Celie South America

In ultimately finding herself at the end of the novel, Celie had to overcome the internal prejudices against herself. With the use of Shug Avery in the novel, Walker displays the hardships Celie must face with her new found sexuality. Because this relationship uses different and new feelings it “evokes so profound an erotic awakening that Celie believes she was "still a virgin" prior to it” (Hankinson). When Celie begins to have feelings for Shug, they start out innocent and then become more serious. She describes a night that they spent together when she says, “Me and Shug sound asleep. Her back to me, my arms round her waist” (Walker 116). Celie begins to allow her feelings with Shug to become reality and shows that she does not have the shy personality that everyone thinks she does. Celie breaks out of her inner prejudices again when she confides in her sister, Nettie. Celie begins to yell at the dinner table one night when she could no longer take

Told through a series of letters to God, Celie shares her story. Impregnated twice by her father, Celie’s children are taken away

According to Harold Bloom, “For Celie, the practice of addressing God simply reaffirms her solitude; she is essentially writing to herself” (Bloom, and Williams 77-88). This submissive practice nonetheless carries over onto her daily life, and ensues until her relationship with Shug Avery strengthens. After Celie begins to experience a spiritual, emotional, and sexual awakening as a result of this bond, her letters reflect her newfound emotional capacity. Bloom enforces this ideal, claiming, “Shug is the route through which Nettie's letters are restored” (Bloom, and Williams 77-88). With the figurative resurrection of her sister through Shug’s support, Celie’s power of voice grows. She begins to think for herself and express her thoughts more vividly, claiming, "My life stop when I left home, I think. But then I think again. It stop with Mr._______ maybe, but start up again with Shug" (Walker 85). The audience, who was Celie’s only recluse for thought, views her becoming more verbal and opinionated in reality as well; for instance, during her final standoff with Mr._______, she exclaims, "You a lowdown dog is what's wrong, I say. It's time to leave you and enter into Creation. And your dead body just the welcome mat I need” (Walker 207). Celie, therefore, has discovered the act of standing up for herself as a person. Nettie’s letters possess a distinct voice as well, and the discovery and instigation of communication between the two sisters liberates the voice which

Celie is abused and raped by her Pa who takes away her children after they’re born. Eventually, Pa marries Celie off to a man who is just as abusive as Pa. Celie’s new husband Mr simply marries Celie to take care of his four children, look after of his house, and work in his fields. Celie starts her letter letting us know that her mother has died, but she also gives us some information on what happened before her mother passed away. Shug plans to leave but, in an attempt to keep her from going, Celie tells her that Albert beats her. Shug promises not to leave until he stops. Shug also learns that Celie has never enjoyed sex. Shug tries to educate Celie about how to get pleasure from sex, but it is soon clear that Celie feels nothing for Albert because she is attracted to women. Later, Celie experiences her first sexual pleasure with Shug.

Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.

Shug Avery is someone Celie admired from a young age. Shug’s exuberance and charm with people are qualities Celie never dreamed of having herself until Shug walks into her life and Celie does more with her life by actually overcoming the abuse and becomes someone more. “I ast her to give me the picture. An all night long I stare at it. An now when I dream, I dream of Shug Avery.” (Walker 7). Shug comes into Celie’s life as her husband’s mistress who was very ill but not lacking in character. She treats Celie with disrespect at first, but after living with her for some time and being nursed back to health by her Shug gains a respect for her. She teaches Celie how to speak for herself and to defend herself against Mr. Shug is the one who helps Celie escape by taking her on her tour where Celie learns how to expertly sew pants. This is another major step towards independence because Celie is no longer financially dependent on anyone but herself because she creates a successful business by making pants. Upon her return to her home, she inherits her father’s home thereby completely separating her from the men who held control over her. She can now receive her sister’s letters and make her own money. The people who love her surround her and her personality develops unhindered by abuse. Celie’s idol came through to set her free and now idolizes her to an extent.

As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.

Celie and the women surrounding her struggle for bondage. Celie finds a bond with many females. Walker introduces the hint of Celie's sexual attraction to women in church. Afraid of men because of the cruel treatment by her father, Celie turns more and more towards the company of women, who represent love, warmth, and feelings of solidarity to her. Celie affirms her sexual identity in her relationship with Shug Avery. For now, it is manifested merely as what men cannot offer.

