Catch 22 By Joseph Heller

He differentiates between madness as a clinical condition and a mystical madness. He further supports his argument with Elie Wiesel distinctions of the two. Clinical madman isolates himself from the world while mystical madman brings the Messiah in him (112). Patterson further discusses the notion of madness before the creation of human and

From the words of C.S. Lewis, “Hardships often prepare ordinary people for an extraordinary destiny”. Facing hardships and breaking free from their normal world allows the hero inside of people to come out. Many stories document this journey of a hero through the Hero’s Journey Archetype. In the short story “The Most Dangerous Game” by Richard Connell, a man named Rainsford stumbles upon an island where humans are hunted by a crazed man. The hero’s journey archetype is implemented throughout Rainsford’s experiences in the story. Richard Connell used the Hero’s Journey Archetype to structure the plot and develop the theme that with clever thinking and lots of hope, one can succeed at anything.

Underestimation and cruel actions lead to many things. In “The Most Dangerous Game,” author Richard Connell reveals a conflict between the main characters, General Zaroff and Rainsford. Rainsford was to play the most dangerous game created by Zaroff, because the only way to survive, is to win it, otherwise death is the only other option. As demonstrated through the use of personification, symbolism, and repetition in the story, it conveys that one should understand to never underestimate another person and remember that there will always be a consequence for the wicked things that one has done.

C.S. Lewis one said “Hardships often prepare ordinary people for an extraordinary destiny”. Facing hardships and breaking free from their normal world allows the hero inside of people to come out. Many stories document this journey of a hero through the Hero’s Journey Archetype. In the short story “The Most Dangerous Game” by Richard Connell, a man named Rainsford stumbles upon an island where humans are hunted by a crazed man. The hero’s journey archetype is implemented throughout Rainsford’s experiences in the story. Richard Connell used the Hero’s Journey Archetype to structure the plot and develop the theme that with clever thinking and the use of past experiences, one can succeed at anything.

“And then she gets to the part about we all poor and live in the slums, which I don’t feature. And I’m ready to speak on that , but she steps out in the street and hails two cabs just like that.”

"Battleground America," written by Jill Lepore, provides a strong history of guns and the way they have changed in the eyes of the American through the years. She proves her point with strong evidence throughout her article, sprinkling it with opinion and argument that is strongly supported. She presents her argument to convince her audience that the open availability of guns allows citizens to undeservingly purchase them by displaying the credibility in her sources, using negative connotations in her speech, and the strength and objectivity only a strong logos appeal can provide.

He believes that his officers and crew members are insane since the officers keep increasing the number of bombing runs a person must complete before being released from duty, and his crew members all aggravate him by crashing their planes, working for both sides of the war, and trying to convince Yossarian to run more missions. Everyone at the base thinks Yossarian is crazy, but Yossarian thinks the same about everyone else. In Joseph Heller’s Catch-22, most literature critics assume that everyone around Yossarian is completely psychotic, but if one were to observe the novel from the perspective of Orr, Clevinger, or one of Yossarian’s crew members, they would realize that Yossarian could easily escape his military duty by running away on a mission rather than dealing with the bureaucracy of the military and trying to feign illness and craziness. Therefore, the author utilizes dark humor that exposes the absurdity of the war and the military, dialogue that displays the insanity between Yossarian, the officers, and crew, and the centralized biased

To the United States, World War II is believed to be a good war, and why wouldn’t it be considered as such? During World War II, in addition to stopping mass genocide and stopping the spread of Nazism and Fascism, the United States beat Japan after their attack on Pearl Harbor. As a result, the U.S. was no longer in the Depression and the United States became a world power. However, in “The Best War Ever,” Michael C.C. Adams argues that as a result of Hollywood’s glamorization of the war, government propaganda/censorship, and the widespread of economic prosperity, Americans were kept in the dark about the truth regarding World War II resulting in the popular belief and myth that World War II was a good war.

