Ceramics: Pottery and Clay

Personalization can be engraved into the pottery during the drying phase at the right stage during the production process. “Process layouts, also known as a functional layouts, group similar activities together in departments or work centers according to the process or function they perform” (Russell & Taylor, 2014). In the Total Quality Management (TQM) approach a principle number one, according to Russell & Taylor, is that “quality can and must be managed” (2014). With a primary and vested interest by the owner of Angel Pottery to ensure business success, quality of the product will be attended to at every stage in the process of the mug

Ceramics essay All artists are influenced by the culture they are from. Our experiences and the environment in which we were raised shapes us, and thus the works we produce as artists. This essay will discuss, compare and contrast two artists from different cultures, and their ceramic artworks, with a focus

Dtlls 110 Roles, responsibilities and boundaries within teaching By Carolyn Handley I teach ceramics to level students in a certified class. My role as a teacher is to create stimulating classes giving the learners the opportunity to develop and achieve skills associated with ceramics practices. I start by firstly understanding the assesment criteria set out by the AS board,

Bazaar Arts Ceramics Technical Requirements Report (website) Prepared by: Ian Saunders 1100614611 Submission Date 10/11/12 Executive Summary This purpose of this report is to provide an analysis of the business and user requirements for the Bazaar Ceramics website. Bazaar Ceramics has been operating for 20 years and have grown to a point where they need to reach a wider audience

Jaye Pont has made Pottery is very beneficial and advantageous to archaeologists as it is a very common and widespread product that leads us to have a greater understanding about the everyday life of the area inhabitants. “Pottery is one of the most common artefacts in ancient sites. Once broken, unlike glass and metal, it cannot be recycled. This makes it very useful to archaeologists,” said Pont. Pont made the conclusion that the red slip pottery was used by the Pompeian’s as tableware with the main purpose of serving food and drink given its characteristically glossy surface. By dipping ceramics in liquid clay and later firing it in an oxygenating kiln is how this gloss is created (Kalnins, 2004) (see figure

After weeks of working I made a total of three pottery pieces, the one that I spent most time on is a clay pot that was made to look like an ancient greece piece of art. They used as grave markers and many other useful things. Back in ancient Greek pottery was divided into four different areas. These areas are for storage and transport vessels, mixing vessels, jugs and cups, vases for oils, perfumes and cosmetics. Many believed that Greek pottery, unlike today's pottery, was only fired once, but that firing had three stages. When firing their art pieces the kiln was heated to around 920-950 °C. They technically decorated their pieces to tell a old story or to represent something, normally people in a darker shaded color. I chose this culture

The goal of this report was to bring awareness to the problems that Perfect Pottery has fallen victim to from the recent, drastic change of moving to the United States. This article is aimed at bringing ideas to the table that would solve many of the situations and difficulties that came with that recent transition.

Porcelain has a reputation, and gets treated as one of the most fragile and expensive materials money could buy. Anything that is made of porcelain is a real piece of art especially to whoever owns it. While reading an excerpt from the Seattle art museum online I found that the exact time and place of the creation of the first Chinese porcelain has not been firmly established. It is reported as early as 600 AD is when the creation of high fired ceramic wares was producing white ceramic material that was known as porcelain. Porcelain can take the credit for what was considered cross-cultural encounters for many centuries. They used porcelain as a vehicle for designs and ornamental motifs between Asia and Europe. Those little works of art have also influenced traditions in other countries that have been witness to the amazing artistic features of porcelain design. Having a very nice set of china myself, I now understand the reasoning behind protecting such valuable property. I would like to be able to see firsthand some of the masterpieces that may be roaming throughout the great country of China.

Here is a place where Joint Task Force Guantanamo Troopers can relax, unwind and explore their creative side as an outlet for the stress and anxiety from a long week at work. On this Friday night, (need actual date.. can’t say day of week) a small class of five students gathered to learn ceramic molding, many of them starting projects intended for use as one of a kind Christmas gifts or personal souvenirs.

The appearance of Beaker Bell pottery in Europe is one ceramic innovation which is still not fully understood today (Waddell 2010, 121) as their distribution is irregular stretching from Hungary to Ireland. Several Beaker Bell pottery types have been identified in Britain and Ireland; those of different sizes, ware type (ibid). Many of the pottery that has survived in Ireland are those which have been used for burial, although also used for drinking, storage and cooking (Gibson 2002, In: Waddell 2010, 121). Residue analysis showed the pottery was used for holding alcohol and drugs, but as the pots themselves would not hold liquids for long it was like a prehistoric drinking challenge (Guerra-Doce 2006, 248). Pottery sherds have been uncovered from a number of settlements in Ireland; Dublin, Limerick, Meath and Tyrone to name a few locations. It was only when wedge tombs were excavated in the 1930s that there was actual proof of Beaker Bell existence in Ireland and from that it was assumed the people were an important component of the Irish population at that time (Waddell 2010, 129) and they were also recognised as the people that introduced the understanding of metal working to Ireland. The “Beaker Folk” are all connected by their similar techniques and artefacts but their geographical location seems to be an influence in their day to day practices, for example the stark difference in Irish and British Beaker Bell funerary rituals (Waddell 2010, 130). It seems the one

From the elemental makeup of the clay to its final glazing, Then it is on to glazing. To produce a particular look on a fired piece of clay, artists examine chemical properties of different glazes. To glaze a piece is to cover it with a thin layer of glass. It consists mainly of silicon dioxide, aluminum dioxide, and fluxes. The silicon dioxide is the main body of the glaze. The aluminum dioxide enhances the viscosity of the glaze. The fluxes, made of different oxides of alkali or alkaline earth metals, lower the melting point of the mixture. Since the main compounds in glazes are colorless, artists must look elsewhere to color the glazes (Says). Most glazes get their colors through oxides of the transition metals. The most common are iron oxide, copper oxide, and cobalt oxide (Breuer). Artists can also mix the metal oxides to get an entire spectrum of colors unique to their artwork. Just by changing the amount of one oxide in a glaze, artists can get an entirely different

The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the

As a self-taught potter, I have been working with clay for nearly 2 years. I make primarily functional wares fired to cone 10(2345°f) using porcelain or stoneware clay. I obtained a degree in political science from Winona State University in 2015. I am highly influenced by my experiences as a

Pottery is an ancient form of art created by people as early as 29,000 BC. The Gravettian "Venus" figurines (appendix A) are the earliest discovered ceramic works, dating from 29,000 BC to 25,000 BC (Carr, 2015). Since then ceramics have significantly evolved, and the pots created today can be described

I found my home in the ceramics department a little over a year ago after a slightly distressing period of exploration. I was initially won over by the tactile nature of clay but I soon discovered that ceramics encompassed everything I wanted in a medium. I have the freedom to move between art and design and with its virtually endless possibilities of making, the field of ceramics will always keep my curious mind fed.