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

Sometimes life brings experiences of abandonment through difficult times. Celie shows an expression of abandonment from God with her intimate friend Shug Avery, who challenges Celie where she thinks God is. “What God do for me?...He gave me a lynched daddy, crazy mama, a lowdown dog of a step pa and a sister I probably won’t see again...The God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgetful and lowdown...Miss Celie, You better hush. God might hear you. Let’im hear me, I say. If he ever listened to poor colored women the world would be a different place” Celie said in anger (192). It is times like this that society tells the world to push life’s disasters under the rug. When instead it requires the attention of others to become endured. To be human is to go through the struggles of life and face them. Without them, life can become meaningless. Celie experiences this through oppression and her loss of faith in God. Throughout

At this point in the novel, Celie's grammar and vocabulary start to improve; this reflects her life and how she is gaining her own voice and her own sense of observing what is happening around her. This contributes to the theme greatly by how it is a turning point in Celie, has seeing that she has someone in her life besides God that is there for her and a part of her family. This is symbolic towards the fact that she does not have herself to talk to anymore, Nettie will be hearing what she has to say and listen to what is happening to her life, rather than the diary that she wrote to

She suffers constant abuse from her stepfather Alfonso. Restricted from living an independent lifestyle, she is confined to do whatever he wants due to the imbalance of rights in the setting of the novel. In the latter stages, Celie eventually discovers her inner self as she recovers her own sexuality, beliefs, and voice. From the novel, the way Celie continuously perseveres through the hardships thrown at her, shows that she has faith that one day, everything will be alright. TThis is a clear indication that she doesn’t feel love for anyone in her life now but regardless, she is dealing with her misfortune. Without faith that one day things will change, the plot of the novel could have been drastically changed. She is obviously very depressed with her life; she may have even committed suicide had she not had strong faith in what she believed in. Research studies have shown that depression is the leading cause for suicide but she expresses no suicidal thoughts since her strong faith prevents her from taking drastic

As a result of these tragic events, Celie writes to an unknown audience, resembling her unknown identity. In the beginning, the only person she can talk to is God. She writes her first letters to God shortly after her so-called father raped her. Each one of the letters is short, choppy and has a similar rhythm. The patterns found in her letters symbolize her state of mind; she feels depressed and weak. "Celie does not think of her letters as anything else than just that, as written documents saying the things she wishes to tell the recipients she cannot speak to in person”, making God the person she has always wished to communicate with (Boynukara). Her letters in the beginning are also mostly written to God and not signed off, illustrating her lack of identity. Her conception of God is a “Big and old and tall and graybearded and white. He wear white robes and go barefooted” (Walker 195). Celie’s first letter proves that she has a low self-confidence when she writes, "Dear God, I am fourteen years old. I am I have always been a good girl. Maybe you can give me a sign letting me know what is happening to me." (1). According to Janoff Bulman, “cognitive strategy used to make

Because Celie seeks to protect her younger sister Nettie from being degraded by Pa, Pa frequently targets Celie to be the subject of his physical and sexual abuse. Pa constantly rapes Celie and eventually impregnates her twice. Pa also physically abuses Celie. In one letter, Celie references an incident where Pa punches her because she accidently winks at a boy in her church (12). On top of the physical and sexual abuse that Celie suffers from, Pa also verbally abuses her. He frequently tells Celie that she its ugly and unwanted. Eventually, Celie internalizes these words and begins to think view herself as though she is ugly and unwanted, so she believes that the things that happen to her must be normal. All of the abuse that Celie suffers from at the hands of Pa causes her to characterize all men as violent and

Since the beginning of Celie’s childhood years, she has endured immense physical and mental abuse from the men in her life including her father, Pa, and her husband, Mister. She has been raped more times than one could count and has been verbally abused to the point where her self esteem and way of thinking has completely diminished. Along with rape and verbal abuse, the disconnection with her beloved sister Nettie caused her to think life had no purpose. Though Celie has thought that her life would be this way forever, that all changed when a woman by the name of Shug Avery stepped foot into her life, though Shug