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Changes in Russia Captured in the Works of Anton Chekhov Essay

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Anton Chekhov (1860-1904) was born a year before the emancipation of serfism in Russia took place. Although he was the grandson of a serf, Chekhov was able to attend the medical school at the University of Moscow and become a physician. Chekhov started writing in order to support his family economically, becoming a master in drama and short stories. His literature is characterized by the use of colloquial language which could be understood even by the less educated and recently liberated serfs. Social change is the main theme in ‘The Cherry Orchard’, a four-act play written in 1904. In this play the different characters portray how changes in Russia after the emancipation of 1861 were taking place and although the play is set several …show more content…

However, many peasants, although liberated, remained in their state of peasants following the old regime. These men are symbolized by Firs, an old servant for whom freedom was insignificant. He stays loyal, working in the Cherry Orchard as a serf since he had no other opportunities in life. Firs and Lohpakin on one side contrast Madame Ranevsky and Gayef her brother. The first two portraying two different ways in which emancipation affected peasants, and the last two, showing how the emancipation affected Russian aristocracy.
The past is constantly mentioned by the characters in this play. Even the cherry orchard as property, is a symbol of the Old Russian regime. The end of the Old Regime therefore, is portrayed by Chekhov when at the end of the play Lohpakin becomes the owner of the estate and cuts the cherry orchard. Chekhov, as a contemporary observer, uses his play to criticize some aspects of the emancipation of 1861. The message he leaves is that although the emancipation was an important step towards freedom, it was not the only one to be made. This message, besides being given throughout the novel, is also stated by Trofimov, an idealist student who realizes how far Russia is from achieving real freedom. At the end of Act 2, Trofivom tells Anya, Madame Ranevskaya’s 17-year-old daughter: “...In order to start living in the present, we first have to redeem our past, make an end of it, and we can only do that through suffering…” .
The play shows us

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