The relationship between a liberal education and the suggestion of being in a cave is that the cave is the symbol for inability to understand and that human kind dwells within it unless the prisoners are able to break the bonds by knowing that knowledge does not make them free. Knowledge without reflection makes it easy for mankind to succumb to the unfortunate and flat appearance of substance without truth. Furthermore Plato plays on hidden virtues of reason which is "above all to something more divine" (pg. 53), because it never loses the benefit in influencing the reflection on the silhouettes that stand before those tethered. Reflection comprehension is a main component that is practiced in liberal arts so I can break the fetters that binds
The Skidmore College Mission Statement emphasizes the importance of a never-ending "quest for knowledge". This outlines one key part of a liberal arts education, the understanding that knowledge is limitless and there will always be more questions to ask. This idea is conveyed in Plato's "The Allegory of the Cave," in this story, shadows on a wall represented the whole world to prisoners until one was enlightened and saw the real world. Until enlightenment, the prisoners had no way of knowing that they were looking at shadows their entire life, because we don’t know about the knowledge that we have not yet discovered. In the same way, we don’t know the answers to questions we have not thought of. It
Having read the synopsis from The Matrix, the excerpt from Plato, The Republic, Book VII, 514A1-518D8 “The Allegory Of The Cave”, and the excerpt from Descartes, Meditations on First Philosophy, 1641 “Meditation I Of The Things Of Which We May Doubt”, I am able to conclude that there are similarities as well as differences among these readings. Each question the state of reality in which we live. Is our reality a true state of reality or is it a state of mind we have allowed ourselves to exist in?
Plato is, in essence, alleging that the one who is offered – and the one who seizes – the opportunity to traverse “the intelligible realm,” or “the realm of knowledge” (63), cannot – and will not – be romanced by notions of returning to the other, more primitive state of existence, even if retreating to this state means that he, or she, will be bequeathed a certain measure of “prestige and credit” (62); that the one who has seen both insuperable marvels and the unsurmountable truth will, being wholly engrossed by, or taken with, these, opt to cling to their memory, even when, in doing so, he will be resigning – or, perhaps, condemning – himself to an existence governed by isolation. Plato is intimating that unaffected “truth and knowledge” are so incredibly rewarding in and of themselves that one could, and would, be happy and willing to eschew all else – including societal conventions and standing – in their pursuit.
When Plato described his “Allegory of the Cave”, he compared reality, education and understanding in two separate ways. The first is its form within the cave, and the second is exploring it and its change outside of the cave. Within the cave people are manipulated into thinking a certain way and all share the same opinions; their education is broad and limited with only the use of shadows and sound. Connecting it to Baldwin’s “A Talk to Teachers”, he portrayed similar ideas but used children of different races as an example rather than a cave. Baldwin considered white children to be stuck in this cave, they’re oblivious to the problems around them and are taught only the good things in life.
Biographical information: Plato was one of the earliest ancient Greek philosophers who lived from 427 to 347 B.C. He was a student of Socrates, who was also a prominent Greek philosopher at that time. Socrates had a massive influence on Plato, who called him “the most upright man of that day” (The Seventh Letter). Plato adopted his philosophy and dedicated his studies to formation of a noble character. Born in Athens to a family of aristocrats, Plato attained an exceptional education, most likely taught by notable educators such as Pythagoras and Parmenides.
We first learn about Plato’s cave in book seven of the Republic. In his book, Plato describes a conversation he has with Socrates. He tells Socrates the story of some men who had lived their entire lives in a cave. These men knew nothing beyond what they could see on the cave wall. One day, a man is freed. At first he rejected his new found knowledge of the world but, once he accepted what he learned outside of the cave, he could never go back to his sheltered existence. The cave is an allegory, a story that has a hidden meaning. Plato is attempting to describe the difference between conventional opinion and getting educated. Plato says “compare the effect of education and of the lack of it” (Plato 175).
Has someone ever looked at you and immediately disregard you for you are just because of your ethnicity? Have you ever done it someone? Racism is a huge culture issue that we have not only in America, but in other parts of the world, but it does not matter the color of one’s. What really matters is the character they have withheld inside but are not given a chance to express because someone didn’t even bother to give them a chance. This is idea comes from the book written by Plato, “The Allegory of the Cave” where in the book Socrates speaks of man being in a dark cave all their lives not realizing the truth until once they reach the end of the cave to see that the light is the truth. The truth is the reality of life.
