Carl Sandburg Chicago

Using descriptive diction such as “eerie” and “swamp” readers can imagine an unpleasant city rustling with filth and crime. Larson exposes that Chicago had “auras of mosquitoes” in its midst. Readers automatically see Chicago as a filthy and troublesome town when they associate it with mosquitoes. This view of Chicago created by Larson further achieves his purpose to show the downside of Chicago during the time the World Fair was being constructed and attended. When the World Fair was finished, Larson described the nights, “the lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted” (254). Larson says the lamps “laced” the walkways in the white city which allows readers to picture the city in a whimsical way. The feeling of the word “laced” sits with readers in a positive way. Thus, Larson can achieve the purpose of forcing readers to see the white city in a luxurious fashion. Also, Larson mentions that the lighting was “elaborate.” Readers see the white city as a sophisticated and lavish place rather than how they see the black city. Larson again is able to persuade readers into believing the magic of the white city. Larson calls upon imagery to construct the two sides of Chicago.

Attention Materials: Many times I have wondered what is true happiness. Is there such thing as true happiness? Can it even be attained if there is such a thing? Is it more of fulfilling desires, or satisfying psychological needs? Every person attempts to realize happiness in its fullest essence. It seems like today people are too busy trying to get rich. Nowadays it is believed that happiness lies in that new mansion, or a nice Ferrari. People are mistakingly assuming that wealth will bring to them a personal significance in which they will achieve happiness.

When acknowledging the turnout of Chicago’s fair, Larson uses figurative language to demonstrate the contesting forces of good and evil and to examine the extent to which Chicago stretched the fair’s potential. Larson writes, “Chicago has disappointed her enemies and astonished the world” (30). Larson uses personification when he says that “Chicago has disappointed her enemies…” and is giving Chicago a human behavior. This strategy emits a positive connotation to the reader . The use of figurative language makes the reader look at Chicago as having achieved a great honor by hosting the fair. It also shows that Chicago can create something so miraculous in a time of such hardship and need for ingenuity and amidst the evil waiting within the shadows of the White City. When describing the tension in the top floor of the Rookery while the architects were revealing their drawings for the fair, Larson writes “As the light began to fade, the architects lit the library’s gas jets, which hissed like mildly perturbed cats” (115) and he uses figurative language to help the reader grasp the importance and anticipation of this moment. By comparing the library’s gas jets to “mildly perturbed cats,” the reader gains a sense of agitation, anticipation, and the anxiety that the architects were feeling in that moment. Larson creates a negative and rather comforting connotation by using this simile to describe the room’s tension. The way that Larson describes this moment leads the reader to imagine it to be

1. “The White City had drawn men and protected them; the Black City now welcomed them back, on the eye of winter, with filth, starvation, and violence” (pg 323). During the World’s Fair, Chicago was a truly wonderful place. At first, all the people were distracted by the actual fair, but after everyone had dispersed, the White City returned to the Black City it normally was. All of the success that the head architects and Chicago’s people believed the fair had achieved didn’t leave a lasting imprint on the city. The fair ended, the magic faded, and The Black City swallowed the White City whole.

In the novel The Devil in the White City, Author Erik Larson uses imagery, irony, and juxtaposition to parallel the good and evil sides of the city of Chicago during the 1893 World’s Fair. Larson takes a more upbeat, joyous tone while following the story of Burnham and the architects designing the World Fair, but the tone turns much darker when perspectives change and we follow the plot of H.H. Holmes, America’s first known serial killer. Using rhetorical devices like imagery, diction, and syntax, Larson is able to paint a picture of Chicago from both the good and evil side, setting a more serious and ominous tone for the novel.

