Catch Me

The director mainly used eye level shots, to leave it up to the audience to judge the two main characters of the movie, although certain power struggles in the film are shown from high angles to illustrate someone dominating a conversation or argument. Figgis also uses some point of view shots to show the imbalance during Ben’s drunken periods where the camera is placed at an oblique angle to show tension and approaching movements. The images in the film are in high contrast with streaks of blackness and harsh shafts of light to underline the dramatic events that occur.

(49) cross-cutting: In Inception (2010), cross-cutting is used to parallel the two scenes. Joseph Gordon levitt is getting into an elevator and an intense car chase. The director uses this to show that the two scenes are occurring at the same time, while also leaving the audience captivated by the suspense.

also makes use of discontinuous editing, in a sequence that finds the projectionist/Sherlock Jr. sweeping outside a movie theater. After he sweeps and straightens a sign, the film suddenly employs an unanticipated straight cut to the projectionist walking up to a store. The projectionist is wanting to buy something he doesn’t have enough money for, then, after realizing he is short of funds, another quick straight cut shows him sweeping the movie theater again. In this instance, discontinuous editing is utilized to build on the narrative of the movie; following his encounter at the store, the projectionist is searching for the money he needs inside the pile of trash he was

Frank Abagnale, Jr. worked as a doctor, a lawyer, and as a co-pilot for a major airline all before his 18th birthday. A master of deception, he was also a brilliant forger, whose skill gave him his first real claim to fame. At the age of 17, Frank Abagnale, Jr. became the most successful bank robber in the history of the U.S. FBI Agent Carl Hanratty makes it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him.

The camera moves to a tight shot of the door, framing it within the screen, showing that all attention is now diverted to it. The sparks from the cutters are exaggerated , to emphasise their importance, and run around the screen, creating the impression that the intruders are breaking into the audience's real world, further allying them with the rebels.

Frank’s need for stimulation could clearly be seen as an adolescent when he, after running away and surviving on cashing fraudulent checks, desired to partake in even more daring crimes as a result of the mere exposure effect in which the thrill of committing these crimes without any repercussion led to his increasing preference for them. In a way, the deceptive fraudulent checks that Frank created were directly representative of his deceptive nature since they could not easily be validated and had to travel weeks across the country. Frank’s desire to partake in increasing risky crimes during his merge led to the furthering development of his antisocial personality disorder as he took on greater impulsive acts of social deviance such as impersonating a Pan Am pilot and forging Pan Am payroll checks for over two million dollars. Utilizing his superficial charm, pathological lying, and lack of empathy Frank impressed and exploited people to feed his id-driven desire to commit more impulsive, daring crimes. The thrill of living on the edge of getting caught by the FBI, reached a turning point when Frank confidently impersonated the alias of a secret service agent and lied to avoid getting caught by Carl Hanratty, the lead investigator for his case. Realizing, he had just walked past the chief FBI

Citizen Kane uses mise-en-scene is multiple scenes to help tell the narrative. A perfect example is when the parents

There are many different techniques that can be used by a producer in order to get their point across. You can use anything from interviews, monologues, voice over, music and/sound effects, captioning, montage, etc. Ken Burns used a variety of these techniques so he could get his point across on how hard living was for Jackie Robinson. The technique Burns tended to use the most was monologues. He had a lot of people talk about Jackie's struggles, for example Barack Obama spoke, and Jackie's Wife, son, and daughter spoke as well. Another technique Burns used frequently was montage. Montage is a combination of pictures put together to complete a frame. A few examples of montages Burns used are pictures of Jackie playing baseball, photos of a pool by Jackie's old house, Jackie playing sports with his old classmates from elementary school, and many more. Furthermore, Burns liked to use voiceovers also. Voiceovers are when the producer talks over the documentary to explain what is happening or to get his point across. Burns started the film with voiceover by saying a quote Jackie had once said. He tended to use voiceover only during his montages explaining what the photos were of and went they meant to Jackie and his journey to Major League Baseball. These techniques were very effective, but Burns also used many more in the film as well. Without these techniques documentaries would have no point and would be extremely boring. In a film it's not what techniques you use, how you use

The elements of cinematography in the film include a low angle shot looking up at the farmer as he chops wood at the beginning of the scene. The shot is preceded by the infamous extreme long shot of the military convoy. The director uses close ups to capture emotions throughout the entire opening scene. Fear in the faces of the farmer’s daughters as they come face to face with the Jew Hunter. Fear in the face of the farmer when he prepares himself as the military convoy approaches. Close ups are used at the table when the confrontation looms; the camera zooms in when the farmer begins to crack under the

Early movies were shot and viewed as slide shows. With narrations like The Life Of An American Fireman, where instead of cutting we would see full clips linked together. When the filmmakers brought us from one action to the next they, repeated actions instead of cutting and letting

In the interview, John Huston explained the function of cuts. Without moving our heads, human eyes will not pick up the information in between looking from one object to another. Basically, your eyes can juxtapose two or more objects. This is a cut. Film Editors use cuts to discard information that doesn’t push the story forward.

Based on the true story of Frank Abagnale Jr, “Catch Me If You Can” tells of a successful con artist who managed to pass himself off as several identities for personal gain.

The Talented Mr Ripley, a film directed by Anthony Minghella, based off a book by Patricia Highsmith, delves into the world of a psychotic young man named Thomas Ripley. Through the film Tom murders three people and usurps the identity of Dickie Greenleaf, a wealthy socialite. Desire is a core theme in this film, causing this character to act irrationally and impulsively, obviously shown in this film through when Tom steals Dickie’s identity after murdering him and mooches off Dickie’s allowance his father pays out. This was caused by Tom’s huge desire to live in a social class way above his own, surrounded by wealth and popularity. This theft of identity caused by the character’s un-satisfaction with his own/real life, directly relates to another film ‘Catch me if you Can’, where the main protagonist Frank Abagnale poses as multiple identities such as a Pan Am Pilot, a paediatrician, and an attorney. We can see similarities with Tom and Frank’s decisions caused by their strong desire for a higher status and a wealthy

Another interesting use of camera cutting can be found in the in between scene where Cleo is roaming the streets of Paris. She is now becoming the one watching other people rather than being the one watched as she was in the beginning (probably because of her beauty and famous singer status). While she is watching the camera cuts between other people’s conversations and then while she is walking the camera is in essence her point of view. However during this walk, the people passing are watching her as well, thus proving that this is the transition time. The use of cutting between shots of her and shots of all these people passing her not only show this change in who is watching who, but also allows for a sense of time passing. Interspersed with these shots are images of people we have already met, the widow, the boyfriend, the piano player, as well as the images of a monkey resting on a clock and her wig resting on the mirror, these things conveying how the people who know her see her and how she sees herself. This is a genius montage because these two things represent the same thing, how people see her, how she sees people, and how she sees herself, and by interspersing them we see

Catch Me if You Can is a movie based off the true story of Frank Abagnale, Jr, who impersonated a Pan Am Air pilot, a pediatric doctor, and a lawyer, and accumulated over 2.8 million