Canzona Septimi No. 2 Analysis

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The eight-part collection for various combinations of trumpets and trombones, Canzona septimi toni no. 2 by Giovanni Gabrieli, employs antiphony as a means of taking advantage of church acoustics. His strategic separation of two instrumental groups illuminates the dialogic structure of Gabrieli’s composition. It’s meter alternates between duple and triple, finally returning to duple meter pending the completion of the piece . In terms of harmony, the work contains mainly homophony, again, alternating between both instrumental groups placed antiphonally within the church. The through-composed canzona exhibits Gabrieli’s cultivation of musical material in dialogue between instrumental groups. The timbre, meter, and antiphony utilized in Gabrieli’s
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