Canto 1: The Dark Wood Of Error By Dante Alighieri

Others include Cleopatra, Achilles, and Semiras, each with their own story of love and lust. Dante is at once filled with great pity for those who were “torn from the mortal life by love” (V. 69). With Virgil’s permission, Dante asks to call to “those two swept together so lightly on the wind and still to sad” (V. 74). One woman answers him, recognizing him as a living soul. Dante knows her as Francesca, and she relates to him how love was her undoing. She was reading with a man, Paolo, about an Arthurian Legend of Lancelot, “how love had mastered him” (V. 129). The two came to a particularly romantic moment in the story, and could not resist exchanging a single kiss; that very day, they were killed because of it. Dante is so overcome with pity that he faints.

But Virgil comes to the poor, powerless Dante. He will never really do anything alone from this point on, which is good because in order for Dante to understand and learn he must have a teacher, t here must be some authority for Dante. There is a grey hound that is mentioned (canto 1, line 78-88, Alighieri). I think that this grey hound is Virgil, because he represents the savior of Dante. He is said to represent intellect, and in Dante's mind that is what is needed to be reasonable, and reason conquers all desires and weaknesses.

Dante the Pilgrim had lived a life in which he considered himself to be a sinner and was fearful that he would end up in the terrace of the proud in Purgatory. This was the path that he wanted to get off of and instead get on a path that would allow him access into Heaven. Dante is presented with his first guide of his journey which is Virgil. He makes it apparent that he greatly admires Virgil when he says to him “You are my master and my author, you the only one from whom my writing drew the noble style for which I have been honored” (Canto I 85-87) and he is happy

Dante’s obsession with Virgil is evident in the nicknames that Dante uses –leader, lord, master, sweet father and teacher to name a few. Dante’s idolization of Virgil the poet causes him to act out in order to please his guide. For example, when Dante first recognizes Argenti as the sinner in the mud he cries out to him, “With weeping and mourning cursed spirit, now remain; for I recognize you, though you are filthy all over,” (Inf. 8.33-35). In this passage, Dante is not verbally abusing Argenti rather he is simply telling the sinner to remain where he is in order to prevent Argenti from reaching over the boat. After these words however, Virgil becomes elated at Dante’s distaste with the sinner and immediately praises Dante. Dante does not take these words of praise lightly - in fact, they affect Dante to such great extremes that they practically goad him to continue to wish pain upon Argenti.

In the 24th canto of Dante’s “Inferno”, we see how Dante depicts forgiveness and the idea keeping an excellent mindset through troubling times by enlisting an epic simile. “The peasants who lack fodder then arise and look about and see the fields all white… go back to the house, walk here and here, pacing, fretting, wondering what to do… I saw my masters eyebrows lower, and my spirits fell and I was sorely vexed”. This quotation compares Virgil to a humble farmer: both are stumped by a seemingly impossible problem to conquer, are both mad that it’s happening and also that no matter what they can’t overcome it. However, both stories continue, “Despair falls from them when they see how the earth’s face has changed in in so little time… he stood and turned on me that sweet and open look”. We see that, like how the farmer is pleased to see that winter has finished so he can feed his herd, Virgil has seen that there is another way down. This simile that shows forgiveness is an important and underlying theme through the entire comedy. Had all of these people repented and asked forgiveness while still in their mortal life then they would have to suffer tar pits or hands bound by snakes. This is also a subliminal message to those that read it that he should no longer be banished from Florence.

“Then I turned to them again to speak and I begun: ‘Francesca, your torments make me weep for grief and pity, ‘but tell me, in that season of sweet sighs, how and by what signs did Love acquaint you with your hesitant desire?” (Canto 5.115-120). Dante expresses this to show how sorry for her or for them he feels.

Dante is like the son Virgil never had. This comes to light most apparently in their flight from the two-timing demons. In lifting Dante to his chest and carrying him as he sprints toward safety, Virgil becomes a mother figure to the terrified Dante. Hmmm, father and mother? You’re right in guessing that something bigger is going on here. As an unofficial poet laureate of the Romans, Virgil is a kind of patron spirit of Italy. Moreover, as the consummate speaker and writer of Latin – the ancestor language of Italian – Virgil is, in a sense, the fore-father of Dante’s native language. The two poets’ kinship traces back to their respective languages.

He returns to Virgil and mounts Geyron. Dante is terrified, but without asking, Virgil embraces him and helps the pilgrim to hold on. (Canto XVII). This is a simple gesture, but it gave Dante the courage he needed to continue. The support and guidance

We see Dante’s first step is to acknowledge his inferiority to Virgil; it is to him he owes his modest authorial prowess. This sentiment is understandable indeed. It is only natural for Dante to have nothing but the utmost respect for the great poet who, having preceded him by thirteen hundred years, merits such treatment.

He even faints after speaking to Francesa in the second circle by being so overwhelmed with pity. He continues by crying for those who suffer through bodily disfigurements in the eighth circle of hell. Virgil even begins to get irritated by Dante’s pity on these souls. Through the story Virgil teaches Dante and he slowly shows less and less pity on the justice filled

“My Guide and I crossed over and began to mount that little known and lightless road to ascend into the shinning world again.” The Inferno, by Dante Alighieri, is an epic poem, divine comedy, which was written in the 1500’s in Italian. Dante Alighieri lost his mother at a very young age and was exiled from his hometown, Florence when his group, the White Guelphs got into a disagreement with the Black Guelphs. Dante was a writer and greatly involved in politics which influenced him to write this epic poem. The story starts at with him meeting the ghost of Virgil, his idol, who becomes his guide for the remainder of the book and tries to escort Dante to heaven to be with his love, Beatrice.

Dante’s Inferno begins in a dark forest, a place of confusion, because he lost his way on the “true path”. Seeking an escape, Dante finds a hill where the sun glares down on him. This light seen in Dante’s Inferno symbolizes clarity as the sun represents God. After encountering three beasts and turning back to the murky forest, Dante crosses paths with the great Roman Poet, Virgil. Virgil is an aid and guide to Dante to Heaven, the ultimate Paradise. He warns Dante he must pass through Hell and Purgatory in order to reach his salvation in heaven. Virgil is depicted as nature or human reason perfected by virtue. It is strongly emphasized that Virgil can only take Dante so far in his journey by guiding him to heaven. Much like St. Thomas Aquinas’ reasoning, nature or human reason can only bring you so far in the journey to God. As Virgil and Dante approach the mouth of Hell, Virgil preaches to Dante about a woman in Heaven who took pity upon Dante when he was lost in hell. The woman Virgil speaks of is Dante’s departed love Beatrice. After Dante hears that Beatrice is heaven he now sheds the fear of traveling through Hell and Purgatorio.

Dante is elated to see Virgil as his first words to Virgil were, “O light and honor of all other poets, may my long study and the intense love that made me search your volume serve me now. You are my master and my author, you—the only one from whom my writing drew the noble style for which I have been honored…”. (Canto I of the Inferno in The Divine Comedy).

Virgil, human reason, does not only lead Dante physically through Purgatory, but he also leads him with his words as Lombardo does. Vigil tells Dante that he must “give [his] entire attention to [his] words”

In the Divine Comedy, Dante has landed in a dark forest, lost and confused. He is heading to the mountain that he seeked to reach Heaven. Before he reaches Heaven, he has to surpass Hell and Purgatory. During his journey, he has acknowledged multiple important characters but Virgil is considered the most significant because he was a personal tutor to Dante, and enlightened him more than any other individual. Virgil is seen as just a “guide” to Dante, but there’s more meaning behind it. He has his moments of being seen as a friend, a leader, a teacher, and a parental figure.