Capture Mother Nature Photography Research Paper

In the first chapter, the author talks about how most people’s attention is on eye-catching images, instead of what is going on in the world. People care more about murders, airplane crashes, etc. instead of the exploding populations or the growth in the amount of nuclear weapons that exist. Because of this, our environment starts to deteriorate. The environment will continue to deteriorate, and such events will be out of control until the human race realizes just how selectively the environment persuades the human mind, and how the biological and cultural history determines our comprehension. The book is about fundamental connections to our past and how the human race can

Joel Sartore, photographer, is the main focus in this article. Over the years Sartore has created a collection of photos that he has taken of different species of animals. These animal photos have created a movement that’s goal is to inspire people and get their attention in order to help protect the lives of animals, especially those that are threatened. This organization, Photoark, is pushing the photography of zoo animals in order to get public attention. Animal play a huge role in the balance of our planet. What Joel Sartore is trying to do is save our biodiversity by protecting animals in order to preserve the environment. Throughout the article the author explains the goals of Sartore and explains the Photoark project that is growing wildly to save animals. The awareness of these animals may just be the thing to save them and our planets

Conservation is everyone’s responsibility. Even if you don’t spend a lot of time in nature or appreciate her beauty, everyone needs access to food, clothing, medicine, clean air and water, and a variety of other resources you depend upon everyday. It is in everyone’s best interest to try to conserve natural system.

Images everywhere! On the billboards, in magazines, newspapers, books, advertisements, on the internet. OH GOD! These days we are bombarded by images. But why? Most people are visually impressed, and quite strikingly, the human “brain is mainly an image processor, not a word processor.” This is due to the fact that “visuals are concrete and more easily remembered, whereas words are abstract and rather difficult for the brain to retain.” Nevertheless, rather surprisingly human beings tend not to analyze images as they would scrutinize a text. The very moment a text is written, it flies from the hands of the writer and moves to the eyes of thousands and thousands of readers to be evaluated and criticized.

Like Sontag, I believe that taking pictures is a form of liberation that enables people to release anxiety and increase their power by constructing a better society.

As The World Burns: 50 Simple Things You Can Do To Stay In Denial, by Derrick Jensen and Stephanie McMillan, is a graphic novel about the state of our environment. They use cartoons and abundant sarcasm to convey the message that the attempts people are making to save the environment are not enough to do any real good. Their message challenges both those of Edward O. Wilson and the University of Connecticut in that Jensen and McMillan’s ideas are much more radical and suggest that the ideas posed by Wilson and UConn, such as the importance of recycling and sustainability efforts, are ineffective at saving the environment. We must resolve the challenges posed by Jensen and McMillan so that all of the ideas put forth in the sources may work together rather than against each other. In order to do this we must accept that some of the ideas given by Jensen and McMillan may be too extreme to do any real good and that the ideas suggested by Wilson and UConn, though slightly ineffective, are nonetheless important steps in saving the environment. Taken alone, none of their ideas will save the environment; instead it is necessary to combine the ideas of Wilson, UConn, and Jensen and McMillan in order to create a more realistic plan to save the planet.

The aim and intentions of this essay is to compare and contrast how the three artists (Michelle Lougee, Andy Goldsworthy, and Hermannsburg Potters) use their materials to communicate ideas about the natural environment.

They contributed many photo essays to Arizona Highways, though Adams was less than thrilled with their color reproductions. Still, they are important for they championed a “uniqueness of the ‘American’ earth at a time when other artists and intellectuals were drawn to ideas of internationalism” (Dunaway, 2005, p. 131). The Sierra Club’s new storytelling technique the coffee table book and National Geographic’s photo-driven essays also grew in popularity. Other conservation organizations quickly grasped the value of photos as a way to appeal to Americans on a more personal and intimate level the importance of humanity’s relationship with land and nature (Corbett, 2006; Neuzil, 2008; Sierra Club,

Images gain their power from the factors and decisions surrounding the site of production, site of the image, and the site of audiencing (Rose). If an observer takes an image and considers the effects each of these sites has had on their own reading of the image’s meaning, the viewer’s resulting analysis of the image will be more a more complete evaluation. The image of “Theodore Roosevelt and John Muir at Glacier Point, Yosemite” captures a time and place in such a way that even a century after the image’s creation, students of visual studies can still use it to better understand how and where an image develops its meaning.

And, by referencing an “ecologist”, the speaker reinforces the verity of their contention, prompting those who are sceptical to reconsider their beliefs. Additionally, the image which portrays the world in an individual’s hands supports the speakers’ contention by highlighting the actions of world leaders to be paramount in protecting earth, visually reinforcing that the future is in the hands of world leaders, the speakers’

In a passage Last Child in the Woods(2008), Richard Louv presents an argument about how distant humans are from nature. Richard supports his claim by providing anecdote, hyperbole and sarcasm. Richard’s purpose is to bring awareness to this sad case of technology taking over nature. In a time where many people don’t see the fun or beauty in nature but are turning to technology for everything, including the appearance of things and get a peace of mind.. Richard talks to his audience with sincerity and sadness.

Throughout world history, people have come up with brilliant new ideas to make life easier, and as time goes on, research, making food, and getting news, has all become instantaneous. It now only takes the push of a button to cook a thanksgiving meal or the click of a remote to find out what’s happening across the world. These things are often taken for granted, and rarely does someone stop and say: “I wonder what turning on this extra lamp does to the environment?” This statement sounds insignificant when there are people starving in other countries and people are training for the army. Yet, being concerned about the environment is not necessarily a bad thing. In fact, the environment should be one of the biggest concerns among people, as

Chris Jordan creates the disturbing picture to show how the plastic population is going into the oceans and makes its way into the food chain. The plastic is threatening nature which is

Susan Sontag said photographs sends across the harmlessness and helplessness of the human life steering into their own ruin. Furthermore the bond connecting photography with departure from life tortures the human race. (Sontag 1977:64)

National Geographic (before the world wide web) brought the world to its readers. The photographers are able to capture the world in a photo giving the reader greater understanding to the article itself. The job of National Geographic photographer is revered as the “dream job” but the reality is that it’s a grueling task to get that perfect photo. Extreme weather, harsh environments and dangers. Photographers have been injured and even killed just to get that image, that image that than can be iconic in history. The assignments take them all over the world, during times of war, places remote and dangerous. The photographers have to work for the shot, scaling trees, being in the mist of wild and unpredictable animals, hostile people with weapons. One of the photographers took a picture of an elephant charging towards him, most would run but he didn’t and the picture is epically amazing. He could have been killed getting this shot. One of the