Carl Gustav 's Collective Unconscious

The film Grosse Pointe Blank is an excellent example of the theory created by Joseph Campbell called The Hero’s Journey. This journey is said to be found in all types of movies, stories and myths no matter where you look. In order to have a complete journey you must go through the several basic stages, which is called the monomyth. The structure has been helpful to many film directors and creators for example “George Lucas, the creator of Star Wars, claims that Campbell’s monomyth was the inspiration for his groundbreaking films.” The film Grosse Pointe Blank taps into these basic elements of the journey which are the ordinary world, the call to adventure, Refusal of the quest, accepting of the call, entering the unknown, supernatural aid, test or supreme ordeal and the reward.

According to the dictionary, an archetype is “the original pattern or model from which all things are the same kind are copied or on which they are based; a model or first form; prototype.” Archetypes are the basic building blocks of any story that is told whether it’s an epic fantasy novel or an intense autobiography about some white guy from 100 years ago. An archetype can be any type of character such as a jester, hero, or a princess. However, archetypes can also be experiences like coming of age. Feelings are also a type of archetype like fear or joy. In the books The Alchemist by Paulo Coelho and The Odyssey by Homer some of these archetypes are shown through Fatima, the Princess (damsel in distress), Calypso, the Temptress, the Alchemist, the Sage, and Odysseus and Santiago, the Flawed Heroes.

Carl Jung (1875 – 1961) was a one time friend and colleague of Sigmund Freud, who initially held similar views to Freud. He started to feel dissatisfied with Freud’s ideas though and broke away from that school of thought in 1913. Jung also had a great interest in mystical and magical subjects, Buddhism and Hinduism, which influenced Jung’s own ideas on a theory of personality. He too, suggested there were 3 parts; the conscious mind (or ego), the personal unconscious, and the collective unconscious. ‘The main point of difference between the two men (Jung and Freud) was Freud’s definition of sexuality and libido. Although Jung conceded the importance of the

Archetypes can be seen in many places, such as books, poems, movies, and more. In Homer's The Odyssey, there are examples of archetypal heroes. Odysseus, Penelope, and Telemachus are all archetypal characters.

Carl Gustav Jung was born on July 26th 1875. He was born to Paul Achilles Jung and Emilie Preiswerk in the town of Kesswil, Switzerland. Jung was the 4th child born but the only child that survived. His family life was strained, and his mother spent the majority of her time locked in her room, where she said that spirits visited her at night. When the family moved to Laufen his mother was hospitalized due to an unknown physical ailment. Jung was sent to live with his mother 's unmarried sister, but was later sent back home to his father. The stressful relationship with his mother in his early life influenced Jung’s attitude towards women, one he describes as being “of innate unreliability". This was a view that he later referred to as the "handicap I started off with."

In almost any story, whether novel or poem, lies a hero. Depending on the path, a variety of archetypes usually accompany the hero. The Merriam Webster dictionary defines “archetype” as “the original pattern or model of which all things of the same type are representations or copies.” Joseph Campbell’s A Hero With A Thousand Faces introduces the common archetypes often found in various pieces of literature, explaining “The parallels will be immediately apparent; and these will develop a vast and amazingly constant statement of the basic truths by which man has lived throughout the millenniums of his residence on the planet,” in his preface to the 1949 edition. To summarize, after learning of the different archetypes found in a story, one

An archetype is defined as an image, story-pattern, character, setting, symbol, or situation that recurs frequently in literature and in life. It demonstrates universal human experiences and associates strongly with readers through a subconscious understanding. In the Epic of Gilgamesh the main character, Gilgamesh, is an example of a superheroic archetypal hero. He took on an epic quest for everlasting life by following the archetypal steps of a hero’s journey. Through suffering due to tragedy, realizing the nature of his quest, seeking help from a mentor, experiencing failure, and returning home with a companion, Gilgamesh’s story followed the situational archetype of a hero’s journey.

Archetypes are characteristics or characters that can define a hero. They can be villains, scapegoats, damsels in distress, and the hero themself . The Odyssey is the perfect story for examples of archetypes seeing as it has so many of them.

