Change In Romanesque Churches

However, the only feature of the cathedral that is there today but was not added during the original construction was the stained glass windows which were made between 1912 and 1930. Paul Vincent, an English stained glass artist, was responsible for making the stained glass. Then, in 1927 and 1931, the cathedral went under renovations. According to the official website of the Archdiocese of New York, these renovations included a larger sanctuary and the introduction of the great organ. Many years down the road, in 1976, the cathedral was made a National Landmark.

Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come

During the European Middle Ages, the Catholic Church rose to power. When the Western Roman Empire fell, there wasn’t a grounding figure or a group for security. The people, left without a certain direction, then turned to Catholicism. The religion had its own system of morals, political influence and history. It was and still is a culture. With the amount of donations and faith in their teachings, the Church had the funds to create these large and lavish spaces for group worship and self-guided meditation.

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

The pictures below and on the next page show the interiors of a Protestant church and a Roman Catholic church as each appeared in the first half of seventeenth century. Using these pictures as a starting point, explain how these interiors reflect the differing theologies and religious practices of Protestantism and Catholicism at that time.

but also greatly contrasts the plain exteriors of Christian Basilicas. “The surface decoration of the

Because of their importance, cathedrals were run by bishops, and not local parish priests. Cathedrals were filled with art, because many people were illiterate. Art told stories of Christ’s life, death, and resurrection. Stained glass, made by glaziers, filled windows. Often, they were arranged in a pattern that told a story.

When comparing the two buildings both consist of glass that was stained. The windows in the Bourges cathedral were stained with stories of the Old Testament.

On the other hand, cathedrals all started to represent Christianity when church leaders just wanted one structure to represent the religion, one church leader in particular, Sugar. He first promoted the Gothic style in medieval France (Schlager 2). He then took the mother church of St. Denis and emerged the gothic style; soaring heights, lessons on glass, and displayed light. After that, many features started to appear to represent christianity such as the giant cross on the floor and giant cross on the top. Church’s interest resulted in a new technology heavily influenced by religion (Schlager 2).

The Romanesque and Gothic architecture period both occurred during the Middle Ages with the Gothic period taking place during the later half. Gothic and Romanesque architecture were related in many ways, but they also contrasted in style too. Over time, masons began to test the waters and push the limits. They thought of new ways to add lighting and ways to allow more height to the building without it being to heavy and weak. Many of the reasons for the change in styles had a lot to do with society and the changes it faced. There was a greater intensity occurring in piety and literature. The Gothic style embodied this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure

It changed primarily for three reasons: (a) the Church as it is today confronts, and, as a result of progressions in communication, knows itself to be confronting, not a single culture (Western, say), but very different cultures across the globe; (b) our contemporary, heightened

The buildings had barrel vaults columns and windows and doors with rounded arches. The buildings were solid and heavy with small windows which made the insides very dimly lit. This lack of light is apparent in the film as a way to describe the general mindset and lifestyle of monastic life in the Middle Ages. Romanesque architecture is known for its large internal spaces. Annaud uses these Middle Age details in his construction of the set. As Professor Russell describes in the Medieval Culture lecture the different rooms of the monastery contained the cloister which connected the dormitory, refectory, scriptorium, kitchen, cellar, and herbal garden. The small windows, arched doorways and the non-human void of expressivity capitals and sculptures were all true to the times. Annaud constructed this Romanesque church set built specifically to shoot majority of the film. The attention and detail that he put into making sure that the backdrop provided a true and accurate account for how religious architecture was in the Middle Ages furthered the success of the film.

I can't think of any other art that defines the characteristics of the 14th-century style of art better than the figure of fortitude by Nicola Pisano. This art is far different than that of Romanesque and Gothic time era. Most arts in those times had more symbolic representation rather than realism. This sculpture was influenced by the classical antiquity in terms of looks and representation. This figure is muscular and athletic to represent fortitude. The figure combines the looks of classical Romaine and Greek features as will as Christianity virtue. The main similarity between the art of Romanesque and Gothic eras is that this art piece was also created for a religious purpose. Nicola Pisano and many other artists of this time wanted to

The clerestory had only small windows to let a decent amount of light in. The exteriors of the cathedrals were plain, had very little decoration, and were extremely solid-looking. Cathedral plans were often regular and symmetrical, making the Romanesque cathedral form known for its simplicity. They were often built in the general shape of a cross, relying on the basilica as a design base. As for the sculptural decoration, Romanesque architects utilized thin, elongated, and abstract figures.

Stained glass has played a major role in reflecting Christianity’s beliefs because of the multitude of uses it has in a church. Stained glass windows are used in Christianity to represent and provide a visual picture for the Bible and the lives of Saints. The windows also serve the church by letting light from outside in. According to members of the Gothic church, when the light enters through the stained glass it becomes divine light and is the light of God. The divine light in the church symbolized the spirit of God. Because stories were depicted