Celie's Transformations In The Color Purple By Alice Walker

The book focuses mainly on a woman named Celie, who has lived a hard life already when, at the age of 14 she begins

As time goes on Celie is finally able to break away from the coercion of her life and leave her husband.  She starts her own business sewing pants, which is one way she indicates her freedom.  This highlights the fact that she has gained more individuality and is willing to assert herself.  She has now become able to recognize the importance of her existence.  Celie proves this when she writes, “I'm pore, I'm black, I may be ugly and can't cook, a voice say to everything listening. But I'm here."

Celie is abused and raped by her Pa who takes away her children after they’re born. Eventually, Pa marries Celie off to a man who is just as abusive as Pa. Celie’s new husband Mr simply marries Celie to take care of his four children, look after of his house, and work in his fields. Celie starts her letter letting us know that her mother has died, but she also gives us some information on what happened before her mother passed away. Shug plans to leave but, in an attempt to keep her from going, Celie tells her that Albert beats her. Shug promises not to leave until he stops. Shug also learns that Celie has never enjoyed sex. Shug tries to educate Celie about how to get pleasure from sex, but it is soon clear that Celie feels nothing for Albert because she is attracted to women. Later, Celie experiences her first sexual pleasure with Shug.

Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.

“And she just about the color of a eggplant.” (87) Finally, Celie lives her life bitterly and does not notice or appreciate anything around her. Shug tells her, “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” (p. 178) Shug feels that God created beauty in the world to make humans happy. She feels that it is important that people take the time to acknowledge everything around them. From this, Celie realizes that Shug has enlightened her. She admits that she does not appreciate the world she lives in. This changes the way Celie perceives her existence. She begins to have a more positive outlook on life, despite the hardship she experiences. Celie herself can also be compared to the color purple. She has lived her life unnoticed. Once she realizes this, Celie creates an identity for herself and is finally noticed amongst her community. Another important symbol in this novel is pants. Once Celie is liberated from her marriage, she starts a pant-making business. The pants represent independence, which again is a concept that relates to the theme of the novel. Celie can finally provide for herself. In her “previous life”, Celie’s only role in society was to bear children and keep house. The pants also symbolize a change in Celie’s relationship with men. Before, the idea that men and women had anything at all in common was completely daft.

Once she gets away from the restrictive environment, she is finally able to be free and herself. With Shug’s help and resources she pursuing her interests and starts thinking for herself for once. As she begins doing what she wants and not vise versa, she starts making pants. This leads to her financial independence. With Shug there every step of the way Celie become able to function on her own without any support from anyone but herself.

Shug Avery is someone Celie admired from a young age. Shug’s exuberance and charm with people are qualities Celie never dreamed of having herself until Shug walks into her life and Celie does more with her life by actually overcoming the abuse and becomes someone more. “I ast her to give me the picture. An all night long I stare at it. An now when I dream, I dream of Shug Avery.” (Walker 7). Shug comes into Celie’s life as her husband’s mistress who was very ill but not lacking in character. She treats Celie with disrespect at first, but after living with her for some time and being nursed back to health by her Shug gains a respect for her. She teaches Celie how to speak for herself and to defend herself against Mr. Shug is the one who helps Celie escape by taking her on her tour where Celie learns how to expertly sew pants. This is another major step towards independence because Celie is no longer financially dependent on anyone but herself because she creates a successful business by making pants. Upon her return to her home, she inherits her father’s home thereby completely separating her from the men who held control over her. She can now receive her sister’s letters and make her own money. The people who love her surround her and her personality develops unhindered by abuse. Celie’s idol came through to set her free and now idolizes her to an extent.

As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.

This new philosophy that positions Celie ‘being part of everything, not separate at all’ fortifies her with self-acceptance and leads her to reject male mastery (Hankinson, 3)     

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

Celie never refers to herself as ‘Celie” until she begins Folkspants Unlimited, her business in Memphis. This shows Celie’s own power and correlates with a thematic topic-the discovery of one’s self. Walker’s exclusion of Celie’s signature illuminates

Thrown into young adulthood at the early age of 14, at 21 years old Celie now begins the true process of developing intimacy with an unlikely character for the time. A long lasting friendship and mutual love affair between Celie and Shug has begun, and will later prove to be her saving grace as her confidence, identity, purpose, and will increase. Shug plans to leave

The main protagonist in the novel, Celie, lives in rural Georgia during the 1930s. She is poor and illiterate and lives in a small house with her mother, little sister Nettie, and abusive stepfather Pa. While living with her family, Celie experiences frequent physical and sexual abuse from Pa. Due to the domineering nature of Pa, Celie lacks the protection of her sick mother and sister. This greatly affects Celie, because she is stuck between protecting her sister from Pa and protecting her own

Shug constantly threw diatribes at Celie. Celie endured Shug’s attacks, too stunned by her infatuation with Shug, to care. Mr.____ is Shug’s sycophant which entices jealousy in Celie. Celie starts to think self-deprecating thoughts because she is not as beautiful as Shug or as wanted by Mr.____. Soon after Shug and Celie start to have a sexual relationship. “Us kiss and kiss till us can’t hardly kiss no more” (Walker 113). In the 1930’s African Americans weren’t accepted as equals to whites so a lesbian relationship would be even scarcer at that time. With religion still a substantial factor in Celie’s life she had to bend her morals into accepting her new sexuality. Shug opens up many doors for Celie and instills in her that she too is worthy of being loved. “Well, she say, looking me up and down, let’s make you some pants” (Walker 146). These pants are a symbol of Celie’s psyche transformation as she becomes more independent and stands up for herself against her husband. With Shug, Celie overcomes her fear of men and no longer has a submissive-psychological stance when dealing with situations and that is a gift Celie is deserving

Walker introduces the reader to the protagonist, Celie, through a series of letters. In these letters the reader finds Celie amidst her mother’s death. The author chooses to address her letters to God, giving Celie a greater willpower to survive. Celie’s upbringing gave her maternal authority; as seen through the multiple maternal roles she played through the novel. Her mother’s death forces her to step up and fill a, painful role revealing her inner strength and ability to remain optimistic.The full