Caravaggio And The Caravaggesque

Caravaggio’s, however, was darker and more dramatic. Caravaggio started an intense style called tenebrism. Tenebrism is a more prominent form of chiaroscuro, where there are vehement contrasts between light and dark. Fred Kleiner best describes Caravaggio’s style, “In his art, Caravaggio injected naturalism into both religion and the classics, reducing them to human dramas played out in the harsh and dingy settings of his time and place” (Kleiner, 681). Caravaggio painted during the Italian Baroque in the 1600’s. Italian Baroque artists like Caravaggio embraced theatricality and extravagant ornamentation, while Renaissance artists focused more on precise classical models. Now Caravaggio wasn’t exactly an upstanding member of society, most of what the art world knows about him is through his police reports. Caravaggio’s Entombment was created in 1603 and, like Giotto’s Lamentation, depicts the death of Jesus. While they both depict the same religious scene and use styles that are new for their time, Caravaggio’s painting has some drastic differences from Giotto’s. Caravaggio’s painting is oil painted on canvas, which gives Caravaggio the opportunity to be more detailed in his painting than Giotto can with fresco. Caravaggio creates these intense dramatic scenes of diagonals and intense movement. Unlike Giotto, Caravaggio uses linear perspective to direct his viewer’s attention to the body of Jesus. Caravaggio does this by using a diagonal cascade of mourners descending towards Jesus’ body. Inclusively, Caravaggio started a darker, more dramatic movement that gave naturalism a new realistic element.

During the Baroque Ages a man by the name of Caravaggio was a very prominante artist,

Renaissance art created standards and principles that every painting and artist had to utilize in order to even be considered good, let alone great. Characteristics such as the phenomenon of natural light, one-point and linear perspective, and highly idealized religious or mythological figures changed into the Baroque techniques of manipulating light to create emphasis, dramatizing the illustrated allegory, and unidealized realism. Additionally, “… the Baroque trend dominated and gave its name to the age… [but it was the presence of both styles] that give the Italian seventeenth century its richness and diversity.” (4) Italy, and Rome especially, is home to what can

Michelangelo Merisi; also known as Caravaggio was a historical painter that can be traced back to Northern Italy. He was born on September 28th, 1571 in a town called Milan. At an early age, Michelangelo would flee with his family to Caravaggio to escape a plague that devastated their hometown. This was a major aspect in his life as he would soon be known by that name. Both his father and grandfather would pass away there just a few years later, coincidentally on the same day. It is believed that his family had close connections with the Sforzas which were a ruling class group in Italy at the time. They ended up playing a major part in the following years. Merisi was a man filled with intersecting personalities. During his early ages, he was a well trained painter.

Michelangelo Merisi da Caravaggio better known as simply Caravaggio was an Italian Baroque master painter born in Italy around 1571. After he apprenticed with a painter in Milan, he moved to Rome, where he lived for most of his life. His work influenced painters around Europe. He’s most known for his gruesome subjects and use of Tenebrism, which was a technique that used heavy shadow to

The period of Baroque art was from 1600 to 1750, and relates to the style

Most forms of Catholic Baroque art are assertive and, as intended, assault ones senses. The evolution of religious art from the uniform composition characteristic of the Italian Renaissance through the evolving Mannerism in to the bold and striking Baroque was striking to say the least. The stylistic changes from Da Vinci's The Last Supper to Tintoretto's version in the 1590's bear a perfect example of this transition. The point of view in Da Vinci's was central and allowed for a

The Baroque style, used by Caravaggio, was the absolute opposite of any Renaissance painter that had lived before him and because of this; it was probably the reason why he became the most radical artist of his time. He deserted the rules that had guided a century of artists before him and because of his theatrical break in style from the Italian Renaissance; he carefully brings a completely distinct treatment of narrative. Caravaggio's action of form in his Conversion of St. Paul is extraordinarily different from Perugino's work of art. One of the choices he decided to use was instead of outlining Paul and his horse with lines, Caravaggio abandons this unique style and adds movement by using a painterly style in which he uses paint to create an image and not rigid outlines. He uses color and value to produce a unique form, causing a sense of movement in the figures. They are not locked in time like Perugino's figures and express the exact opposite message of classical, passive figures. These are strong, vibrant, and emotional figures. Perhaps the emotional aspect of the figures is created by Caravaggio's introduction of dramatic light and dark effects, termed tenebrism. This technique was a great breakthrough in art, which added great emotional effects and mystery to the art. Caravaggio doesn't light Paul with a clear even light like Perugino

Due to the events in his life, I see his paintings as if they are telling a tragic story. However, I am able to understand them a lot more. I learned more about Caravaggio and his motives; therefore

Michelangelo Merisi, known as “Caravaggio” was known for introducing realism and drama by using theatrical lighting and gesture to Italian Baroque art. Caravaggio’s paintings were focused on religious matter commissioned for the Catholic Church. Georges de la Tour was well known in his own time but then forgotten until well into the twentieth century. His work consisted mostly of candlelit subjects, and he commissioned paintings for royal aristocrats such as King Louis XIII and Henry II of Lorraine. George de la Tour is one of the most important examples of the many artists during the seventeenth century who were greatly influenced by the work of Caravaggio.

A Baroque art is an intense movement of explosive energy. Of the three artists, Caravaggio, Bernini, and Gentileschi, each have the own baroque art style. The artist Caravaggio, who had difficult personality, had a controversial art style. For his painting, he used contemporary peasants and common settings for biblical stories. One of the example from Caravaggio work is The Conversion of St.Paul, where he makes a religious experience look natural. Bernini had adopted a style that was passionate and full of emotional and with psychological energy. The Bernini sculpture of David, display that passion and emotion, has his David is a Counter-Reformation Rome anxious for a fight. Artemisia Gentileschi was a fan of Caravaggio and she "Cpainted a

Until the late 19th century many biographers and art scholars deliberately ignored Caravaggio work. Some people felt as if his work was to natural or just ordinary. (Sayre, 2010) His work of art was characterized by displaying weakness or humankind. Sometime people had a difficult time trying to figure out if his painting was religious or not. In fact the contrast in his paintings between light and dark tones was evident in the spiritual content and its representation in the painting. (Sayre, 2010) Caravaggio became ill on a beach in Port Ercole. Caravaggio passed away July 18, 1610 after battling with malaria which he fought to overcome.

Indeed, it is not possible to imagine someone could compete with Gianlorenzo Bernini in feeling of the Baroque style in sculpture. Thus, the most prominent works of the artist, known for

This painting exemplifies many of the characteristics of Caravaggio’s paintings, which is typical in the Baroque period.

With the continuous growth of paintings and artists, prestige for art increased dramatically to the point in which religious aspects were shown through landscapes, portraits, and temperas. This then allowed the creation of new styles and mathematical input that manifested everyday life with religious aspects. One such artist was Giovanni Bellini who introduced bright, rich, strong colors into his palette and landscapes that expressed the happiness, calmness, and prosperity that Italy carried throughout the Renaissance. These characteristics and styles of paintings subsequently became a popular Venetian cornerstone. Other important figures in the Italian Renaissance that demonstrated the movement?s ideas through their ingenious paintings and architectural methods were Pier Della Francesca and Leon Battista Alberti. Francesca, who was and expert in mathematics, developed the art form of perspective. Alberti, on the other hand, as an architect developed the pediment which became popular throughout the entire Renaissance. His monasteries and churches depicted many of the religious ideas, as evident in one of his famous works, the Santa Maria Novella. All in all, the use of the common religious themes such as the annunciation, adoration, Crucifixion, and the popular Madonna