Cathedral Analysis Paper: Milan Cathedral

The Cathedral and Everyday use were both enlightening and intriguing stories. Written by two renowned authors and differs in numerous ways, set out to explain and disseminate its readers to dissimilar characters and themes. Whether fiction, non-fiction, there were meaningful lessons learned from reading both stories. The Cathedral is a story about two friends, a blind man Robert and his female friend who reunited after ten years, even though they communicated by sending tapes and poems. While Everyday use was a story about a woman who had two daughters, Maggie and Dee, with two different personalities. Maggie, who lives at home with her mom was shy and scar by burns she had sustained from a house fire, while her eldest sister

Otto von Simson, The Gothic cathedral: origins of Gothic architecture and the medieval concept of order (New York: Pantheon Books, 1956), 21-39.

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

Florence is home to many wonderful painters and artists during the renaissance. The one who did the ceiling of the cathedral that is shown is Giorgio Vasari. he was a renaissance painter, architect, and author. This artifact shows how extravagant they had gotten with their art, using perspective, shading and the influences of humanism to paint. This shows the true art of this time period.

The Middle Ages, also known as the Medieval era, though scarred with a history of violence and war, has given the world some of the most marvelous and beautiful pieces of art, particularly in architecture. The Middle Ages is the name given to the time period from the late 5th century to the 15th century, particular to European history. The construction of these types of buildings was a constant for various cultures for a thousand years. They can be categorized into three phases; Pre-Romanesque, Romanesque and Gothic. The most important buildings during medieval times were religious, defensive and governmental or power related.

a. St. Peters of Rome built in Vatican City was built in Italian renaissance style.

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While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

The 12th century Gothic builders were the first to discover how to construct great buildings were their stability depended upon knowing how to transmit the thrust through specific parts of the structure, the buttresses that formed its skeletal and the ribs not upon the thickness of their walls. The result was a dynamically stable architecture capable of building

The Romanesque and Gothic architecture period both occurred during the Middle Ages with the Gothic period taking place during the later half. Gothic and Romanesque architecture were related in many ways, but they also contrasted in style too. Over time, masons began to test the waters and push the limits. They thought of new ways to add lighting and ways to allow more height to the building without it being to heavy and weak. Many of the reasons for the change in styles had a lot to do with society and the changes it faced. There was a greater intensity occurring in piety and literature. The Gothic style embodied this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure

Although it does resemble Gothic architecture, it does so in a unique way that is characteristic of the architect Antoni Gaudi (The Sagrada Familia). However, Gaudi’s masterpiece does not follow the definition of Gothic style architecture. “This new architecture, based on the precision of geometry, can be effectively adapted to the new graphic and building technologies. As a consequence, the quality of the works in the Sagrada Familia increases clearly as the construction processes technology is improved. This project is therefore advanced for its time and is also very suitable to the technologies of the twentieth and twenty-first centuries” (Aguado et al., 94). Gaudi believes that the inside of La Sagrada Familia should be left strictly for worship and the outside should tell the story of the Catholic faith. The story that Gaudi wishes to portray can be told by the towers, the east entrance, and the west entrance, which all resemble different aspects of the life of Jesus Christ. This is uncharacteristic of Gothic style cathedrals and basilicas because there are usually small chapels inside the church that explain the stories that relate to Catholicism. Gaudi also has a unique style of architecture that uses geometry to create pillars, columns, arches, as well as allow more light to enter his Gothic style building that had never been seen before. His unique take on the Gothic style was

With such support from the state and the Emperor, the church was given a massive financial support, which was invested in the building of the Basilicas. They were used to perform rituals such as worship, baptism, prayers, scripture reading, preaching and recognition of the dead and the after life. The liturgy of the early churches was very plain. They were build on a rectangular classical floor plan. The Basilica floor plan was simple; consisting of a narthex (the outside building short end), apse, transept, and aisle such formation gives the idea of building resembling to the cross. The early Christians were inspiration to represent such building to the cross. Once more this is part of the spiritual journey of Christianity. The other model was the central plan which would consist of a dome in the middle of the church. Were all the activities would take place. Like the worship and the baptismal ritual. This center plan was more common in the Eastern-Orthodox churches. This shows the heritage of Roman Christian art from the early ancestors such as the Greeks and the Middle East. A great example is the San Vitale in Ravenna which was an important Byzantine outpost in Italy. San Vitale was constructed under the reign of the Byzantine Emperor Justinian in 547. This church has a domed central core which

Pantheon is a masterpiece of Roman architecture; it was a unique building that combined two different styles. Michelangelo praised it as an angel design. It becomes the object of learning of Italian architects during Renaissance. Besides, many famous artists such as Raphael were buried here, but also the kings like Vittorio Emanuele II and Umberto I.

The clerestory had only small windows to let a decent amount of light in. The exteriors of the cathedrals were plain, had very little decoration, and were extremely solid-looking. Cathedral plans were often regular and symmetrical, making the Romanesque cathedral form known for its simplicity. They were often built in the general shape of a cross, relying on the basilica as a design base. As for the sculptural decoration, Romanesque architects utilized thin, elongated, and abstract figures.

With these great gothic style building appearing in Europe, there had to be architects behind the projects. Some of the most famous architects of the early gothic (1140-1194), high gothic (1194-1300), and late gothic (1300-1500) are, Jean D’Orbais, Jean Le Loup, Gaucher De Reims, Bernard De Soissons, and Abbot Suger of Saint-Denis. The patron, and client, for the first Gothic style building - Abbot Suger, wrote his views on the symbolism, at St. Denis, built between (1140-1144), but did not record the architect’s name. Jean D’Orbais' designed the first tracery rose window, and was a major milestone in church construction. Considering we don't