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Carlisle Floyd

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Born on June 11, 1926 in Latta, South Carolina, Carlisle Floyd was the son of a pianist, his mother, and his father was a Methodist minister (Floyd, 2010). Floyd began private piano lessons with Rudolf Firkusny and Sidney Foster at a young age (Slonimsky, 1997). Floyd continued his studies in piano with Ernst Bacon at Converse College in Spartanburg, South Carolina in 1943 (New Grove, 1992). When Ernst Bacon was offered a job at Syracuse University in New York in 1946, Floyd followed him there where he would go on to receive his Bachelor of Music and, shortly after, a Master’s Degree in 1949. (Hawkes, 2012). Floyd would become a part of the piano faculty at Florida State University in Tallahassee the following year and continued to teach at …show more content…

Mr. Floyd has a nice way with hoedowns, countrified modal melody and drumroll crescendos, but there is amazingly little going on at the musical end of this opera. Put it this way: Kurt Weill's music is not as simple as it seems; “Susannah” is.” (Holland, 1999). While Steve Smith of the same journal said this about Susannah and its popularity in New York: ““Susannah,” Floyd’s most popular opera, has a toehold on the standard repertory. But success is relative; none of these operas turn up as often as they should. (New Yorkers, at least, have had recent chances to see “Susannah” and “The Crucible” at the Dicapo Opera.)” (Smith, …show more content…

The novella was set in the present, in the Salinas Valley of California during the Great Depression, and it ennobled or sentimentalized its characters, migrant farm workers. The underlying intent -- adopted by Mr. Floyd in a way that had begun to look pretty old-fashioned by 1970, when his opera was first performed -- was to honor the working man by elevating him to highbrow tragic stature, whether in literature, theater (in Steinbeck's stage adaptation) or, ultimately, opera.” (Rockwell,

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