Cat In The Rain Analysis

Hemingway’s Americans’ continual desire for more alienates them from the rest of society, proving their lack of understanding for the world. In “Cat in the Rain,” an American couple is vacationing in Italy. Instead of admiring the beauty of their surroundings, the Americans instead focus on irrelevant trivial pursuits, illustrating their greed. After going down to retrieve the cat, the wife is immediately attracted to the hotel owner, proving Americans ever-evolving want for new things: “She liked the way he wanted to serve her. [...] She liked his old, heavy face and big hands” (Hemingway 130). Instead of staying loyal to her husband, the American wife forgets he exists and moves on to the next best person she finds, showing the apathy Americans possess for what they already have. Additionally, the hotel owner is simply doing his job, and the American wife’s failure to realize this results from her greed, which severely clouds her judgement. The greed Americans possess is further proven with the American wife’s childish behavior throughout the story. When the wife cannot find the cat, she complains, “I wanted it so much [...] I don’t know why I wanted it so much” (130). Back in the hotel room, the wife demands to her husband that she “want[s] to pull [her] hair back,” and to “have a kitty to sit on [her] lap and purr when [she] stroke[s] her” (131). The

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

When two people are tied together by their vows, it is each of their responsibility to fulfill the happiness of one another, and if one cannot then they should not expect the same in return. Sinclair Ross’s short story, “The Painted Door”, reveals the growing unhappiness of a farmer’s wife, Ann, who feels alone as her husband John leaves home to help his father in the harsh conditions of the storm. Ann seeks comfort and companionship with another man after 7 years of feeling neglected and unhappy with her husband. The responsibility for Ann’s infidelity, lays not only on Anne but John himself.

With good intentions, John controls his wife's life and makes all decisions for her, whether she agrees with them or not. His wife is full aware of the restrictions that her husband has imposed on her, but she is recessive to his control and often agrees with him. However, she fails to see “signs of her confinement: the bars at the window, the gate at the top of the stairs, steel rings on the walls, and the nailed-down bestead” (Korb). Because she is unable to escape from the isolation that her husband has kept her in, the woman seeks relief from the yellow wallpaper and she creates an imaginary relationship it. In fact, the worst thing her husband should not of done is give his unstable wife an object that is not appealing to focus on. In doing so, he has given her an opportunity to let her mind wonder and create objects that no one else sees. John, however, does not give any thought to this because after all, he thinks he knows what is best for his wife.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

Through the precise use of diction between the woman (“jig”) and the man, Hemingway reveals how a lack of knowing someone can lead to emotional dismay. Concise diction in a relationship means, conversation only scratches the surface and the two “lovers” don’t truly know about the other person’s emotions. The story is full of short, one-line phrases of conversation between the couple about trivial things. They converse about the “lovely hills” and the “simple operation,” yet they never ask each other about their feelings. The lack of in depth communication of opinions creates a tension filled atmosphere that just keeps building up and up as the story continues. The “simple operation,” an abortion, is seen by the couple as the issue they need to resolve, however, the man, who can’t handle the responsibility, instead of talking it through with his “lover” chooses to manipulate her. He tries to convince jig, who is easily pushed-over as she is stuck by lust and will do anything to keep the relationship together. She doesn’t care to sacrifice her happiness for his, rather she fears that if she doesn’t go through with the operation, he will leave her, she is indecisive and relies on the man to make many decisions. The man deceives

In the movie Rain Man that was released in 1988 is about a character named Charlie Babbitt and his understanding of his brother Raymond Babbitt who suffers from autism.

Although it is the wife who is always looking for a husband in her personal life, in the Wife’s tale, it is the man who is forced to find what it is that all women desire. In the end he is obligated to marry, while the Wife is always excited to marry her next husband. The Wife wants the woman in the marriage to make the decisions and to have power, which is also seen in the old woman in her tale. In her tale, the old woman basically tricks the man into marrying her, and then into kissing her. This gives her control and she can then reveal her true self.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Shortly after, the family is about to set off for Florida. After a brief conversation, Bailey forbids his mother from bringing the cat along for the ride. Once again, the Author expresses her view of her self-absorbed, callous mother through the grandmother. Going against her son’s orders, she decides to bring the cat anyways, for fear it may miss her too much or, in a freak accident, asphyxiate itself on on the gas burners. An utterly selfish action for nothing more than getting what she wants, just because she wants it. This action would prove to be disastrous in the end, showing the self destructive behavior of a woman unfit to be called a “mother” by O’Connor.

In the beginning, the narrator gave a confession in retrospect; he was an honorable man born as a sane, kind, loving. Additionally, he had a great love for animals. He married a girl at a young age. Their house was like a mini zoo; birds, gold fish, a dog, rabbits, a small monkey, and a cat. The man singles out a huge, beautiful all-black cat as his favorite, named Pluto. Because of its unusual intelligence, the wife jokes around that the cat might be a witch in disguise. Over the course of time, the narrator and Pluto created a strong bond between them.

The cat to her is the symbol of her desperation to have a child -

Critics who support this notion feel that the “reversal is substitution in wife for cat and cat for wife” and that the narrator had clearly projected his feelings for his wife onto the cat (Amper 475). Literary critic, Susan Amper, commented on this metaphor-theory, “It is not merely that the wife was always the intended victim; she

Relationships can be difficult, but a lot of couples work through the difficultly by supporting and helping each other. In the short story “Hills like White Elephants”, written by Ernest Hemingway, an unnamed American and a young woman, named Jig, are waiting for a train to arrive. Set in the mid-1920s, the couple are sitting at a bar drinking beers, and awaiting to travel to their next destination. Talking vaguely with each other, Jig describes the hills as “white elephants”, meaning an unwanted gift. During the story, the couple discuss an ‘operation’ that the man wants the girl to have, but she doesn’t to want to, symbolizing wanting to keep their unborn child. In this story, “Hills like White Elephant”, the theme is the ending of a relationship, by the of lack of communication, selfishness and choices.

The Padrone gives her attention, and gives her what she wants, while the husband is unconcerned about her and her wishes.