Catcher In The Rye Carousel Scene Analysis Essay

Reaching for the gold ring symbolizes taking responsibility for one’s own future. Holden begins to see that he needs to make decisions. While some of his choices might not turn out the way he wants, at least he will learn and grow from them. After watching Phoebe on the carrousel, Holden makes the choice to go home, admit to his mistakes and take control of his future: “ I could probably tell you what I did after I went home, and how I got sick and all, and what school I’m supposed to go to next fall, after I get out of here, but I don’t feel like it” (213). The carrousel and the gold ring are the symbols that make him realize change is necessary. Until this point in the novel, Holden had refused to change, which resulted in poor physical and mental health and a seemingly dismal future. When he accepts change is part of life and growing up, he can begin to overcome his fear. Holden is then on his way to recovery. The carrousel and gold ring have helped Holden realize that change is a necessary part of life and that by not accepting change he is limiting

Holden’s contempt for adults goes deeper than teen angst or a need to rebel. Rebellion is done out of a need for attention, however in Holden’s case he acts upon a fear and unresolved childhood trauma. Throughout the novel, we see our character Holden bouncing around denial, anger, bargaining, depression, and finally acceptance. Holden lost his brother to leukemia; Holden was 13, while Allie was 11. Holden was left devastated. At the beginning of this book we see Holden in isolation watching the football game on his own atop a hill after a long disappointing day in New York. Holden tells us about when he found out about Allie’s death, and in a fit of rage punched the windows out of the garage of their summer home, breaking his hand with the desire to punch the car windows out. Holden was unable to reconcile the loss of Allie. He missed the funeral because of his accident and continues to not visit the grave because of his denial of the situation. Holden used bargaining when he asked Allie to catch him in his fall through depression. Holden perceived the children of the rye as falling, while he was the only one actually falling with no one to catch him. Throughout the entire novel except in short bits, Holden claims to be depressed and hates being around those with less than himself. Finally, at the end of the book, Holden reaches an acceptance that he can’t control everything and life continues. He has to let go and allow others to reach for that carousel's golden ring even if they do fall along the

Holden wants to be the catcher in the rye and save the children from falling off the cliff. This cliff, however, is the real world, and Holden himself is afraid of it so he wants to protect children from it. This is also demonstrated when Holden visits his sister 's school and sees swears written on the wall. This makes Holden very mad, "It drove me damn near crazy. I thought of how Phoebe and all the other little kids would see it, and how they 'd wonder what the hell it meant…But I rubbed it out anyway, finally"(201). Holden was able to protect the children for a short while but a few moments later he sees the same thing written on the wall again. Only this time it is scratched in with a knife or something and Holden is unable to rub it away like before and realizes "It 's hopeless, anyway…it 's impossible" (202) he indicates here that growing up and facing certain reality is inevitable. Holden finally realizes that he can 't protect the kids from the real world when he watches Phoebe ride a carrousel at the zoo. "All the kids kept trying to grab for the gold ring…this thing with kids is, if they want to grab for the gold ring, you have to let

The relationship between Holden and Phoebe forms a major theme that the novel aims to deliver. The fact that he is having this conversation with Phoebe, a child who is anything but simple and innocent, reveals the oversimplification of his worldview. Holden himself realizes this to a degree when he acknowledges that his idea is “crazy”, yet he cannot come up with anything more pragmatic; he has trouble seeing the world in any other way. His “catcher in the rye” fantasy reflects his innocence, his belief in pure, uncorrupted youth, and his desire to protect that spirit. On the other hand, it represents his extreme disconnection from reality and his naïve view of the world. Phoebe exposes to Holden a living embodiment of childhood. And it is a scene with her where she exposes to Holden the illogical nature of his supervisory actions, indicating that his desire to preserve her innocence will only halt her own inevitable development. Phoebe is the Greek word for “protector of children” (Bloom 2009, p185). Within the novel she is Holden’s protector. She comforts him, provides him with financial security, and protects him from getting in trouble with their mother. Reiff describes this reversal of roles between Holden and Phoebe as “Now, instead of saving the world by protecting the children, Holden wants to reject the world and shut himself off from evil by becoming a ‘deaf-mute’ in the West. It is Phoebe who rescues him from this total withdrawal” (Reiff 2008, p71). Phoebe forces Holden to view her as a human—living and progressing— rather than as a forever preserved child, and it is this humanization that causes Holden to accept her eventual progression into

In The Catcher in the Rye by J.D. Salinger, Holden Caulfield’s life is composed of a great amount of contempt; he perceives society through pessimistic lenses, continuously dismissing its ways. Trying to veer off his path to adulthood, Holden often holds people accountable for their “phony” ways. He aims to “save” the children from such an outcome that he makes it his responsibility. The pivotal moment of which he transcends to maturity occurs is when he witnesses the children reach for the gold ring. Rather than blindly believing that he can save the children from sinking into the “evils” of the world and maintain their innocence, he ultimately decides to let them make their own decisions and grow up.

That's one nice thing about carousels, they always play the same songs.” (pg. 189) The carousel that Holden used to visit as a child still played the same song giving him hope that if the carrousel didn’t have to change over a such a long period time maybe he didn’t have to as well. By Salinger describing the young mind frame of Holden it is seen how his obsession with his world not changing can cause him to alienate himself as he feels as though if he is alone, he can control the way his own world works.

