealth, opportunities and education all make that pasty-skinned tourist feel superior. The ugliness stems from the tourist’s use of the native’s backwardness to propel themselves forward.

The author, Basil Johnston, is trying to portray the connection between a mythical story from the Aboriginals and the way we are destroying the environment today, from his article Modern Cannibals of the Wilds, written in 1991. Johnston begins his article by telling a story about a habitat filled with many different species such as: fish, birds, insects and other wildlife. Then, Johnston continues to introduce a cannibalistic mythical creature called weendigoes, who feed on human flesh to try to satisfy his never-ending hunger. After Johnston introduces the mythical weendigoes, he transitions into introducing the modern weendigoes who care reincarnated as humans, depicted as industries, corporations and multinationals who dwells on wealth

Daily, hundreds of thousands of people are traveling, whether it’s by plane, car, bus, boat, or foot, people are traveling to new locations and being immersed in different cultures. Many fail to realize how ignorant of a tourist they are. Kincaid explains that tourists are morally “ugly” and use other, less fortunate people, for their own amusement. She tries to enlighten those who are privileged to be more considerate when they are visiting new places. Published author Jamaica Kincaid wrote “The Ugly Tourist,” originally written in her book, A Small Place, where she tries to convince readers that tourists are, “a piece of rubbish” (207). Kincaid’s attempt to convey to the audience that tourists are ignorant and morally “ugly” is partially successful, due to her satisfactory emotional appeal, yet inability to produce a less angry tone, along with minimal logical appeal.

Documentarians often want to get as close to their subject matter as possible. Some documentarians have an insider perspective which ignites a spark to create a piece that illuminates a specific topic or area of study. There are also documentarians that have no affiliation with said subject matter, but want to explore the topic in question. Finally, there are documentarians that have a foot in both worlds. Insider/outsider is a theory in which a documentarian can be close to a subject, but also possess characteristics or traits that make them distant from the topic in question (Coles, 1998). Such is the case with the directors of both Stranger with a Camera and The House I Live In. Due to their own location, both Eugene Jarecki and Elizabeth Barret exhibit characteristics that make them fall into the insider/outsider roles as directors. Robert Coles defines location by stating, “We notice what we notice because of who we are” (Coles, 1998, p. 7). Included in this is, a person’s education, race, class, and gender. Both directors realize they are outsiders and utilize a lens into a world in which they are not otherwise a part of. Jarecki’s lens comes in the form of Nanny Jeter, his family’s nanny from when he was a child. Barret’s lens for her documentary is the community that she shared with Ison. The two directors enter into a world that they are not a part of because of their location, but forge a connection to the subject matter through means of a lens.

In the essay “The Ugly Tourist, the author, speaks directly to the reader and express anger and a deep dislike for tourist that she repeatedly refers to as “ugly” human beings. The tourist is a representation of the British and how they exploited the Antiguan’s for their own gratification. She accuses the tourist of being like their ancestors, she further stereotypes them by emphasizing the different ways in which they happen to be ugly. In “Shooting an Elephant”, he describes what it felt like to be a white man in power. He thinks that imperialism is “evil” and doesn’t like that the Burmese are being oppressed. Secretly, is the only way that he can opposed oppression, but as the enforcer of imperialism, it is his duty to command respect in addition, to displaying that his culture is superior to that of the Burmese. Through his experience he gets a better perspective on imperialism when he faces a decision that ultimately compromises his morals for his pride and to protect the image of the British Empire.

The director of the movies, with this scene, supports Urry (1990) who said, “The experiential, experimental and the existence do not rely on the environmental bubble of conventional tourist service. Indeed Murphy choice as a young African tourist is not conventional tourism.

When it comes to the topic of ecotourism, most of us will readily agree that it is a less harmful alternative to mass-tourism and that it promotes responsible and low-impact travel to areas where flora, fauna and cultural heritage are the primary drawing power. Where this agreement usually ends, however, is on the question of what the impact of ecotourism actually is and what its long-term consequences are. Whereas some are convinced that ecotourism provides the basis for sustainable development, particularly in places that suffer from exploitation and excessive resources’ usage, and that could only improve the general conditions of the local people, others maintain that we are still far from true ecotourism, for many are those in the

The anthropologist is the act or practice of humans or other species eating organs or the flesh of their own kind. Cannibalism has been a part of the human culture for so long and resurfacing in the recent decades. Cannibalism has been reportedly practiced by many different cultures in all continents on earth. Each of them has separate reasons to why they practiced it. It could be from psychosexual impulses, relief from stress or they just want to eat humans as food no more no less.

Cannibalism is an act that is thought to be heinous and inconceivable in the minds of men. But, contrary to what many people think, cannibalism is very much alive and still being practiced within the continental United States of America; the thing is…the government just hasn't found out about it yet. This report will take you through the history of cannibalism, the different types of cannibalism, and the different cases of cannibalism.

The tourist’s experience is “dominated by the spectacle of the Other” which results in changes in behaviour that most likely would not fit with social norms in their home countries. Palmer and Lester use the example of photography in the film, noting that tourists become like stalkers when attempting to capture evidence of the primitive. Photography is a focus in the film, as it serves as an “embodied performative act.” The tourists are not interested in creating meaningful relationships with locals. The social interactions seem ingenuous and largely commercial. A woman stages a photo with local children, exclaiming “aren’t they cute?” She doesn’t create any meaningful connection with them, however the photo was composed in a way that will appear that she has to family and friends back home. In most aspects of cultural tourism, there is an aspect of staged performance to fit the needs of the audience. There is a dependence on the local people to perform a role eg. Selling objects, doing dances in native costume or performing a role from another era of history. In Cannibal Tours, the objects being sold are not authentic however tourists still purchase them, adding to the commodification of the interactions between tourist and local. Locals are confused why tourists come to buy inauthentic items instead of engaging with local history and culture in meaningful ways.