Sexuality in The Wife of Bath and the Pardoner
In Geoffrey Chaucer’s The Canterbury Tales, an eclectic mix of people gathers together at Tabard Inn to begin a pilgrimage to Canterbury. In the General Prologue, the readers are introduced to each of these characters. Among the pilgrims are the provocative Wife of Bath and the meek Pardoner. These two characters both demonstrate sexuality, in very different ways. Chaucer uses the Wife and the Pardoner to examine sexuality in the medieval period.
The Middle Ages were a time of expanding and experimenting sexually for the people. Religious figures who had taken vows of celibacy had children, sometimes with more than one woman. Even some popes of the time had illicit affairs. However,
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The nominalists knew that no matter how much abstinence and damnation for sin was preached, there was a certain amount of gray area, and they very much took into account the biblical quote “Let he who has not sinned cast the first stone.”
Chaucer observed the disputes these opposing views created, and shaped the controversy into colorful characters.
In the very first lines of The General Prologue, Chaucer is already demonstrating how his work can be read in two ways: nominalistically and realistically. The nominalist, Chaucer’s pilgrim narrator, sees the lines meant to interpret one way, while the realist, Chaucer the poet, interprets the lines another way.
Whan that April with his showres soote
The droughte of March hath perced to the roote,
And bathed every veine in swich licuor,
Of which vertu engendred is the flowr;
Whan Zephyrus eek with his sweete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne,
Hath in the Ram his halve cours yronne,
And smale fowles maken melodye
That sleepen al the night with open ye-
So priketh him Nature in hir corages-
Thanne longen folk to goon on pilgrimages…
(1-12) (2)
The nominalistic pilgrim sees these lines as representing a new birth (April), baptism and cleansing (water showers), and the breath of Zephyrus as an allusion to the biblical story of Adam and Eve (when God breathed life into
The disparity in the outcomes of the hag's marriage and Alison's marriages in Geoffrey Chaucer's "The Wife of Bath's Prologue and Tale" depends in part on the women's differing expectations of their husbands. The hag's modus agendi depends on a knight's obligation to honour his pledge, whereas Alison's modus operandi depends on her husbands' conduct after marriage, i.e. on her circumstances. Having saved the knight's life, the hag asks the knight to permit her to be his wife. Moreover, she wants to be his love. The knight must marry, since marrying the hag lies within his might. Since the hag's definition of being his wife includes her loving him, he is duty-bound to
In Geoffrey Chaucer’s Canterbury Tales, he introduces a character known as the Wife of Bath. It is her turn to tell the stories, and her tale begins discussing her past marriages in the prologue. Married five times, the Wife of Bath tells us about her own marital issues, and the way she was able to manipulate the gender roles to her own advantage. As interesting of a character as she is, I find Chaucer created the Wife of Bath to deliberately introduce the issues gender roles play in our society. I believe that the role the of the Wife of Bath in the tale was purposely written by Chaucer to twist the traditional gender roles of the time, satirizing how gender plays in society.
Why do you think Chaucer included Justinus and Placebo? What does the latter’s debate contribute to the overall Tale? A number of factors come together to distance the reader from the characters in the tale, not least the complicated and ambiguous series of lenses through which they are viewed. They are all types or allegories to lesser or greater degrees.
In terms of literary quality, Chaucer went great lengths to give all elements a bit of attention. The work is primarily about a knight who is pardoned from a rape on the condition that he acquires the answer to one of life’s
In the prologue Chaucer talks about many of the characters. He often tells stories and describes how they act and how they are. From being members in the church to having a good and bad reputation in the town, all the characters are unique in their own way. Chaucer describes the summoner, pardoner, and the friar by using indirect characterization in each of their stories.
Chaucer lived in a time dictated by religion and religious ideas in which he uses The Canterbury Tales to show some of his views. Religion played a significant role in fourteenth-century England and also in Chaucer’s writing. His ideas of the Church are first seen in “The Prologue,” and he uses seven religious persons to show the influence of the religion in his writing. Although many of his characters appear to portray part of the corruption in the Church, he does give a small example in which one can conclude that he is speaking in praise.
of the church taught that sexual relations should be avoided if possible and indulged in
There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of
The Wife of Bath’s Tale features a character that seemed to resemble a feminist. But in Chaucer’s time, feminism was thought to be abnormal and the pilgrims
The Canterbury Tales, begun in 1387 by Geoffrey Chaucer, are written in heroic couplets iambic pentameters, and consist of a series of twenty-four linked tales told by a group of superbly characterized pilgrims ranging from Knight to Plowman. The characters meet at an Inn, in London, before journeying to the shrine of St Thomas a Becket at Canterbury. The Wife of Bath is one of these characters. She bases both her tale and her prologue on marriage and brings humor and intrigue to the tales, as she is lively and very often crudely spoken. Her role as a dominant female contrasts greatly with the others in the tales, like the prim and proper Prioress represents the
The integration of Chaucer’s dual persona is important in showing her immediate appearance and how her character develops in her Prologue and Tale.
Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in
love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.
Some early Christians practiced infanticide by exposing unwanted female infants. Church fathers warned against this because they believed that children that were exposed were more likely to be victims of incest and/or become prostitutes. In turn, they warned against having sex with prostitutes because they believed that it may result in a father having sex with one of his own children. However for Christians, as with the Jews, it was considered a criminal act.
Didactic literature is a work of writing that has been around for many centuries. It can come in all types of forms- novels, plays, poems, etc. The main similarity that all didactic literature have in common is their message. They all aim to impact their audience with a message or moral that usually involves religion, philosophy, history, or even politics. In a way, didactic literature always tries to improve a part of society in a moral basis.