Canterbury Tales Essay - Marriage and the Role of Women in the Wife of Bath’s Prologue

The Wife of Bath, who was married five times, married all of her husbands for money. The last husband, Jenkin, was the one she truly loved, but told him about a dream that never happened. She told him that she dreamt of blood filling her bed, but the blood represented gold. This was a lie. She also told him that she was enchanted with him, and even though she was, it was for the wrong reason at that moment. In the Wife of Bath's tale, the old wife tricks the knight into marrying her by making him pledge troth to her, and does not mention marriage. Also, both women gain control of the marriages. The Wife of Bath is hit by her husband after she hits him, but after they reconciled she gets control over the marriage after she cries, and he gives her his estate and riches. The old wife gains control when she asks him what he wants. When he tells her to decide she gains control of the relationship when she chooses both beauty and fidelity. By them tricking their men and gaining control of the relationship, they seem to be

The disparity in the outcomes of the hag's marriage and Alison's marriages in Geoffrey Chaucer's "The Wife of Bath's Prologue and Tale" depends in part on the women's differing expectations of their husbands. The hag's modus agendi depends on a knight's obligation to honour his pledge, whereas Alison's modus operandi depends on her husbands' conduct after marriage, i.e. on her circumstances. Having saved the knight's life, the hag asks the knight to permit her to be his wife. Moreover, she wants to be his love. The knight must marry, since marrying the hag lies within his might. Since the hag's definition of being his wife includes her loving him, he is duty-bound to

The two tales, told by the Wife of Bath and the Clerk in The Canterbury Tales, have parallel plots. “The Wife of Bath’s Tale” begins with a

Beginning with the prologue, the Wife of Bath makes an argument for why she believes sexuality is the key weapon to use against men to achieve her goals. Doing such, she twists the typical gender roles of the time; that women are dependent upon their husbands and need a partner for protection and wealth. The Wife also shows in her stories how she was able to falsely accuse men and continuously hold the upper hand with them, which goes against traditional gender roles of the time of women being helpless without a husband.

Oftentimes in primeval literature, female characters are unfairly judged based off sexist tendencies of previous centuries. In the mock epic, Canterbury Tales, Geoffrey Chaucer narrates a religious pilgrimage to Canterbury. One of the twenty-nine traveling characters mentioned is the Wife of Bath, a spirituous, opinionated woman who tells the tale of strength and dominance. Although some may argue that Chaucer is stuck in the past and therefore uses the Wife of Bath as a reinforcement for gender stereotypes, Chaucer proves her a strong, powerful character, unconfined to ludicrous gender roles.

Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.

In Geoffrey Chaucer’s poem The Canterbury Tales a young Chaucer tells of the people he meets on a pilgrimage to the shrine of Saint Thomas Beckett in Canterbury. One of the most vivacious characters on the pilgrimage is The Wife of Bath. Both the Wife of Bath’s prologue and tale share a common theme of a woman’s control in a relationship with a man. The Wife of Bath and the old hag in her tale share a similar perspective on what women want most in life. In the prologue and tale the reader is exposed to the idea that what women most desire in life is to have control over their husbands and lovers. This tale and its prologue are linked through the way that Dame Alice, the Wife of Bath, fashions the old hag in her tale after herself.

"The Wife of Bath", in the collection of Chaucer’s Canterbury Tales, illustrates the stereotypical image of a women in medieval times ("The Portrayal of Gender in The Wife of Bath's Prologue and Tale.") The tale characterizes women as lustful and greedy burdens on men. However, to readers today, "The Wife of Bath" represents a strong minded feminist woman who is confident and open about her sexuality. Narrated by a character called Alisoun, "The Wife of Bath" reveals an insight to a woman’s point of view in medieval times. Alisoun begins her long prologue by declaring that she follows the rule of experience; announcing that she’s a self–proclaimed women. Throughout the her tale Alisoun questions and challenges the idea of power and authority in medieval society. Through Alisoun, Chaucer gives women a voice to express their call for equality and their need for power. By using description and characterization, Chaucer gives readers an insight to a society in which women are starting to express their desire to have power ultimately arguing that in order for men to be happy women need to have sovereignty in medieval times.

The Wife of Bath is perhaps the most fully realized character in the Canterbury Tales. Headstrong, boisterous and opinionated, she wages a perpetual struggle against the denigration of women and the taboos against female sexuality. She issues a number of rebuttals against strict religious claims for chastity and monogamy, using Biblical examples including Solomon to show that the Bible does not overtly condemn all expressions of sexuality, even outside of marriage. Those who use religious texts to argue for the submission of women are the most fervent targets of scorn for the Wife of Bath. She claims that the reason for the bias against women in these texts is due to the lack of experience and contact with women of those who write the text. It is this antipathy to intellectual arguments against femininity that causes her to tear the pages from Jankin's book.

Geoffrey Chaucer’s The Canterbury Tales is considered a work of satire towards medieval society by many literary critics. Chaucer uses the Wife of Bath as a prime way to quip a key fourteenth century practice wherein medieval society is patriarchal from noblemen to peasants. Women are one of the most restrained groups. The Wife of Bath narrates a story mocking male superiority and spouts a pro-women narrative. In this tale, the Wife of Bath shows women not submitting to a man’s world. For this period in time, she is a progressive who implies men are not in control of society which does not fit the mold of women at the time. She infers women are running everything from behind the curtain with men merely being used as puppets.

In "The Wife of Bath's Tale", sovereignty is the major subject that is dealt with in the marriage situation. The knight, in search of the correct answer of what women most desire in life, stumbles upon an old hag with the answer. In exchange for the answer, the knight is forced to marry the woman. The woman desires sovereignty over her husband, which is selfish and inconsiderate.

Geoffrey Chaucer’s The Canterbury Tales presents several interesting characters, of which the most interesting is the Wife of Bath. A stand-out character meant to generate a shocking response from the reader, the Wife of Bath is both headstrong and blunt, especially for a woman of her time. Although the Wife of Bath clearly is educated in Biblical passages due to her many references to the Bible in her tale’s prologue and tale, the basis of her argument—that women should gain total sovereignty in marriage by using sex as their weapon to gain dominance—is actually undermined by her Biblical examples and her own description of her fifth marriage.

Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought

Many literary critics throughout the years have labeled the Wife of Bath, the "gap-toothed (23)" character of The Canterbury Tales by Geoffrey Chaucer, a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it. However, this is not the definition of a feminist. A feminist is someone who believes that women and men are equal, while also is able to recognize and appreciate the unique characteristics of both sexes. A feminist celebrates what it means to be a woman, and a feminist is definitely not what Chaucer meant his character to be interpreted as. If anything, the Wife of Bath could safely be called a sexist. She constantly emphasizes the negative

Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This