Captain Vere: The Loudest Voice In The World

Oral Roberts discusses the importance of the voice of God through his testimonies. He shares that God speaks to everyone and not everyone can hear His voice. Oral shares seven reasons that he believes why God speaks to every person: God wants to communicate with man, man was created to communicate, the Bible is the evidence that God communicates with man directly, Jesus demonstrate how man can communicate with God, God will speak through the Holy Spirit, Oral’s parents taught him, and Oral himself heard the voice of God. Oral shares three things that God has spoken to him as an individual, but it will also impact other people: God called him “Son,” God told him what He was going to do for him, and “You

When referring to writing, tone is described as the writer’s attitude toward their subject matter and audience. To analyze any literary essay, recognizing tone is vital to understanding how the writer feels about the subject he has written about but also the underlying message he is trying to convey. In the essay written by the investigative reporter Jessica Mitford entitled, “To Bid the World Farewell” Tone is very pronounced and effective in getting the main point of the essay across. The author uses many different tones, from which I have selected three to analyze. All three off them use the good principles of writing a convincing and informative essay. Her ability to sarcastically familiarize the general public with the ‘dark arts’ of the embalming industry is both suggestive and engaging. She also uses an abundance of euphemisms, hiding the disturbing truth under a string of organized connotations. Her last method of tone is to inform the reader of the embalming methods by explaining with the wordy and often misunderstood colloqialisms of an actual ‘dermasurgeon’, in which she provides multiple quotes to further convince the reader.

want Billy to suffer with his extreme guilty until a martial court can see his

Immediately as the speech begins, Henry’s tone manifests itself and remains unwavering. Henry begins, “It is natural for a man to indulge in the illustration of hope. We are apt to shut our eyes against a painful truth” (1). This sheds insight on his message and portrays him as a well versed individual. He then strengthens his tone when he says

Because of these three rhetorical devices, Thatcher’s eulogy appeals to the emotions of her audience. It reflects the loss of a singular dedicated, and hardworking man, who brought peace during times of war and

In this analysis, one will be able to see the correct and incorrect actions that speakers may commit. More specifically, the speech, “Marcus Luttrell, speaker New York, 1 of 2 / Operation Red Wings - Lone Survivor” and “Marcus Luttrell, speaker New York, 2 of 2 / Operation Red Wings - Lone Survivor” will be analyzed to understand the difficulties and the triumphs that speakers commonly have. This paper will examine Marcus Luttrell’s speech mechanics, structure, development, and influence over the audience.

Henry includes a passionate pathos appeal in his speech to fill the audience with much passion and emotion to make them want to join his fight. Towards the end of his writing, Henry states, “There is no retreat but in submission and slavery! Our chains are forged! Their clanking may be heard on the plains of Boston! The war is inevitable and let it come!” (Henry 6). This piece of the speech uses a significant amount of emotionally charged language, as well as, emotionally charged punctuation. Through the immense amount of emotionally charged language and punctuation, these statements easily display a pathos appeal. Henry displays this information to ensure his audience knows that these unjust British actions are not going away. He also is including these statements, so that the audience knows that the British are preparing for war, and if the colonists do not prepare, then then Britain is simply going to crush them and going to make matters even worse. At the end of the speech, Henry mentions, “Gentlemen may cry, Peace, Peace but there is no peace. The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms!” (Henry 7). These statements easily display many emotionally charged words, along with a few emotional punctuations that show the use of the pathos appeal. Henry mentions this in his

Yes, this character was very successful with his vocal choices. The range of his vocal tone within each scene added depth to his character. For example, when he confronts Jackie about their relationship, he softens his voice to show his pain, but also strengthens it to illustrate that his pain also comes from a place of anger.

Henry utilizes a striking and descriptive language to generate emotions of aggravation through the audience members, hoping their irritation turns towards Britain. The emotions they endure helps them shape their decision as to why peace is no longer beneficial. Motivation to take action is more likely to occur if there is emotional prominence in specific phrases. Without the use of pathos, there is no connection between the addresser and the listener, making it difficult to convince the contradictory side to trust the opposing request.

President Whitmore also presents the sentences with a certain tone that drastically differs between the words themselves and the effect they emit when actually spoken. When reading the script, some of the valuable persuasion can be lost due to the fact that there is no true voice presenting the dialogue. However, this speech has multiple examples of tone arranged in the piece from the various punctuations and exclamations, sentence fragments, and repetition. Those three aspects carry a majority of the persuasiveness along by adding a mixture of projections to the words allowing for the reader or listener to become locked into the message. The punctuations and exclamations provide a signal indicating which sentences or words exhibit more stress or elegance when read. The sentence fragments break down sentences and provide a phrase that can have a heavier focus to develop more meaning. Lastly, the repetition helps stamp the idea of unity and survival into the reader's thoughts. Although, when the speech is spoken by President Whitmore in the movie the tone completely changes. The script gains more meaning when put into the situation it is meant for and achieves the wanted impression considerably. Even though there is

President Roosevelt helps appeal to the audience’s emotions through the use of pathos to unite them in the war effort. Throughout the speech Roosevelt states the events of the prior night in chronological order to inform the American people of the tragedy at hand. He goes on to explain the severity of the attack and how it left many American lives affected. The speech states, “The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost.” By stating the obvious loss of lives at

Queen Elizabeth wrote an inspiring speech to the Troops who fought for the Armada about their honor and power over this astonishing war. Alongside, Winston Churchill delivered a majestical yet powerful speech about the issue dealing with battle of Britain and the unifications needing to be healed. Queen Elizabeth and Winston Churchill both delivered exhilarating speeches to their troops and counties with the battle of Britain. The Queen delivers her speech to the courageous group of men and women who fought this rigid, enduring war. While Winston delivers his speech to the House of Commons. While analyzing and juxtaposing these two speeches and their contrastive audiences; it is very mere to see the compelling diction, dynamic emotion used in their speeches.

Notwithstanding Treasure’s use of vocal coach jargon, he does not go so far as to assume his audience fully understands their meaning as they relate to the topic. He therefore provides definitions and oral examples that connect listeners to the idea. As Treasure used lists, supporting points, and definitions, he does fail to provide much testimony regarding the success of these tactics – other than simply stating what is positive and negative. This is likely a sign of understanding his audience’s common knowledge. Clearly there is a tremendous amount of practice and awareness involved in aptly utilizing the tools Treasure discusses, far and beyond splattering them within one’s speaking. Treasure notes this perfectly, as he states: “First of all, I think absolute honesty may not be what we want. I mean, my goodness, you look ugly this morning. Perhaps that's not necessary. Tempered with love, of course, honesty is a great thing. But also, if you're really wishing somebody well, it's very hard to judge them at the same time. I'm not even sure you can do those two things simultaneously,” (2013). The same rings true with the use and understanding of register (depth), timbre (smoothness), prosody (melody of voice), pace, pitch, and

Judith Bradford and Crispin Sartwell in their essay “Voiced Bodies/Embodied Voices” helps articulate the difficulties of being heard. One voicing their opinions to others is not going to always work as planned because of the many biases of others as well as the social construct of society. Bradford and Sartwell explain the three conditions that allow individuals to have their voices heard. Physically being in a position where one can speak to certain people is one of the conditions. This notion means that if people are physically in an area where there is an agreement being made, they can have the ability to voice their opinion since they are present at the event. Another condition is if one has the ability to speak. Words and phrases need

The tone in a person's voice is what people go by to determine their mood or how their feeling at that moment. The way Klotz said everything made the Air Traffic Control just ignore everything. I do agree with Gladwell when he argued about mitigated speech being the reason for the crash because, Klotz downplayed the situation,