Catcher In The Rye Feminist Theory

In the novel, The Catcher in the Rye, Holden is a rather unique character. He has several complications with other characters that he runs into, and does not seem that he is able to relate to anyone. However, Holden has a younger sister named Phoebe, and he seems to connect with her in a way that he does not with anyone else. She is only ten years old, so she and Holden both have a childlike mind. On the other hand, Phoebe seems to have a positive outlook on life while Holden sees most things in a negative light. Another contrast between them is that Phoebe puts in effort at school, and Holden is clearly not concerned his performance at school.

Holden's younger sister Phoebe, is also in need of Holden's protection. He must protect her because he failed to protect his brother Allie from death. Holden feels that it is his responsibility to protect Phoebe from whatever may put her in danger, even himself: "I was glad. All of a sudden I wanted her to cry till her eyes practically dropped out. I almost hated her. I think I hated her most because she wouldn't be in that play any more if she went away with me." (207) He does not want Phoebe to turn out like himself. He wants

Although Holden describes the situation in a very attractive manner, he basically tells Phoebe that he wants to prevent children from growing up. He blames the world's evil on adults and believes that when he stops the children from growing up he will save their innocence and the world.

Mrs. Antolini, for instance, is forced to do all the chores at home. “Coffee, Gentlemen, finally,” Mrs. Antolini said. She came in carrying this tray with coffee and cakes and stuff on it. “Holden, don’t you even peek at me. I’m a mess”(Salinger 204). Mr.Antolini makes Mrs. Antolini prepare for Holden’s arrival, even though it is his guest and not hers. And on another occasion Holden gets ahold of not one but two prostitutes. He calls one by phone and gets rejected, the second time however he is offered in person by the elevator boy, Maurice. Holden agrees to purchase her for “a throw”. To his surprise she was as young as him. “She was very nervous, for a prostitute. She really was. I think it was because she was young as hell. She was around my age”(Salinger 105). The fact that this book condones prostitution as a social norm is atrocious. It shouldn’t be an option for women to sell their bodies in such a manner and this book makes it seem like a common choice women make. Holden did however make fun of D.B. by saying he was a

In chapter 21 Holden returns home two days early because he wants to say his goodbyes to Phoebe, when arriving at his family's apartment he walks over to Phoebe’s room and sees that she is not there, he then goes to D.B’s room to find her sleeping. Before deciding to wake up Phoebe, Holden sits in D.B’s room and looks at his brother’s desk and says “You ought to see her doing her homework or something at that crazy desk. It’s almost as big as the bed. You can hardly see her when she’s doing her homework. That’s the kind of stuff she likes, though” (Salinger 175-176). Phoebe is a smart, strong and a confident young woman. Phoebe redefines stereotypes by being intelligent which is one of the traits that Holden admires throughout the course of the novel. Phoebe embodies such a conception of perfection by being intelligent that she becomes an ideal for Holden as he thinks highly of

After Phoebe asks what he wants to be when he grows up, Holden goes into detail and illustrates, “… I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all”(Steinbeck 191). Holden values a child’s security in the highest regards and is willing to save one from hitting the bottom of a cliff. As the bottom of the cliff represents the unpleasant and demanding world of adulthood, Holden is finally separating himself from childhood and accepting that he is an adult. After Holden encourages Phoebe to enjoy the carousel, he observes, “All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she’d fall off the goddamn horse, but I didn’t say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but its bad if you say anything to them…”(Steinbeck 232). Holden is overprotective over his younger sister Phoebe, except when she is on the carousel and he learns that she can develop her own independence. Noting that children also have risks and decisions they have to make themselves without adult interaction, like reaching for a gold ring but knowing the risk of falling. Holden can finally completely separate his adult self and his child self, and only look back with nostalgia. Earlier, Holden regards himself as “the catcher”, the savior who protects children from frightening reality of adulthood, but after seeing a lot of maturity in Phoebe he encourages her to reach for “the gold ring”, without any need for safety and

The relationship between Holden and Phoebe forms a major theme that the novel aims to deliver. The fact that he is having this conversation with Phoebe, a child who is anything but simple and innocent, reveals the oversimplification of his worldview. Holden himself realizes this to a degree when he acknowledges that his idea is “crazy”, yet he cannot come up with anything more pragmatic; he has trouble seeing the world in any other way. His “catcher in the rye” fantasy reflects his innocence, his belief in pure, uncorrupted youth, and his desire to protect that spirit. On the other hand, it represents his extreme disconnection from reality and his naïve view of the world. Phoebe exposes to Holden a living embodiment of childhood. And it is a scene with her where she exposes to Holden the illogical nature of his supervisory actions, indicating that his desire to preserve her innocence will only halt her own inevitable development. Phoebe is the Greek word for “protector of children” (Bloom 2009, p185). Within the novel she is Holden’s protector. She comforts him, provides him with financial security, and protects him from getting in trouble with their mother. Reiff describes this reversal of roles between Holden and Phoebe as “Now, instead of saving the world by protecting the children, Holden wants to reject the world and shut himself off from evil by becoming a ‘deaf-mute’ in the West. It is Phoebe who rescues him from this total withdrawal” (Reiff 2008, p71). Phoebe forces Holden to view her as a human—living and progressing— rather than as a forever preserved child, and it is this humanization that causes Holden to accept her eventual progression into

