Change And Characters In Franz Kafka's The Metamorphosis

Although Gregor turned into a bug, the real Metamorphosis occurred before the change and with the whole family. Kafka’s novella The Metamorphosis reflects the ideals about industrialization and existentialism during the turn of the century. In the novella, Gregor turns into a bug, and the whole family has to deal with it in different ways. Many characters go through a metamorphosis in the novella. Although the changes may not be physical the changes occurred greatly in Gregor, Mr. Samsa, and Grete.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

The story, “The Metamorphosis”, by Franz Kafka, is a piece of literature that introduces the idea of being an outsider, and falling out of the social order you have spent so long trying to prosper in. As a reference for some background, the story features the main character, named Gregor, waking up one morning as a beetle. This is the source of many problems to come, such as not being able to go to work, leave his room, eat normal food, or succeed in a public setting. One could easily understand how Gregor would become an outsider. This proposed this question to the reader- Are outsiders merely those who are misjudged or misunderstood? The simple answer to this is no. Outsiders are not born into their life of loneliness and solitude. They either consciously or unconsciously stray from people that love and care for them, such as friends, family, and peers. They could effortlessly re-include themselves into any social group, but instead they wallow in self pity, yearning for sympathy. Of course, there are exceptions, but they amount to few.

Ralph Freedman’s critical essay titled “Kafka’s Obscurity” on Franz Kafka’s The Metamorphosis delves into the idea that from changes in the protagonist’s physical limitations, familial bonds, and his being “[he] is finally reduced to a mere speck of self-awareness which is ultimately extinguished” (Freedman 131). General questions of “why” and “how” are almost immediately dismissed due to the calm and monotonous tone that Kafka implements throughout the novel. Instead, the reader is encouraged to ponder the consequences of separating one’s mind from their body, in particular, how long can their humanity stay intact when the rest of them is replaced. Freedman reveals the “paradoxical” (Freedman 131) nature of The Metamorphosis in which the demise of one’s life may also be blissful release, especially when the individual in question was arguably inhuman to begin with. The transformation itself is emphasising the character’s current dejection and is highlighted by the transformations mirrored in the family as well.

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.

The very first line of one of the most famous novellas of the 20th century, Franz Kafka’s Metamorphosis, is puzzling. It tells us that the main character awakes one day and finds himself turned into “ungeheueren Ungeziefer” (Gooderham par. 4). It has proven difficult to translate the line into English, as there is no precise translation. Meaning some “enormous or monstrous kind of unclean vermin” (Gooderham par. 7), it denotes “something nasty, but not specific” (Robertson 2:31). The meaning of the whole story remains similarly uncertain, and numerous readings of it have emerged in literary criticism. In our paper, we will make an attempt to give a possible interpretation of the novella, supporting it with some arguments, and then we will discuss the story’s ambiguity further.

Change plays a major role in one's life. It is what makes one’s life unique and different. In the novel, The Metamorphosis by Franz Kafka, Gregor Samsa, the protagonist, initially appears as a respectful young man working as a traveling salesman to pay off his family debts and provide for his family. But then Gregor goes through a transformation that turns him into a gigantic insect. Even though Gregor’s sister, father, and mother undergo many changes, the most significant transformation that occurs in the story is the change in Gregor, from an ordinary working man to a gigantic insect. This initial transformation becomes only the first impulse, which causes a lot of changes in his external and internal world along with forcing him to adapt to his new position in the family.

The human condition in literature can be defined as the characteristics, situations, and key events that develop the essentials of human existance such as birth, growth, aspiration, emontionality, mortality, and conflict. In contrast with the theme, the isolation of modern men, this novella by Franz Kafka speaks volumes about the human condition as well as, uses rhetoric to convey the theme. The Metamorphosis by Franz Kafka is an allegory. Kafka cleverley uses this to describe Gregor’s isolation, alluding overall to the isolation of the human condition. Gregor’s job as a traveling salesman causes him displeasure and leaves him in isolation.

The novel Metamorphosis, by Franz Kafka, is a story about a traveling salesman, Gregor, who lives with his family to support them financially. Metamorphosis is a classic novel that is studied in many schools for its symbolic use of words, as well as the thought process that is put into it while reading. In the novel Gregor’s father had previously owned a business that failed. This causes Gregor to work in order to pay off his family’s debt. Although, Gregor hates his job, he continues to work in order to support his sister and parents, up until he morphs into a bug. This causes Grete to grow into more responsible duties in the family and to be treated more like an adult. Throughout the novel Gregor and Grete live parallel lives; in the beginning Gregor is treated as the

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

1. Gregor’s initial reaction to his transformation, more specifically his worrying about missing the train and dwelling on the hardships of his job, reveals the extent to which Gregor’s own self-identity and way of life is dependent on his work. While most people would probably be horrified to find themselves transformed into a bug, Gregor instantly thinks of his job because that is what comprises Gregor’s identify and without his job he has no purpose or worth in his society. As Gregor contemplates his future, he thinks to himself, “Well, there’s still some hope; once I’ve got the money together to pay off my parents’ debt to him [his boss] – another five or six years I suppose – that’s definitely what I’ll do. That’s when I’ll make the big change” (Kafka 8).

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

When one is to think of themselves, they do not necessarily have the same outlook as one who views that same individual on a daily basis. Can a perception of self even be accomplished? Multiple experiences and emotions skew a person’s overall sense of self. When a mirror is looked at, what is truly seen? Does one view one’s external self, or do they see a reflection of past experience? Not many have the value of altruism, but some do. Sometimes altruism can turn extremist though, to the point where it can be a negative thing. In Franz Kafka’s Metamorphosis, the main character Gregor Samsa is a workaholic that randomly one day awakens as a bug. Initially, Gregor sees himself with a condition, and then slowly tries to adapt to his bug transformation. Gregor did not put himself first when he was in a human state, and this did not necessarily change when he was transformed into a bug. Even when Gregor was a bug, he tried to make a big effort to make as little work as possible for his family. Gregor’s self-image is primarily characterized by the hard work he put in before he got changed into a new form, as well as his mindset that he had towards his family. Kafka seems to highlight how man’s true sense of self is lost when work is put first, above any other priority such as family values, such as spending time with people that one cares about, as well as time for oneself too. The Metamorphosis exemplifies how one’s sense of self cannot be completely instituted without having an