The last symbolism is the carousel's gold rings. At the end of the story, when Holden is about to leave, him and phoebe are at the carousel in central park. When you are on the outside horses of the carousel you can reach for the gold rings. When you grab the gold rings you have to reach. If you manage to grab the gold rings you then toss them into the bin. This is when Phoebe, then goes to ride the carousel. While, Phoebe is on the carousel, Holden realizes Phoebe is growing up. He realizes all kids have to grow up, and when they do they take risks, such as reaching for the gold rings. The carousels rings represent the risks kids take. When the kids reach for the rings they risk falling off and getting injured, but getting it has benefits. This is when Holden realizes kids will try to grab the gold ring which represents the

In The Catcher in the Rye, J.D. Salinger tells a story of a young boy, Holden, who never quite understood his stance on life. Throughout the novel, Holden struggles to adapt to the inevitable transition into adulthood, often worrying more about others than himself. In The Catcher in the Rye, J.D. Salinger uses connotative diction, repetition, and specific diction to convey Holden’s struggle of accepting life changes that led him to becoming mentally unstable.            To start off, Salinger illustrates Holden’s nature by using connotative diction.

Holden is in a cab on his way to Ernie’s and after he asks the driver with Holden. When Holden asks why he is “sore” about it, the cab driver denies being upset. Holden seems to constantly anger people throughout the story due to his blunt way of addressing topics and his inability to see the positive side of things. The cab driver on the other hand, is clearly upset, but is instead choosing to be passive aggressive by denying his anger. I do not like when people are passive aggressive. I would much rather someone talk to me directly and maturely if they are upset.

In The Catcher in the Rye, Holden Caulfield resists the idea of growing up. Throughout the book Holden struggles with the transition from childhood to adulthood. This is partly because the only times he remembers being happy is in places he made childhood memories in. For example, the Carousel in Central Park is where he has many happy childhood memories with his siblings. As the book goes on, the setting of the Central Park Carrousel is the place where Holden ultimately accepts that he has to grow up. His reasons for accepting that he has to grow are Phoebe’s actions at the carrousel , the rain, the symbolism of the golden ring and the Carrousel music.

In order to reach this last phase, Holden needs to come to terms with the loss of his brother. As the book progresses, he uses Allie as his anchor to reality. This is shown when Holden repeatedly mumbles, “Allie, don't let me disappear” (198) while crossing the streets. This connection only dies after Holden talks to Phoebe during her lunch break. Because of her insisting that she come with him, he realizes that his ideas of fleeing home are absurd and will never work, finalizing his decision of staying in New York. These events represent Holden’s transition in letting go, but the true moment that symbolizes the end of his journey of grief is when he is watching Phoebe ride the carousel. "The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off" (211). Not only is Holden’s realizing that he is unable to save every single person, but also that he himself will have rough times. These obstacles are unavoidable and are a natural part throughout the path of grieving.

Holden announces that “I felt so damn happy all of a sudden, the way old Phoebe kept going around and around” (Salinger 213). He starts crying on the bench when he understands that Phoebe is growing up and he cannot be her Catcher in the Rye to protect her innocence because that would most likely cause more harm than good. That realization makes him ecstatic because he no longer feels as if he is carrying the weight of the world on his shoulders as he is able to see that all children will eventually fall out of innocence into adulthood. On the other hand, Holden feels his own loss of innocence as he shares an innocent moment with Phoebe who remains clueless to the harsh reality of life but he is now able to accept that loss and the change to come. Ultimately, Holden does not feel as if he has to continue alienating himself from society because he feels the obligation to be part of it as well. During this moment, the rain mirrors his tears of joy which are helping to wash away the mistakes of the past and bringing growth for renewal and this acceptance to moving forward allows him to seek the necessary help. A third way that Holden grows and obtains maturity in The Catcher in the Rye is when he no longer denies

When Phoebe asks Holden what he likes, he replies by saying, "I thought it was 'If a body catch a body,'" I said. "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around—nobody big, I mean—except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy." (Salinger 173). The top of the cliff symbolizes the innocent child life, but below the cliff symbolizes the adult world of phoniness. Holden wants to catch the children before the run off into the phony adult world. In conclusion, Holden wants to be the “catcher in the rye” as he wants to catch children’s innocence before they fall into the phony adult

After Phoebe asks what he wants to be when he grows up, Holden goes into detail and illustrates, “… I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all”(Steinbeck 191). Holden values a child’s security in the highest regards and is willing to save one from hitting the bottom of a cliff. As the bottom of the cliff represents the unpleasant and demanding world of adulthood, Holden is finally separating himself from childhood and accepting that he is an adult. After Holden encourages Phoebe to enjoy the carousel, he observes, “All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she’d fall off the goddamn horse, but I didn’t say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but its bad if you say anything to them…”(Steinbeck 232). Holden is overprotective over his younger sister Phoebe, except when she is on the carousel and he learns that she can develop her own independence. Noting that children also have risks and decisions they have to make themselves without adult interaction, like reaching for a gold ring but knowing the risk of falling. Holden can finally completely separate his adult self and his child self, and only look back with nostalgia. Earlier, Holden regards himself as “the catcher”, the savior who protects children from frightening reality of adulthood, but after seeing a lot of maturity in Phoebe he encourages her to reach for “the gold ring”, without any need for safety and

In J.D.Salinger’s novel, Catcher In The Rye, Holden Caulfield, the main character of the novel, is a walking paradox who desires to hold onto his innocence and ,in his mind, thinks that people who lose their innocence will either turn into a “phony” or a “jerk”. During his journey towards trying to preserve his innocence Holden affected his desire to hold on to his innocence through his action, such as his experience with a prostitute named Sunny, his interaction with Sunny shows him that most of the world of adults is just an illusion. Another person who affects Holden desire is his 10 year-old sister Phoebe Caulfield, his interaction with his sister phoebe shows how it’s ok to lose your innocence because with the loss of that innocence you