In “it was a blighted, hellish place full of noise and dust and smoke and inhuman towers that blocked the sun and she hated it—hated especially this gloomy building and the ceaseless clamor of construction” (Larson 123), the black city is described through selective connotation and word choice. Larson creating an unpleasant mood by using such negative and degrading words such as “blighted,” “hellish,” and “inhuman” to describe Chicago, readers can envision a hateful and dull place. By placing “and” in front of the negative words: blighted, hellish, and inhuman and repeating “and” multiple times, the list of unappealing attributes of the city is elongated. Essentially, Chicago is envisioned in a worse way than if the negative adjectives were just listed one after another without the effect that “and” carries, emphasizing the hatred the character held towards

Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has

Gary Krist introduces Mayor Bill Thompson as “blustering, flamboyant, unscrupulous, but always entertaining,” (Krist, 31). This attitude of “sloppy and uncritical optimism” continues throughout the book as Thompson becomes the face of Chicago during the crises of July 1919. Gary Krist was accusatory and scathing with his tone toward Mayor Bill Thompson as Krist tried to find blame for the crises that happened within City of Scoundrels.

In "Chicago," published in 1916, has accepted the world around him and acknowledges that although he is not a part of what he has witnessed, he is complacent with the alienating properties Chicago is able to provide and finds comfort in being lost within the large city. The narrator begins by describing Chicago as "Hog Butcher for the World,/Tool maker, Stacker of Wheat,/ Player with Railroads and the Nation's Freight Handler;/Stormy, husky, brawling,/City of the Big Shoulders" to explain how industrialization has come to define the city ("Chicago" 1-5). The narrator then proceeds to describe his observations of individuals who live on the fringe of society, "painted women under the gas lamps luring

The philosopher Aristotle once wrote, “Happiness is the meaning and the purpose of life, the whole aim and end of human existence.” This famous quote compels people to question the significance of their joy, and whether it truly represents purposeful lives they want to live. Ray Bradbury, a contemporary author, also tackles this question in his book, Fahrenheit 451, which deals heavily with society's view of happiness in the future. Through several main characters, Bradbury portrays the two branches of happiness: one as a lifeless path, heading nowhere, seeking no worry, while the other embraces pure human experience intertwined together to reveal truth and knowledge.

which almost completely embodies how the Happy Man is portrayed. What the story is trying to get at is that absolute happiness isn’t possible, because if it was happiness would lose its value and would take the joy out of life. Happiness is something that obtains its value through its rarity, because as bad as it sounds the less time you spend happy, the more rare and special those moments will be where you are happy. Rick, however, openly states that happiness is merely a biological tool that exists in order to prevent humans from killing themselves, and that true happiness, or absolute, is just a fantasy curated by someone in order to get people to work harder. These two opinions on absolute happiness, though both providing a negative outlook on it, are somewhat accurate. Realistically, this complete and total happiness is just a farfetched idea that can be described as nothing more but a manifestation

He states this because he knew there was something missing in his life that was making him not very happy. The author seems to portray that many people’s sources of happiness come from the wealth and status that a person will gain from being a successful business

Carl Sandburg writes this poem to provide hope and to “rally a nation deflated by the Great Depression” (Smith and Thomason 1). Sandburg had seen action and injustice throughout his childhood and while he served his nation in the Army (Leslie). Sandburg knew how bad things already were for America and then when The Great Depression came, the situation became worse. The Great Depression affected him as well as millions of other Americans (Smith and Thomason 2). This is revealed in his writing through his choice of diction and imagery.

In the words of Anne Bradstreet, “If we had no winter, the spring would not be so pleasant: if we did not sometimes taste of adversity, prosperity would not be so welcome.” As writers of the modern era expressed their hardships through poetry, one can only hope that they kept such advice in mind. Through captivating works, poets such as Langston Hughes, Edwin Arlington Robinson, Robert Frost, and E.E. Cummings expressed the struggles of life during the modern era. By examining what these poets have to say about dissatisfaction with life, feelings of inadequacy, and loneliness, it becomes clear that life during the modern era was full of hardships.

The world seems to be a dark and unforgiving place, but happiness is hidden within. It is found in a beautiful view, an uplifting song, or a compliment from a friend. According to the Ted Talk video, The Habits of Happiness, Matthieu Ricard claims that everyone “has a deep, profound desire for well-being or happiness”(Ricard 2:39). Ricard uses the three techniques of Ethos, Pathos, and Logos to captivate and move his audience. With the use of metaphors, personal experiences, and even graphs Matthieu explained to his audience the full force and perception of the bendable word that is happiness. This Ted Talk dove into philosophical meaning on just how to achieve well-being, without having everything in the world.