Holden is a misogynist because he views women as objects, either by looking down on them as "brainless" or putting them on unnatural expectations of innocence and virtue. As well as looking at them as a source of pleasure. Holden’s perspective of a woman’s intellectual capacity is clearly traditional and clearly misogynistic. Holden comes to a conclusion that all the females he meets are less intelligent than him, but it’s different with men. Holden believes that he is above the guys at school because he behaves in a more “proper and gentlemanly” manner than they do. However, around the women, he is voluntarily deceitful, and he would still snickers at these women for believing him. On page 57 of chapter 8, Holden says “mothers aren’t too

The second example J.D. Salinger uses to show that Holden’s depression is not only affecting him, but the people around him, is through Phoebe. Phoebe is Holden’s younger sister. Even though their ages are significantly different, they get along well with each other. Phoebe does very well in school and she also has other talents like dancing. She is a happy, well adjusted child. After Holden gets kicked out of Pencey as a result of his depression, Phoebe becomes angry when she guesses why he came home early. She angrily exclaims, “You did get kicked out! You did!” (165) Phoebe cares for Holden and his failure in school upsets her. This shows how his depression has a ripple effect and reaches his relationship with Phoebe.

One of the few people Holden actually cares about is his sister Phoebe. Throughout his journey, he always thinks and talks about her a lot. He cares for her so much

It causes him to be even more depressed facing this issue, but he needs to solve it. Similarly when Phoebe is on the carousel, Holden is worrying about her falling, but it causes him to recognize that “the thing with kids is, if they want to grab for the gold ring you have to let them do it, they fall off, they fall off." (211). This causes Holden to understand that this is life and he must accept everything. One might object that this does not cause Holden to mature. However, to Holden from how he despises the society and avoiding it to now being about to at least admit this issue, not avoiding it and later start to go to school. He might not fully mature, but it is a huge step for him to becoming mature. Children will grow up including Holden and follow the way life works no matter what. Hence, Phoebe induces Holden 's way of viewing the world. Hence, the relationship with Phoebe changes Holden 's perspective of the world.

Holden also has a sister, he fears that one day he will lose her too. Holden was very close with his siblings before Allie’s death. He now is afraid he will lose his connection with Phoebe because she is the only one that is able to deal with him and his raving. Everyone else leaves him when he tries to communicate to them how he feels. Phoebe is a symbol to Holden of how innocent his childhood was, and how he wishes that he could have it back. When Holden and Phoebe are on the Merry go round Holden realizes that Phoebe will always come back, such as how she keeps coming back on the ride. This makes Holden happy because she is the

Holden Caulfield and Phoebe Caulfield are siblings in the novel The Catcher in the Rye. Being siblings, they have many similarities as well as differences. Holden is the main character in the novel, and the narrator of the story. Holden is writing from a mental hospital about his experience, “around last Christmas just before I got run down.” (Salinger, 1) He writes about his journey from Pencey Prep School, in Agerstown, Pennsylvania, to his home in New York City. Along the way he encounters many different important people to the story, one of the most important characters he encounters along the way is his sister Phoebe who teaches Holden what it means to be mature.

Not only does Holden feel great affection for Phoebe, Phoebe feels great affection for Holden as well. It isn't too hard to understand that she and Holden are especially close since one of their brothers is dead and the other lives miles from their home. It is also surprising on how quickly Phoebe realizes that Holden came home earlier than expected. It is obvious that Phoebe is much more mature and articulate for her age to realize something like that so quickly. It is as if she is Holden's older sister instead of the younger one.

To what extent does J.D Salinger’s novel Catcher in the Rye explore the range of female potentiality in society through Holden’s interactions, thoughts and comments regarding women. This question is still in progress as I am not sure it can successfully reach and essay of 4000 words. Nevertheless, this is the topic I want to base myself around. Catcher in the Rye is a novel that every sophomore had to read as part of their curriculum. This novel was always shocking as it sexualized females and saw them as objects rather than human beings. This can be seen with the main character of the novel,