Cat On A Hot Tin Roof Deception

The Greek tragedian Aeschylus once wrote that “a god implants in mortal guilt whenever he wants utterly to confound a house,” and as the creator of A Streetcar Named Desire, Tennessee Williams is no exception. The guilt of Blanche DuBois makes the emotional, tragic, and often extreme circumstances of the play possible. Williams creates Blanche’s vulnerabilities, including her dependence on others and her inability to face reality, so that her guilt over Allan’s death becomes the primary cause of her promiscuity, neurasthenic behavior and ultimate downfall.

Maggie was so traumatized from her house burning down that she became a timid and under appreciated little girl. Maggie is so self conscious that her mom says she walks like a dog run over by a car: “chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to the ground.” This

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

Maggie feels terribly unloved in her marriage with Brick. Because of her unfulfilling marriage with Brick, she seeks affection and attention with someone close to Brick. In addition, when Mae interrupts Maggie and Brick from conversing by talking about her own children and how adorable they are, Maggie says, “why did y’give dawgs names to all your kiddies... sounds like four dogs and a parrot”(29). Maggie has a grudge Mae because she has many children with Gooper. Maggie feels insecure about having children, so she mocks Mae and her offspring to reassure herself and make her self feel better. Margaret has a dreadful relationship with Brick and also with Mae and her kids.

Maggie is described as being unattractive, very shy and self-conscious about the way she looked. Maggie always looked down at herself and thought she could not compare to her sister. She thinks her sister lives a life that she missed on, by getting an education and having the finer things in life. The scars she has on her body from the house fire done more than just scare her skin but has scared her soul too. Maggie, mother talks about her daughter in a way a person would think no mother should ever do.“ Have you ever

Religion is practiced on every continent, in every country, by all kinds of different people. Despite their differences, they all provide something that the group of people need. But is there some truth in what some may call lies? In Cat’s Cradle, by Kurt Vonnegut, religion works for the people of San Lorenzo, giving them comfort in the worst of conditions. While religion may just be made up lies, it is more beneficial than science because science cannot give people what they need.

If there is any signature kind of character that marks Tennessee Williams’s plays, it is without a doubt the faded Southern belle. The Glass Menagerie’s Amanda Wingfield, the mother of Laura and Tom, is a perfect representative of this type, not unlike Blanche DuBois in A Streetcar Named Desire, also by Williams. A proud and effervescent woman, Amanda passionately holds on to memories of a happier time, of days long gone by. Generally, a faded belle in a Tennessee Williams play is from a wealthy Southern family, raised by parents with traditional beliefs, and has suffered an economic or social, or both, downturn of fortune at some point in her life. Like Amanda, these women all have difficulty accepting a status in society different than what they are used to, as

The Glass Menagerie by Tennessee Williams and Death of a Salesman by Arthur Miller are two of the twentieth century’s best-known plays. The differences and similarities between both of the plays are hidden in their historical and social contexts. The characters of The Glass Menagerie and the Death of a Salesman are trapped by the constraints of their everyday lives, unable to communicate with their loved ones and being fearful for their future. There are a lot of comparisons that exist, especially between the settings, symbolism and characterization drawn between the two plays. The contrast comes form the ways that the characters choose to deal or not with the harsh circumstances of life.

"A Streetcar Named Desire" is one of the most renowned 20th century American plays and films. The playwright is Tennessee Williams, a respected author whose works artistic and structural merit warrants their study into the 21st century. There are numerous aspects and points Williams makes with his works, including "A Streetcar Named Desire." Out of the richness this text offers, this paper will focus upon issues of mental illness and abuse in the play. No doubt an aspect that makes Williams' characters so vivid are their flaws, weaknesses, and desires. Where a person's character lacks weakness and what a person desires reveal a great deal about that person and provide insight into the choices they make. The paper will discuss aspects of abuse and mental instability in the characters and plot of "A Streetcar Named Desire," and will reference the play directly to underscore any points.

“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's

Religion is common around the world on every continent, in every country, in all kinds of different people. Despite their differences, they all provide something that the group of people needs. But is there some truth in what some may call lies? In Cat’s Cradle, by Kurt Vonnegut, religion works for the people of San Lorenzo, giving them comfort in the worst of conditions. While religion may just be made up lies, it is more beneficial than science, which cannot give people what they need.

more and more like Big Daddy's and at the end of the play repeats his

Tennessee Williams’ book Cat on a Hot Tin Roof takes place entirely in the plantation home of the Pollitt family in the Mississippi Delta. The plantation once belonged to a pair of bachelors, and “Big Daddy” Pollitt had worked for them as an overseer, but he is now the owner of the plantation, which he has built into a dynastic empire. Big Daddy’s family has met at the house to celebrate his birthday. Maggie, a beautiful and witty girl, has escaped a childhood of poverty to marry into the wealthy Pollitt family, but finds herself in an unfulfilling marriage. She is married to Big Daddy’s son, Brick. He is an aging

Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).

A central theme occurring in “Maggie” is naturalism, and within this specific story, no one escapes their environmental and biological destiny. Stephan Crane highlights the harsh effects of urbanization and industrialization occurring within the story. Maggie’s parents are represented as unfit guardians: Her parents are not only abusive, but also display alcoholic tendencies. Regardless of Jimmie and Maggie’s desire to break away from the miserable life within bowery, they find themselves unable to.