Cathedral: Medieval Stained Glass In The World

From the outside of the cathedral, I could see the scaffolding since it was going under construction. Even though the cathedral is beautiful on the inside, the outside does not do it justice. Approaching the cathedral, it is

walls, there are paintings of the Life of the Virgin. On the bottom of the walls there are images of the seven ecumenical councils. The song “The Last Judgement” is painted on the west wall. Numerous figures of martyrs are painted on the pillars, and there are also many icons. There used to be an icon of “Our Lady of Vladimir,” but later on the icon was moved to St. Basil’s Cathedral so it wouldn’t be stolen because it was so expensive. There are icons of the Virgin Hodegetria, Saint George, Trinity. There is a large iconostasis, which is a screen bearing icon that separates the sanctuary from the nave, that occupies the whole wide wall of the cathedral.

The Notre Dame Cathedral is certainly one of the most beautiful locations in the world, as the city of Paris as a whole and the building's surroundings contribute to making visitors acknowledge the importance of this monument. Construction on the cathedral started in 1163 and was largely finished by 1250, with most of its features emphasizing Gothic influences. The building's architecture, the sculptures present in it, and the impressive stained glass all stand as reminders that the French community invested most of its cultural values into the church at the time when it was constructed.

By protruding from the cathedral's walls, the figures are more attractive and would gain more observation. Also, they would have been brightly painted to look as realistic as possible (Harris and Zucker 2018). This, in its day, would have made the scenes seem even more lively than they do now, and certainly more lively than the blander jamb sculptures of Early Gothic art. Not only were the figures interacting with each other, but they would have been able to interact with passersby and members of the cathedral. Their realism could have especially been effective in playing towards the church youths. The colorful figures on the exterior of the church were the same ones that were featured in biblical sermons on the interior and would have helped paint visuals of gospel readings. Finally, as is characteristic of many religions, the divine figures depicted were both literally and figuratively placed above the mortal man or woman. The jamb statues were larger-than-life-size and, in case there was any doubt that they reign supreme over us, are mounted on the cathedral. This gives the appearance of Gabriel, Mary and Elizabeth watching over us. This could mean in a protective, religious sense but also could be in a hierarchical context. The figures depicted in Annunciation and Visitation are all of vital importance to Christianity and are worshiped-or looked up to-by followers of that faith. These reasons are why I believe Annunciation and Visitation looks and is placed the way it

types of arch designs that are commonly found within Gothic architecture are the lancet arch, which is simply a steeply pointed arch, the equilateral arch, the flamboyant arch and the depressed arch as seen in the King’s College Chapel. (see figure 5) Due to the new design of supporting the weight of the ceiling through the columns and flying buttresses, there was no need for walls made of heavy materials. With all the columns and archways in place, the structure took on a skeletal look. This gave way to expanding the once small openings for windows to an expanse of window space providing plenty of light to the interior of the structure. This space was commonly filled with stained glass. From this, stained glass

The Chartres Cathedral was known as a popular pilgrimage because it serves as the most beautiful cathedral in France. It has the western architecture and the pointed arches, flying buttresses and so many stained glass rose windows and sculptures. This cathedral is recognized for its stained-glass windows. Direct light does not enter the building and that sends out an intense spiritual feeling. Light is only filtered thought the windows. “The interior of the Chartres cathedral is remarkable. The nave, wider that of any other cathedral in France (52

While constructing both of these cathedrals there were sculptures created that represented narratives of theology and mysticism. Both were created for a place of worship that’s why sculptures and paintings of religious images were added. This showed a great respect for the belief in Christ and the surrounding believers.

The interior is decorated with mosaics and marble pillars and coverings of great artistic value. Justinian oversaw the completion of the greatest cathedral ever built of its time. It has a complex interior structure; the nave is covered by a central dome which is about 182 ft. 5in. from floor level and rests on an arcade of 40 arched windows. The dome had some repairs made to it which made its diameter vary from 101 feet to 103 feet. There are arched openings extended by half domes of same diameter to the central dome carried on smaller semi-domed exedras. Also the interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry, and gold mosaics. The exterior, clad in stucco, was tinted yellow and red during restorations in the 19th century at the direction of the Fossati

Creating objects from stained glass is an art that goes back for centuries. The beautiful church windows that you have seen and the wonderful Tiffany style lamps are examples that show what can be done working with stained glass. This is a craft that anyone can learn. And getting started making your own projects is a great way to get started. One good method of getting your feet wet is to start with stained glass kits that contains all the basic starting materials you need.

