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Carson Mccullers: Deconstruction Of Men And Women

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Chapter Two Deconstruction of Male and Female

If we take a close look at the character depicted by Carson McCullers. We could find that most of them uncertain sexual orientation, such as: the tomboy Mick, the transvestite Biff, and the homosexual Singer. The reason why McCullers has a special affection for them is related to McCullers’ personal experience. In her biography written by Virginia Spencer Carr. Carr described that McCullers once acclaimed that “I am really a man” (167). McCullers “loved women, and she dressed like a man” (Luzajic 1). Later in her life she even openly acknowledged her bisexual tendency. Hence, the teenage tomboy Mick might be McCullers herself in disguise. Through the mouth of her characters in the novel Heart …show more content…

Since then Biff knows that he has to learn how to “perform”. According to Judith Butler, “gender proves to be performative” (33). His first performance is marriage. After marrying to Alice, he has to devote greater effort to restrain his femininity. He performs his masculinity exaggeratedly. Behind the counter, he frequently revels his hairy chest. He shaves his beards twice a day. After the death of his wife, he frees himself from his performative male identity. He likes the smell of his wife’s Agua Florida and lemon rinse. He wishes he could be a mother for his niece and Mick. He refurnished his apartment, which is “both luxurious and sedate” (McCullers 223). He feels more like his truly self. Nevertheless, the femininity is still not his gender. At the end of the novel, Biff expresses his …show more content…

The dispute over their freedom led to the session of the Southern States, this was the immediate cause of American Civil War. Although they were liberated after the Civil War, and the 13th Amendment to Constitution in 1865 abolished the slavery, the racial discrimination against them did not end. “Segregation laws continued to be enforced in Southern Sates until the 1950” (Zhu 158). The southern small town described in The Heart is a Lonely Hunter is set in this era of racial inequality. Different from other white writers, McCullers gives a real description to her black characters. The well-known African American writer Richard Nathaniel Wright once praised The Heart is a Lonely enabled “white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race” (195). This comment has given this novel a precise position about McCullers’ work of deconstructing predominating binary opposition of white and

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