Even if someone has the means or manner necessary to pursue philosophy there are those that choose not to do so. Socrates notes that those that do not wish to engage in philosophical thought not only wish to deny it for themselves but also to others. In the cave allegory, Socrates appears to suggest that those that do not seek enlightened knowledge and instead wish to only accept the world as they understand it, would treat those that do seek enlightenment as irrational. They seem to think that the explorers were blinded by the light of knowledge when they looked away from the shadows of the cave wall and no longer have a grasp on what is true (Plato, 360 B.C.E). The Brahmin’s poor neighbor seems to have no concern about reflecting on the world beyond what she already knows but is unable to even understand the question about her soul. Both philosophers seem to agree that those that have chosen not to think about philosophy are content with the world as they see or understand it. However, Socrates cave dwellers would appear to be concerned about a philosopher spoiling their practice of “conferring honours among themselves” by butting against what they know to be true where the Brahmins neighbor might smile and nod as she continued upon her contented way (Plato, 360 B.C.E).
“The Allegory of the cave” designed by Plato, one of the utmost eminent Western philosophers. Not only, he constructed an arch that in time will set a luminous path for the western theories to flourish in the future. Additionally, Plato viewed the world as a replica of the celestial world, which turned him to realize there is one divine being or one divine truth that humans should attempt to find. Therefore, this essay will discuss the implications of Plato’s Cave allegory in reflection on how humans might be blind to the truth, as a result of the unseen shackles that restrain them distant from the real truth, and how they might eventually feel and become more human without them.
An allegory is a kind of story in which writer intends a second meaning to be read beneath the surface story. One of the most important allegories ever to be gifted to humankind is Allegory of the Cave. Plato’s Allegory of the Cave is one of the most potent and pregnant of allegories that describe human condition in both its fallen and risen states. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. It is also known as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It is written as a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon at the beginning of Book VII of The Republic.
In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion
For many centuries, the principles of the classical education were in the spotlight. The good of the individual, realizing his/her own potential were the purposes of the learning process. Cultural development is the aim of the classical education. It stands above everything, including religion. (Nietzsche, n. p.). Referring to Plato’s “Allegory of the Cave” to interpret the classical education in modern society, we can say that
There exists a place in one’s mind that determines what is real, and what is not. One could argue this distant concept as being linked to the subconscious; others, such as Neil Gaiman, provide a template for existence on the other side. The children’s story Coraline reveals the truth of darkness and confusion in a supposed replicated dimension. The Allegory of the Cave is an essay written by philosopher Plato that explains the analogy of prisoners kept facing a wall in a cave to those who experience a perfectly formed enlightenment of the mind. Those who break free are unveiled into this bright and amazing world and are initially overwhelmed, for everything that they once thought to be is instantly proved to be wrong, or more to say, altered. The theory of forms, applied to this story, assumes the existence of some distant reality, with the perfect “forms”. This idea provides for all things in the real world that we physically and mentally live in. The forms are theoretically donated into the real world, but lose their perfection along the way, and instead inherit a base for numerous opinions: these are the objects that human’s perceive every day. The forms in Coraline are displayed, with all child appeal, as within a physical small door, leading to the “other side” of the flat. In the world, objects are beautiful and wondrous, but confusion of course sets in, as the new view is so astray from the normal source of opinions. The captured sense is new, and truly; horrific.
In their work, Plato and Paulo Freire have offered harsh critiques of education and learning. Plato compares people to prisoners in a cave of darkness in relation to knowledge, and Freire refers to a “Banking Concept” of education in which teachers put their thoughts and information into students’ minds much like money is deposited into a bank. Instead of this money being of value, Freire and Plato acknowledge that the value declines. Although many people refute the concept of accepting new knowledge and admission of mistakes, I claim that both Plato and Freire produce valid points about the corruption of education because people cannot learn unless they have an open mind and truly desire to learn. Ultimately, what is at stake here is the effectiveness of learning and continuing the cycle of education.
The liberal arts tradition was born in the philosophy of ancient Greece. It originates in response to certain questions born from human nature, and queried by the unique philosophy born in Grecian culture: What is “being?” What is “wisdom?” What is “virtue?” What is “good?” This pioneering search for truth accessible to reason about the whole world led necessarily to the search for truth about the place of humanity within this world. This unprecedented venture of the human mind, today associated above all with the likes of Epicurus, Socrates, Euclid, and Aristotle, gave rise to a structured and formulaic body of reflection. After Greek philosophy had fully flowered in the fourth century B.C.E., scholars, teachers, and teachers sought to establish a curriculum to prepare students for higher and more hard and strenuous studies. From these efforts came what was called the enkyklios paideia, the learning circle, from which we get our word encyclopedia (Encyclopedia).