The Cathedral of Notre-Dame in Reims, northeast of Paris near Champagne was the coronation church of the kings of France and was an educational and cultural center. Also built of limestone, the architecture of the Reims Cathedral features Gothic style. It symbolizes an Early Gothic, Radiant Gothic and Flamboyant Gothic. The Reims Cathedral depicts a classic harmonic facade containing four levels. Its interior is defined by its towering heights and narrow proportions, and elaborate sculptural works. Because of the high quality of workmanship and materials used, Reims Cathedral features some of the most beautiful gothic art in existence. Five different cathedrals have been on the site on which Reims cathedral now sits since 401 CE. The current cathedral was built in 1211, after the previous cathedral had burned down. The new building was almost entirely finished by the end of the thirteenth century. 88 gargoyles were counted on the Reims Cathedral and are mainly used to drain off rainwater and are exceptional pieces of work, but do show the slight difference between Gothic and Romanesque styles. The stained glass windows are a beautiful part of Reims despite being damaged or ruined several times in the 18th century; the cathedral still has many 13th century stained glass windows, in the upper parts of the nave, choir and transept. On the opposite side of the great western portal, the Great Rose Window, dating from the end of the 13th century, represents “the Crowning

Chartres Cathedral is one of the most significant achievements of all the historical architecture. Additionally, it is entirely preserved with its original details. The unique features of the cathedral are intact, and thus when one visits the place, he or she is likely to encounter the authentic architecture work as it was done many years ago. Chartres Cathedral symbolizes an atmosphere of awe and holiness (Katzenellenbogen, 2). As such, it was built for religious purposes. However, it attracts the nonbelievers as well. As a holy building, it has many glass windows to light the building. Due to its height, a double flying buttresses is used to support the high nave. The cathedral was the first building in history that used buttresses since it was considered as necessary for the peoples’ culture and as a sign of authority. It was built to reflect a symbol of power since the religious leaders engaged in politics too. The cathedral has many statuses that represent the Biblical aspects such as Elijah, Isaiah, John the Baptist, Jeremiah, and Simeon (Katzenellenbogen, 9). The standings portray the Christian faith that was used by the architectures while building the cathedral. The interior floor stands thirty-six meters high and is one hundred and twenty-eight meters wide. The sizes show how vital it is and it can host many peoples who visit for religious functions.

The clerestory had only small windows to let a decent amount of light in. The exteriors of the cathedrals were plain, had very little decoration, and were extremely solid-looking. Cathedral plans were often regular and symmetrical, making the Romanesque cathedral form known for its simplicity. They were often built in the general shape of a cross, relying on the basilica as a design base. As for the sculptural decoration, Romanesque architects utilized thin, elongated, and abstract figures.

This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an

The area where the cathedral now stands was originally occupied by the ancient Metropolitan Church of the city under the title Saint Maria Maggiore in 836 (Boldorini 5).The name of the first architect of the Milan cathedral is not exactly known (Boldorini 5). In 1386, Giovanni Galeazzo Visconti, began the restoration project using the Gothic style after severe damage to the building (Benigni). In total, there are 6,000 statues inside and outside the cathedral, with 2,000 of them being a part of the exterior embellishments (Benigni). The design or layout of the interior of the church is that of a Latin cross, and

Notre-Dame of Paris is one of the most prominent cathedrals in the land of Paris and portrays many diversified Gothic characteristics. This research essay will explore the cathedral in detail while emphasizing on the influence of Gothic architecture on the cathedral. Notre-Dame of Paris bears all the structural features of a Gothic cathedral including the famous rose window. By far, the Gothic style has influenced the entire design of Notre-Dame of Pairs. If there were other influences, it would be too minor to be taken noticed of. The construction began in year 1163. Being a significant building to the locals, she bore important responsibilities. Eugene Viollet-le-Duc played an important role in the cathedral’s restoration.