Cathedral Vs Gothic Architecture

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

French Gothic architecture had very tall, asymmetrical towers. They usually contained tall stained glass windows and ribbed vaulting. They were very decorative and flamboyant. They were usually taller than the English style. This can be seen in the cathedral of Notre Dame.

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

Much of the architecture in the Romanesque era evolved into Gothic architecture. The Gothic era ran from the 12th century into the 16th century. There wasn’t necessarily a clean break from Romanesque to Gothic styles of architecture, but rather a gradual shift in design. The main characteristics of Gothic architecture are the pointed ribbed vaults and arches, flying buttresses and, in place of solid walls, a cluster of columns. Due to the vertical emphasis of the design, the archways could be redesigned and stretched or pointed. Four main Figure 5 – The depressed arch supported by fan vaulting at King’s College Chapel, England.

Robert A. Scott wrote The Gothic Enterprise in an attempt to give readers a bit of insight into the world of cathedrals. He moves from topic to topic, explaining how Gothic Cathedrals came to be, how they were constructed, and who ran them. Two course themes very applicable to Scott’s text are “How Technologies Develop” and “Technology and the Environment.” Over the nearly 500 year period of cathedral building, technologies to make the process easier were developed. For example, the windlass were used to hoist the heaver timbers up to the roofs of the cathedrals. Flying buttresses were also put in place after wind started to become a problem with the building of the spires. This environmental problem, along with others such as flooding at the

Religion has always been a part of our identity. Today, the population wander around the world seeing these wonderful churches and religious buildings all around us. The architectural style of the Middle Ages was very prominent: high stone vaults, internal elevations of multiple stories, rounded arches, and thick walls. This was characterized as Romanesque architecture. Suger revolutionized everything. He reworked these ideas and introduced, to the world, what is now known as the Gothic architectural style.

These buildings would be the largest buildings that humans would admire for a long period. Gothic Architecture is mainly relating to cathedrals and churches from that time. The majestic building is very powerful when it comes to feelings and emotions.

Gothic Style is some of the most beautiful works of art that man have ever made. It originated with the Romanesque style of building which lasted for about one hundred years before it was replaced by Gothic styles. The founder of the Gothic style was a man by the name of Abbot Suger. Notre Dame de Chartres cathedral was built in France between 1145 and 1513 and is Gothic architecture. Another Gothic architecture is the Bourges and it is located in Bourges France. Both of these works of art are very similar with many different features.

Gothic architecture a new style developing from an old style of architecture with similar characteristics and in a way different. Architects wanted to build bigger buildings with stronger walls something that could not be found elsewhere. The old buildings did not have windows they were dark places that in order to get light they needed many candles. Not even the candles could give the right amount of light the buildings needed. The middle ages architects wanted big windows on the buildings and this new style made their wish come true. Architecture during the Middle Ages became a new style with new problems to solve and a new kind of extraordinary buildings to build.

The Gothic style, dating between the 12th century and 16th century, began in France and eventually spread throughout the rest of Europe. An example of the first true Gothic church was St. Denis of Paris. Now, it is considered one of our finest artistic periods, but at the time, the term “gothic” did not exactly hold the same meaning it does today. The name came from the Goths and was used rather negatively when describing this style of architecture as they considered it to be similar to the works of the barbarians from which the name was derived.

Although it does resemble Gothic architecture, it does so in a unique way that is characteristic of the architect Antoni Gaudi (The Sagrada Familia). However, Gaudi’s masterpiece does not follow the definition of Gothic style architecture. “This new architecture, based on the precision of geometry, can be effectively adapted to the new graphic and building technologies. As a consequence, the quality of the works in the Sagrada Familia increases clearly as the construction processes technology is improved. This project is therefore advanced for its time and is also very suitable to the technologies of the twentieth and twenty-first centuries” (Aguado et al., 94). Gaudi believes that the inside of La Sagrada Familia should be left strictly for worship and the outside should tell the story of the Catholic faith. The story that Gaudi wishes to portray can be told by the towers, the east entrance, and the west entrance, which all resemble different aspects of the life of Jesus Christ. This is uncharacteristic of Gothic style cathedrals and basilicas because there are usually small chapels inside the church that explain the stories that relate to Catholicism. Gaudi also has a unique style of architecture that uses geometry to create pillars, columns, arches, as well as allow more light to enter his Gothic style building that had never been seen before. His unique take on the Gothic style was

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

Fire is viewed as destruction by many, but it helped to produce growth in Gothic architecture. Many of Christianity’s beliefs are reflected in different aspects of art. The stained glass and verticality of Gothic churches is a key change from Romanesque style churches. The Gothic church found creative ways to illustrate images of important events in history through tapestry. Even the general shape and design of the Romanesque churches versus Gothic churches show Christians values. The sculptures outside of churches have evolved over time to correspond with Christian’s beliefs of Homo faber. The change in design of Romanesque churches to the new architecture of Gothic style churches shows how Christian’s incorporated their religion into churches. Christianity’s beliefs and values are directly reflected through the changes of architecture and style from Romanesque to Gothic churches along with visual and literary art.

The research paper, shall be concerned with discussion Gothic architecture in Europe-namely England, France, Germany, and Italy starting from 12th to the 16th Centuries. Architecture was the most original and lasting form of art during the Gothic Period, which lasted for four centuries starting from the mid 12th century. The impetus for this architecture was the Roman Catholic Church, which sought to portray their houses of worship as something which transcended the realm of mankind. It is interesting to note that many of the Northern European areas were predominately pagan, and only recently brought into the Church. The imagery provided by Gothic structural design was something these peoples could more readily understand, as they