Canterbury Tales - Linking Griselda of The Clerk's Tale to the Biblical Sacrifice of Abraham

In the late 1300s Geoffrey Chaucer began wrote The Canterbury Tales, a story which follows the religious journey of twenty-nine people, who represent many aspects of Medieval society, to the Canterbury Cathedral in southeast England. While on the pilgrimage the host of the tavern, where all the pilgrims meet, suggests that the pilgrims each tell a story for the group’s entertainment. Chaucer intended for all the voyagers to tell two stories, but he unfortunately died before he could finish the book and only got to write one story apiece. However, the goal of the storytelling contest is to tell the most moral story possible, and the one who wins receives a free meal, which the rest of the pilgrims will pay for. Although some of the other stories have good moral messages, “The Pardoner’s Tale” and “The Wife of Bath’s Tale” are on different ends of the moral spectrum. “The Pardoner’s Tale” focuses on a pardoner who preaches against greed. While “The Wife of Bath’s Tale” exemplifies what all women want in their relationships: power. Although both “The Pardoner’s Tale” and “The Wife of Bath’s Tale” demonstrate the value of the opinion of elders, the stories differ in their moral values and their storyteller’s values.

“The life so short, the craft so long to learn” (Famous Quotes). The Canterbury Tales is enriched with humanistic merit that allows the reader to sharpen his or her own craft of life. Specifically, “The Wife of Bath’s Tale” and “The Clerk’s Tale” are embodied with multiple struggles of life that pertain to life in the present. Despite seven centuries of society constantly evolving, the two stories’ plots can still be further analyzed through similar themes about relationships that pertain to modern society and how rhetorical strategy allows the audience to relate to the narrative characters.

Throughout the Canterbury Tales, various characters are introduced and tell a tale, each of which tells a different story. All of the tales are unique and address different issues. “The Miller’s Tale” is the second of the many stories and varies from all of the rest. As seen from the “General Prologue,” Chaucer clearly depicts the Miller as a crude, slobbish man who will say anything. This reputation is held true as the Miller drunkenly tells a story full of adultery and bickering. Despite the scandalous nature of “The Miller’s Tale,” the story also displays some of Chaucer’s prominent beliefs. As “The Miller’s Prologue” and “The Miller’s Tale” are told, it becomes evident that Chaucer is challenging the common roles and behaviors of women, and he is also questioning the effectiveness of social class.

Geoffrey Chaucer’s Canterbury Tales are some of the most widely read and anthologized pieces of medieval poetry. These tales are generally celebrated and enjoyed because of the author’s use of wit and satire, as Chaucer often uses word play and characterization to deliver hard-hitting, yet entertaining truths about his time period. This is the case in “The Miller’s Tale,” which portrays the story of a carpenter with an adulterous wife and the shenanigans that take place during and after one of her affairs. After closely examining “Absalom’s Revenge,” the last section of this tale, it is clear to see that Chaucer uses language, puns, and other writing techniques to provide a commentary on the lewdness of some who lived during the Middle Ages.

The merchant claims that he knows nothing of long-suffering wives. Rather, if his wife were to marry the devil, she would overmatch even him. The Merchant claims that there is a great difference between Griselde's exceptional obedience and his wife's more common cruelty. The Merchant has been married two months and has loathed every minute of it. The Host asks the Merchant to tell a tale of his horrid wife.

Such an intense reaction to the Miller’s tale—in which someone of the Reeve’s vocation is bested by a younger, more virile man—seems based upon the Reeve’s sudden need to defend his manhood against another man’s slander. By telling a story in which a carpenter is bested by another man sexually, the Miller has wounded the pride of the Reeve, who now must display a story in which a miller is dominated by another man to defend his masculinity. As Angela Jane Weisl explains in “‘Quiting’ Eve:Violence Against Women in the Canterbury Tales”, the need to reclaim his ego informs the Reeve’s desire to “become[] powerful and thus, violent, masculine” through his warning to the Miller that he might endure corporeal harm (123). By having the Reeve devise to reassert dominance over the Pilgrim Miller in such violent ways before the tale has even begun, Chaucer prefaces the clerk to share the same anxiety over requiting the tale’s miller through sexual

During the Middle Ages, The Canterbury Tales was the first major English literary work of Geoffrey Chaucer. One of Chaucer’s classic tales, “The Pardoner’s Tale,” establishes a concrete image of the Pardoner’s greed. Chaucer uses “The Pardoner’s Tale” to expose that “greed is the root of all evil” through verbal, situational and dramatic irony.

14. “...it rested with him to punish them and there would always be time for that.” (4.2.22)

In the story, “The Pardoner’s Tales”, Geoffrey Chaucer wrote the character the Pardoner in descriptive way. He describe the Pardoner’s corruption teaching and the way the Pardoner act in the tale. The religious that the Pardoner teaching is corrupted and very selfish, greediness, and gluttony. This thing are all opposite to what the real church religious is teaching. In the story, he tricks the people to buy his fake relics and other things by using the church’s believe. The Pardoner act and his teaching are all corrupted because of the church. It shows the side of greediness, gluttony and selfishness which highly reflect into himself and his believe.

The Merchant's Tale tells the story of an old man searching for a wife and finding one, who is ultimately unfaithful to him. Chaucer uses a variety of elements in the poem to show his knowledge of contemporary interests and his story telling capacity through another figure. Irony flows through the poem, laced with allusions to the Bible. Chaucer's use of his astronomical knowledge not only allows modern day scholars to date events, but also adds another dimension of interest for the contemporary audience and of course, the pilgrims.

(Lev. 18:3; Deut. 12:9; 15:4, 7; 17:14; Num. 2:l; Lev. 14:8; 16:21; 17:3, 9; Exod. 15:27; 25:5; Gen. 41:43; Deut. 14:5; Lev. 11:16). (Ch. 1 Pg. 25)

   Chaucer presents characters in the Physician's and Pardoner's Tales who are very similar to each other in one important way. Although the characters seem on the surface to be mirror images of each other, they have an important underlying similarity: both the physician and the pardoner are not what they appear to be to most people. Both are hypocritical, although they show this hypocrisy in different ways.

“The Miller’s Tale” is a Fabliau. Chaucer illustrates how a fabliau can be a parody of romance. This kind of medieval literature usually involves someone getting cheated on. Sex in association with women is a major component in Chaucer’s Humorous tale. “The Miller’s Tale” main character Alisoun is the divine, she is the center of courtly love. Joseph D. Parry Analyzes “The Miller’s tale” in his article “Interpreting female agency and responsibility in the Miller's Tale and the Merchant's Tale”. Parry’s explications of Alisoun being solely responsible for John, Nicholas and Absolon’s misfortunes are solid but not completely accurate.

There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of

In Chaucer’s famous novel: The Canterbury Tales, he describes many characters in a satirical way, while others he describes with complete admiration. The narrator (a constructed version of Chaucer himself) is staying at the Tabard Inn in London, when a large group of about twenty-nine people enter the inn, preparing to go on a pilgrimage to Canterbury. After the narrator talks to them, he agrees to join them on their pilgrimage. Although, before the narrator progresses any further in the tale, he describes the circumstances and the social rank of each pilgrim. There are two characters in these tales of the same social class, but Chaucer’s opinion on them vary greatly. These two characters are the beloved Parson, and the loathed Pardoner.