Catch 22 is a story about the different personalities that can be involved in a war. Out of all the different archetypes, the three I’ve chosen are John Yossarian, Albert Tappman, and Milo Minderbinder, although, not in that order. The first character being analyzed is Yossarian, the unwilling hero of this book. Although the book labels Yossarian as the main character, he constantly tries to coward out of going to battle. The second character that will be described is Milo Minderbinder, the archetypical business person of Catch 22.He runs the camp mess hall and controls what everyone in the camp is buying, selling, and eating. Milo is constantly trying to control or manipulate the economies around him, and after he gets a large commission

Many people experiencing insanity do not know they are insane, think they’re very sane, or even think that others around them are the insane ones- three tendencies Yossarian has expressed multiple times. There is a distinct possibility that every man in the squadron is insane, but that none of them realize it. Or, as the opposite of Yossarian’s belief, every man in the squadron could be sane, and the strange descriptions of them could simply be Yossarian’s psychotic views of

The Forever War by Joe Haldeman is a classic work of military science fiction depicting a war between the human race and an unfamiliar alien entity known as the Taurans. The overall plot line follows a fairly typical path, but Haldeman’s real genius is realized through the interactions that take place between the protagonist, William Mandella, and the Earth he returns to between military operations. Developing beneath the ever-present war of the two species lies a much subtler conflict between generations of human thought and culture. Brought about by the way troops are transported in space, time dilation creates an interesting dichotomy between the early soldiers of the war and the rapid evolution of human society and culture remaining on Earth. The Forever War questions the stability of human nature by creating a scenario where its fluidity is exposed through an invariable link to time. The expression of human nature changes as cultural and personal identities adapt to new situations; viewing these changes through Mandella, we begin to see how different expressions of human nature can impact human nature itself.

Within the novel Destiny of the Republic, author Candice Millard incorporates many complex themes. These range from medicine all the way to inventions. For myself, one of the most interesting themes, both in the way she presents and handles it, is the topic of insanity. While there only one person shows this characteristic of insanity within the novel, he plays a very prominent role. This man is named Charles Guiteau, a man of many “talents” and the renowned assassin of President James A. Garfield. Guiteau presents as a religious man who seems to just have troubles finding his niche in the world. During these times, insanity simply passes off as an unimportant thing; Millard leaves Guiteau’s mental diagnosis

Richard Edward Connell was an American author, who was probably most famous for the short story “The Most Dangerous Game.” Connell started writing at the age of 10 covering baseball games for his father 's paper. By the age of sixteen he had become the editor of the Poughkeepsie News-Press. Connell was a very smart man who studied at Georgetown and Harvard.While at Harvard he was the editorial chairman. Connell 's writing style was usually action-adventure. Some of his works were probably inspired from his time working as a homicide journalist, and serving in World War I. By the time Connell passed away he had published over 300 short stories. Richard Connell was a very unique author from experiences he had through out his life, and so was the writing style that he portrayed.

“These symptoms, especially his disposition to dispute, are manifested not only when he “arose and argued about trifles” but also throughout the narration… Obviously, the prisoner’s captors have named his crime for what it is, the act of an anxiety-ridden madman; this is the argument that the narrator- illustrating another symptom of schizophrenia, lack of insight- rejects as erroneous, impertinent, absurdly false; this is the thesis to which he attempts to provide the antithesis ” (Zimmerman).

“To some extent insanity is a form of conformity; people are always selling the idea that people who have mental illness are suffering. But it’s really not so simple…I think mental illness or madness can be an escape also” (qtd. in “John Forbes Nash”). To many “normal” people, the terms “insanity” or “madness” portray a negative connotation-- the unfortunate ones “suffer” from mental illness. However, brilliant mathematician and Nobel laureate John Forbes Nash, who has paranoid schizophrenia, cherishes his unique condition as a means of retreat from the brutalities of reality (“John Forbes Nash”). Since ancient times, people have observed the link between madness and creative genius. Indeed, research has proven that the two conditions of