Archetypes are used in everywhere such as films, books, and art. They can be in characters, images, and themes. Archetypes repeat in every literature in every genre.

    Archetypes can be found in all kinds of stories. From adventurous heroes who save the world to scary monsters who bash out brains, common patterns are found in many stories. Archetypes are a broad range of subjects that are used to compare patterns of behavior. Readers can compare their everyday lives to archetypes they encounter in literature. The use of archetypes in The Odyssey help modern readers understand Ancient Greek culture. Some archetypes used in The Odyssey are the hero, the monster/villain, and the idea of temptation. The Odyssey was written as an epic poem in Ancient Greece by a man named Homer. Homer uses archetypes to help readers compare their culture to the culture of Ancient Greeks.

Archetype refers to a generic version of a personality. Archetypes are continually present in folklore and literature for thousands of years, including prehistoric artwork. The identification of archetypes in literature is to primarily find the behaviors and characteristics of the main protagonist, it is important to discover the ambiguity of how the traits change and develop throughout the rising

beings and cultures around the world. Yet it is not visible to the naked eye,

Carl Gustav Jung is a Swiss psychiatrist and the successor of psychoanalysis with important intellectual movements of the twentieth century. In his early career, Jung was influenced by the theory of Sigmund Freud, the founder of psychoanalysis (Breger 2000, p. 217). However, they came into disagreement in notions which then broke their relationship. It was because Freud’s view of myth was based on reality, which there was no religion involved, whereas Jung though that myth was based on both reality and religion. Consequently, Jung’s notions were commonly accepted by society because of the wider context. Then, through his research and clinical findings, he developed some concepts like archetypes, collective unconscious, shadow, extrovert and introvert and persona (Carter 2011 p. 442). These concepts help Jung to deepen the explanation about myth. For Jung, myth is a projection of archetypes and collective unconscious. Their form are universal and identical with every society back into history. Myth can be identical because the original form, the archetypes, is configured to be the same among human's unconscious globally where people's psychic realm encounters certain motifs and typical figures that built into the structure of man’s unconsciousness (Jung Myth Ex. 3-4). According to Edward Tylor and James Frazer, myth and science were contradict where science was factual and myth was not (Segal 2003, p. 48). Therefore, myth has an important role in human nature and modern

Myths serve as a basis of authority on ethical and moral issues regarded as facts, for example, why people behave the way that they do, but include supernatural elements. Myths tell the origins of the world and humankind by relating them to human traditions and understanding a societies values and norms (pg. 31). Human psychology deals with mental processes and behavior of an individual, group, or activity. Ways that human psychology affects the nature of myths and the way we tell and perceive stories is by interpreting an analysis of myths as being symbolic and, in turn, this symbolism is rooted in the human mind, behavior and emotions. Psychologists, Freud, and Jung believed that myths (e.g. dreams) are said to be symbolically expressing

Psychologist, psychoanalyst, doctor of medicine, and author, Sigmund Freud’s contributions to the world of science and psychology were far from limited. The self and widely regarded scientist was born in Friedberg in 1856 where he lived before moving to Vienna, Germany, where he would later produce founding revelations at the birth of psychology as a science. From his beginnings, Freud focused on psychopathology and the conscious mind (Jones, 1949). The renowned “Father of Psychoanalysis” created a pathway and a foundation for psychology, influencing the world of psychology from its birth to modern day practice. Freud’s delve into the unconscious, dreams, psychosexual development, and the id, ego, and super-ego, are just a limited number of his studies that greatly influenced numerous psychologists and theories of modern psychology. One of his earliest practices and most accredited work dealt with psychoanalysis specifically. Though this practice is seldom used in modern psychology in the treatment of psychological disorders, it assuredly carried great influence in the development of modern practices of psychological theories. Freud’s creation of psychoanalysis exceeded his professional career, influencing modern psychologists and theories, one specifically being ego psychology, that was founded in the mid 20th century of modern