Carter's Use Of Empathy In The Film The Hurricane

For example, because Capote wrongfully portrayed people like Richard Hickock, his son will never know what is true and what is not. Capote added in scenes to make Hickock sound worse than he already was, such as adding in a part where he tried “to rape the Clutter girl before he killed her” (Source B). Hickock’s son was told that this was not true, leaving him to wonder what else was untrue and what Hickock might have done that wasn’t in the book. This also confuses those who know that this event didn’t occur and makes them wonder what else Capote added that isn’t

Scout does not like all of the prejudices in the town, and world, all shows a lot of empathy for how young she is in this quote, “I think there's just one kind of folks. Folks,” (304) Atticus, Scout, and minor characters show the importance of empathy. Atticus always thinks about how people feel, scout shows empathy throughout the novel, especially at the end, and some minor characters show some empathy. To Kill A Mockingbird by Harper Lee demonstrates the importance of empathy.

Although many historical filmmakers alter some events and use fiction as a tool in providing an accurate historical representation, the makers of “The

Deception comes in all sorts of shapes and forms. From flat out lies to subtle bluffs, the act of lying has a profound impact on not only its victims, but its perpetrators as well. In the case of Billy Wilder’s Hollywood classic Sunset Boulevard, nearly all plot points are driven by some type of deceit. Max’s lies drive Norma’s attempts to revamp her career, while Joe’s own fibbing eventually leads to his death. Even Cecil DeMille, Norma’s old director, tricks Norma into believing she is still a desirable presence in Hollywood. Yet, despite the numerous occasions of the film’s characters deceiving each other, the most notable form of deception in the work is that which the film as a whole employs on the audience. During Sunset Boulevard,

Through revealing that actors had in fact portrayed Polley’s family, the film sets out to emphasise the reliability and truthfulness of the documentary as well as the recounts. Without notifying the audience that such archival footage was fake and placing this revelation at the end of the film allows the audience to really consider what the “truth” is. When asked about the making of the film, Harry Gulkin, Polley’s biological father, states that the truth is a subjective narrative, that these “narratives are shaped in part by their relationship to the person who told it to them, and by the events” (Stories We Tell 2012). Additionally, Polley states, “the way her mother’s story changed depended on who was going the telling” (Vulture, 2013). This point is what resonates from the film and its purpose – that the there are different sides to the truth; one truth to one person is false to another.

“The Voices of Hurricane Katrina” is an article published by Abe Louise Young (MFA in poetry), in the summer of 2010. Young is a New Orleans native and considers herself to be a social justice activist and poet. She became familiar with many of Hurricane Katrina’s victims during one of her early projects only a week after the storm. Years later, Young found herself outraged after stumbling upon the published work of author Raymond McDaniel. McDaniel stole testimonials from the same victims she had met and altered their true statements. Young informed a woman named Antoinette (one of the famous voices of Katrina) that her words had been published by McDaniel. Antoinette expressed how hurt she was, confirming the words published were her

Did you know people do not think if the story from history movie is a truly based on real history or filled with fiction? Almost every history movie contains some kind of fiction in it to make it a great story and to keep the audience's entertained. For example, the movie called “The Patriot” which was the American Revolution had happen. The movie has some historical accuracy but there are some historical inaccuracies also.

If lying was a job for Norma Khouri, she truly would have been a billionaire by the end of Anna Broinowski's enthralling documentary, "Forbidden Lie$". Documentaries and films are seen as a reliable medium for providing facts and information yet even after having seen this riveting documentary, you'll find yourself questioning the integrity of the entire documentary. With Broinowski gaining a great sense of authority over this text right from the start, she paves the stones in leading the viewer to eventually gain a greater sense of authority over the film's meaning. Anna Broinowski attempts to pull Norma Khouri apart at the seams in Forbidden Lie$, to finally unravel the ball of lies crafted by the pathological liar herself. This elaborate documentary follows the story of the infamous Norma Khouri from all possible angles, while subsequently proving the words of Christopher Nolan. That "the 'truth' is indeed stranger than fiction."

In truth, there is a lot of fabrication of the story; however, the producer applies some elements of the true story that occurred in Rosewood. Based on the movie, the main aim was to provide a movie that is emotionally moving which affects racial affiliation in terms black or white (Gannon, 61). Some of the scenes focus on the emotional reaction, and the depiction of the movie focus on the concept of outside looking in.

How many times has Hollywood taken a true story and turned it into something different? Hollywood took Chris McCandless’s story and turned it into an overdramatic work of art. Unlike Krakauer’s nonfiction best seller Into the Wild, the movie Into the Wild by Sean Penn overemphasizes ideas or fails to include crucial evidence which twists the viewers understanding of Chris McCandless’s life. The movie overemphasizes Chris’s parents’ relationship and the effect it has on him, creates a love interest for him in “Slab City”, and fails to mention Chris’s knowledge of the wild. Sean Penn’s film skews how people will remember Chris

Although Rubin Carter also known as the “Hurricane” was discharged for the murder of three people in a bar, two men and one woman, there is overwhelming evidence to support the fact that Carter was, in fact, responsible for the crime of which he was acquitted. Rubin Cater was a professional boxer from 1961-1966 before getting accused of the murder. He was a poor student who got into fights often for being bullied for his speech impediment and was sooner or later expelled, he also stabbed a man for his watch when he was only 11 finally, was convicted twice of the same charges of the three victims that died inside a bar in Jersey.

     One reason the film seems like it was a real event is how the producers

The movie that was analyzed was "The Hurricane" starring Denzel Washington. The movie was based on a true story, which was about a boxer who was wrongfully accused for murders he did not commit. Rubin Carter had been a victim of racial prejudice since the age of 11. From that time on he had been haunted by the racial prejudice that would take most of his natural life away from him. At the age of fifty he ended up going to the Supreme courts to get his trial heard and at this time he was set free. This is a short summary leaving a lot to be unsaid, but I believe the portrayal will tell most of the story in itself.

Another way the truth is exploited is when people portray themselves one way, when they are actually are completely different. Paul wade -John's Father- is a excellent

In the late 1960s black men were arrested because they fit a simple description of a black man.White men did everything possible to stop a black man from getting recognized. Professional boxer Rubin Carter was born on May 6, 1937, in Clifton, New Jersey. In 1966, at the height of his boxing career, Carter was wrongfully convicted of a triple murder.Carter was arrested at twelve after attacking a man with a boy scout knife and again in 1957 for purse snatching and served four years in trenton state maximum-security prison.When four white people were shot and the only reason for the three murders and one survivor was racial retaliation. Rubin Hurricane Carter is an advocate, and a black man in route of a crime scene was wrongfully arrested, put on trial four times, and released after twenty-two years in prison.