Carrie White Compare And Contrast

When living with his grandmother, Suina describes his memories during the frigid winter. During those cold months, “a warm fire crackled and danced brightly in the fireplace, and the aroma of delicious stew filled our one room house.” Suina’s description illustrates his grandmother’s house as a nurturing environment. It is a setting in which his grandmother clearly cares for him. He remembers enduring the long freezing winter nights when “the thick adobe walls wrapped around the two of us protectingly.” The characteristics of the house showcase a sense of connectedness between Suina and his grandmother. Living with his grandmother clearly give Suina several reasons to be happy. It is not only a place that cares for and protects him, but it is also a place that “was just right.” Suina’s grandmother’s house provides him with a tremendous amount of self-confidence. Unfortunately, all of that self confidence is lose when he goes to school. School leaves Suina utterly bewildered. He begins to realize how different the two settings are. He starts to lose sight of the essential aspects of life with his grandmother that once made him so

John’s seemingly overwhelming need to ensure she is healthy mentally and physically, drives him to control all aspects of her life. He has his sister come to the mansion to keep an eye on his wife while he’s away in town with his patients. John chose the mansion for its isolation and privacy as he needs to have his wife healthy or it could affect his reputation,. He also picked the nursery as their bedroom as another way to have his wife secluded. The location of the room is on the uppermost level of the house with stairs are gated at the top. There are also bars on the windows as if it is a jail. There is busy ugly peeling yellow wallpaper around the room and they’ve moved in furniture from downstairs. She pleads with John to allow her to stay in the lovely room with veranda on the lower floor. He argues that the nursery with the windows, air and sunlight will be much better for her and he may need a second bed or room for himself. As a compromise, he tells her she could have the cellar whitewashed (239). Either place, the nursery or the cellar, is a prison, which the asylums of the time resembled. John is just containing his wife the only way he knows given his status as a physician. He loves and cares for her and needs her to recover and take care of the family. John is exerting himself by pushing her back into the role she has agreed to by being his

During those summer trips to Kansas, Carrie started dating some of the people she’d met at the Yoder Church. This version of finding a future spouse didn’t appeal to her though. The boys were nice enough, but she knew they weren’t the ones she wanted to spend her life with.

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

It is also notable that the protagonist’s room is located at the top of the mansion and was formerly a nursery. At the top of the mansion, she is far away from everyone and everything and can only look out from her barred window. This is similar to the tale of Rapunzel, a girl trapped in a tower with no one to communicate with. The narrator’s room being a former nursery and playroom may also give insight to John’s attitude towards her, in that he sees her as a child that needs to be pacified and doted on rather than a grown woman that can make her own choices about her illness and its treatment. The yellow wallpaper that decorates the room is what catches the narrator’s eye, as she finds it unbearably

A person’s home should be more than a place to shelter them from the elements. It should be a place where one could express him/her self freely and not have to worry about any harm coming to them. In the play Trifles Mrs. Wright lived in a house that was anything but calm. In block eleven,

She tells of the feeling of shame which emerge from not even having a bed throughout her entire childhood (3). She does reassure that she has the security of her family being the only constant in her life, “Close and sweet and loving. Lucky me on my small pallet on the floor” (4). Travelling every summer “We never knew from one day to the next, from one year to the next, where we would go or live or what we would do” (127), her security of her family seemed always there “Having lived in other people’s houses, barns, and in migrant housing in various stages of decay and repair, it felt as though we could make a home out of anything” (99).

While the narrator recognizes the great care with which her husband is treating her she seems to constantly feel that she is being ungrateful. She calls herself out in her journal for being a “comparative burden” (Gilman) The room in which the narrator resides has a sturdy bed that is nailed to the floor. The narrator notes that there are bars on the windows and rings hooked into the wall. She wrongly assumes that this room was used as a nursery or gymnasium by the previous owners. As the reader, we are able to instill our own thoughts that this room was in fact built to house someone with a mental disorder. This begs the question of what the house really is, to contain such a room away from decent society.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

I thoroughly enjoyed reading the book Reading Ellen White by George R. Knight. I found some sections of the book to be particularly interesting. I learned different ways to interpret Ellen White’s writings. When reading at a surface level some of her writings can seem to contradict each other. It is important when reading her messages to know how to interpret what she is saying to get the full meaning of the writing. While reading through the book I came across some good points that I hope to apply to my life as well as with those I come in contact with.

Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).

As a woman, Mama’s aspirations to get a house was uncommon in those days, but Mama always dreamed of moving out of there small apartment and into a nice house in a safer neighborhood with a small garden.(92). She describes her dream house like it is the most spectacular thing in the world. She is extremely happy for herself, but happier for her family. However, Mama’s goals are more complicated then just wanting a house. With this house she feels that the family now has hope and can accomplish their dreams. On the other hand, without this house Mama predicts that the family will continue with

Morrie meant to be kind to others when he said those three things. When your forgive yourself and others you are being kind and he says that good things will come around to you if you do those three things. When he says to get involved and to do what you are able to do he means that you should try to do what you can he is saying that you should enjoy life before it’s over. He is also giving information them so if they are ever in the same shape he is that they will know what to do and how to live their life and he is even talking to the healthy people as well.

In addition to scenery, the props strategically placed around the housed illustrated the family’s cares and values. Throughout the room, the audience could see many picture frames. However, the two that were predominately displayed were a picture of Christ hanging over the front door, and a picture of Lena’s deceased husband that stayed on a table in the living room. These props emphasized importance the Younger’s placed on family and religion, which came up many times throughout the production. The entire family lived under one roof, looking after one another and making ends meet, together as a whole. In addition, the plot centered around a life-insurance check from the death of Lena’s husband. This kept the element of religion present since he was deceased and in the eyes of Lena, watching over the family. Both the design of the apartment and the detail of the props within it gave the audience a greater understanding of the deep-rooted values and conflicts of the family.

She tries to find another job but she doesn't succeed. She eventually encounters Drouet one day and he offers to help her. He gives her some money and little by little they become lovers. While she is with Drouet, her life starts to improve but he doesn’t agree to marry her, so she is disappointed by him. Then she meets Hurstwood, an acquaintance of Drouet. He is very attracted by Carrie so he starts a secret affair with her without telling her that he is in fact married. Carrie is invited to play a role in the theatre with the help of Drouet and there she develops her passion for acting. Actually, it is only through her relationship with men that she succeeds in life. While she performs her role on scene, Hurstwood and Drouet are very impressed by her acting. At that point in her life, her dreams finally came true. Just living in Chicago was her ticket to success. Although she was driven by her instincts and her desires, she was the winner of a higher social status. Both Hurstwood and Drouet were rich men, but she loved Hurstwood in a more sincere way. One day after the theatrical representation, the truth is revealed. Drouet finds out about Carrie’s affair and she rejects Hurstwood after receiving the news that he’s married. But Hurstwood doesn’t give up on her and he invents a false story to convince Carrie to come with him in Canada. Eventually, they become a couple again and they move to New York.